The Shirt Factory and Other Stories. Wellington: Victoria University Press with Price Milburn, 1981.
Georgicon. Wellington: Victoria University Press, 1984.*
Tales of Gotham City. Auckland: Auckland University Press; Oxford University Press, 1984.
Symmes Hole. Auckland: Penguin, 1986.
Driving into the Storm: Selected Poems. Auckland: Oxford University Press, 1987.*
Survival Arts. Auckland: Penguin, 1988.
Tendering: New Poems. Auckland: Auckland University Press, 1988.
The Drummer. Auckland: Auckland University Press, 1993.
The Commonplace Odes. Auckland: Auckland University Press, 2001.*
Three Regrets and a Hymn to Beauty: New Poems. Auckland: Auckland University Press, 2005.
The Viewing Platform. Auckland: Penguin, 2006.
Chinese Opera. Wellington: Victoria University Press, 2008.
Good Business. Auckland, Auckland University Press, 2009.
The Catastrophe. Wellington: Victoria University Press, 2011.
Peter Wells
Dangerous Desires. Auckland: Reed, 1991.
Duration of a Kiss. Auckland: Secker and Warburg, 1994.
Boy Overboard. Auckland: Vintage, 1997.
‘When My Brother Got Thin.’ Landfall, 198 (November 1999).*
Long Loop Home: A Memoir. Auckland: Vintage, 2001.
Iridescence. Auckland: Vintage, 2003.
Lucky Bastard. Auckland: Random House, 2007.
Albert Wendt
Sons for the Return Home. Auckland: Longman Paul, 1973; Auckland: Penguin, 1987.*
Flying-fox in a Freedom Tree. Auckland: Longman Paul, 1974.
Inside Us the Dead: Poems 1961–1974. Auckland: Longman Paul, 1976.
Pouliuli. Auckland: Longman Paul, 1977.
Leaves of the Banyan Tree. Auckland: Longman Paul, 1979.
Shaman of Visions. Auckland: Auckland University Press, 1984.
The Birth and Death of the Miracle Man: A Collection of Short Stories. Harmondsworth; New York: Viking, 1986.*
Black Rainbow. Auckland: Penguin, 1992.
Ola. Honolulu: University of Hawai‘i Press, 1995.
Photographs. Auckland: Auckland University Press, 1995.
The Best of Albert Wendt’s Short Stories. Auckland: Vintage, 1999.
Mango’s Kiss. Auckland: Vintage, 2003.
The Adventures of Vela. Wellington: Huia, 2009.
Dora Wilcox
Verses from Maoriland. London: George Allen, 1905.*
Rata and Mistletoe. London: George Allen, 1911.
Damien Wilkins
The Veteran Perils. Auckland: Heinemann Reed, 1990.
The Idles. Wellington: Victoria University Press, 1993.*
The Miserables. Wellington: Victoria University Press, 1993.*
Little Masters. Wellington: Victoria University Press, 1996.
Nineteen Widows Under Ash. Wellington: Victoria University Press, 2000.
Chemistry. Wellington: Victoria University Press, 2002.
The Fainter. Wellington: Victoria University Press, 2006.
For Everyone Concerned and Other Stories. Wellington: Victoria University Press, 2007.*
Somebody Loves Us All. Wellington: Victoria University Press, 2009.
George Phipps Williams
With W.P. Reeves. Colonial Couplets: Being Poems in Partnership. Christchurch: Simpson & Williams, 1889.*
Phillip Wilson
Some Are Lucky. Wellington: Denis Glover, 1960.*
Beneath the Thunder. Christchurch: Whitcombe & Tombs, 1963.
The Outcasts. London: Hale; Christchurch: Whitcombe & Tombs, 1965.
Pacific Flight. Christchurch: Robert Hale, 1965.
New Zealand Jack. London: Hale, 1973.
Alison Wong
Cup. Wellington: Steele Roberts, 2005.
As the Earth Turns Silver: A Novel. Auckland: Penguin, 2009.*
David McKee Wright
Aorangi and Other Verse. Dunedin: Mills, Dick & Co., 1896.
Station Ballads and Other Verse. Dunedin: J.G. Sawell (Wises), 1897;* ed. Robert Solway. Auckland: John A. Lee, 1945.
New Zealand Chimes. Wellington: W.J. Lankshear, 1900.
Wisps of Tussock: New Zealand Rhymes. Oamaru: Andrew Fraser, 1900.
An Irish Heart. Sydney: Angus & Robertson, 1918.
Ashleigh Young
‘A Swim with Mum.’ Sport, 33 (Spring 2005).*
Acknowledgements
We wish to thank the following: at Auckland University Press, Sam Elworthy, Anna Hodge, Katrina Duncan and Poppy Haynes; Damian Love, our editor; Louise Belcher, for proofreading; Ginny Sullivan, our indexer; Hamish Clayton and Kirsten Reid, who surveyed and discussed with us the shape of early versions; our research assistants, Patrick Coehlo, Victoria Coldham-Fussell, Kirsten O’Regan, Jean Rumble, Michael Pohl, Charlotte Bradley and Lizzie Towl; Victoria University Library, especially Sue Hirst, Nicola Frean and Tracy White of the J.C. Beaglehole Room, and Koichi Inoue, the English subject librarian; John McAlister, Dougal McNeil, Harry Ricketts, David O’Donnell, John Dennison, Dianne Bardsley, Sally Hill and Peter Whiteford of Victoria University; Victoria University English Programme administrators Corry Joseph and Victoria Taylor; the Alexander Turnbull Library, especially Amy Watling; Paul Millar, Jo Kahl, John Newton, Gregory O’Brien, Ben Whiteford and Gillian Ranstead.
We are grateful to the following writers, publishers and rights holders for permission to reproduce the copyright material in this anthology: Fleur Adcock and Bloodaxe Books for ‘Wife to Husband’, ‘Against Coupling’, ‘Immigrant’; Tim Amato for Renato Amato, ‘One of the Titans’; Barbara Anderson and Victoria University Press for ‘Commitment’, ‘Fast Post’; the Sylvia Ashton-Warner Estate for extract from Spinster; Tusiata Avia and Victoria University Press for ‘Wild Dogs Under My Skirt’, ‘Alofa’; Hinemoana Baker and Victoria University Press for ‘Methods of Assessing the Likely Presence of a Terrorist Threat in a Remote Indigenous Community’; Text Publishing for David Ballantyne, extract from Sydney Bridge Upside Down © David Ballantyne, 1968, first published in New Zealand by Robert Hale Limited, 1968, published by The Text Publishing Company, 2010, 2012; Cape Catley Ltd for Archibald Baxter, extract from We Will Not Cease; John Baxter, Paul Millar and the James K. Baxter Trust for ‘Poem in the Matukituki Valley’, ‘On the Death of Her Body’, ‘A Small Ode on Mixed Flatting’, ‘Ballad of Calvary Street’, poems from ‘Pig Island Letters’, ‘The Maori Jesus’, ‘The Ikons’, poems from Jerusalem Sonnets, extract from ‘Recent Trends in New Zealand Poetry’; Jenny Bornholdt and Victoria University Press for ‘The Boyfriends’, ‘Wedding Song’, ‘Make Sure’, ‘The Jersey’, ‘Undone’; literary executor Alan Roddick for Charles Brasch, ‘Forerunners’, ‘The Islands (2)’, ‘The Silent Land’; Diana Bridge and Auckland University Press for ‘Diary: September 20–21’; James Brown and Victoria University Press for ‘Cashpoint: A Pantoum’, ‘The Language of the Future’; copyright holder Ruby Brunton and literary executors Michele Leggott and Martin Edmond for Alan Brunton, ‘Note d’un Poète’, Manifesto to The Word Is Freed; Kate Camp and Victoria University Press for ‘Unfinished Love Theorem’, ‘Personal Effects’; Andrew Campbell for Alistair Te Ariki Campbell, ‘The Return’, poems from ‘Soul Traps’; Gladwen McIntyre for Peter Cape, ‘Down the Hall on a Saturday Night’; Eleanor Catton and Victoria University Press for extract from The Rehearsal; Janet Charman and Auckland University Press for ‘two deaths in one night’; Catherine Chidgey and Victoria University Press for ‘A Short Survival Guide’, from In a Fishbone Church; John Clarke for ‘The Gumboot Song’; Hamish Clayton and Penguin Group (NZ) for extract from Wulf; Geoff Cochrane and Victoria University Press for ‘That Winter with Celeste’, ‘Loop’; Glenn Colquhoun and Steele Roberts for ‘A Problem While Translating the Treaty of Waitangi’; Susanna Andrew and Victoria University Press for Nigel Cox, extract from The Cowboy Dog; Ian Cross and Penguin Group (NZ) for extract from The God Boy; Bush Med
ia for Barry Crump, extract from Hang on a Minute Mate; copyright holder Jenifer Curnow for Allen Curnow, ‘House and Land’, ‘Landfall in Unknown Seas’, ‘The Unhistoric Story’, ‘The Skeleton of the Great Moa in the Canterbury Museum, Christchurch’, ‘You Will Know When You Get There’, ‘At Joachim Kahn’s’, ‘A Balanced Bait in Handy Pellet Form’, ‘The Parakeets at Karekare’, ‘The Bells of Saint Babel’s’, excerpt from ‘Trees, Effigies, Moving Objects’; Wystan Curnow for poems from Cancer Daybook; Otago University Press for Ruth Dallas, ‘Pioneer Woman with Ferrets’, ‘Deep in the Hills’, ‘Milking Before Dawn’, ‘Living with a Cabbage-tree’; Otago University Press for Dan Davin, ‘The Quiet One’; Susan Davis for Leigh Davis, extract from Willy’s Gazette; Kate De Goldi and Random House New Zealand for extract from The 10PM Question; Stephanie de Montalk and Victoria University Press for ‘Fourteen Thousand Miles’; Estate of Jean Devanny and Auckland University Press for extracts from Point of Departure, The Butcher Shop; Marilyn Duckworth for ‘Among Strangers’; Ingrid Shouler and Karl du Fresne for Yvonne du Fresne, ‘Astrid of the Limberlost’; the Estate of Eileen Duggan and Victoria University Press for ‘The Tides Run Up the Wairau’, ‘The Bushfeller’, ‘Night’; Nick Duggan and Auckland University Press for Maurice Duggan, ‘Along Rideout Road That Summer’; Kate Duignan and Victoria University Press for ‘Four Reasons to Come to Scotland’; Frances Edmond, literary executor for the Estate of Lauris Edmond, for ‘Latter Day Lysistrata’, ‘The Names’, ‘Going to Moscow’; Murray Edmond for ‘Psyche at the Beginning of Spring’, ‘Shack’; David Eggleton for ‘God Defend New Zealand’, ‘Painting Mount Taranaki’; Stevan EldredGrigg and Penguin Group (NZ) for extract from Oracles and Miracles; Dinah Holman and Janis Fairburn for A.R.D. Fairburn, ‘Rhyme of the Dead Self’, extract from ‘Dominion’; Fiona Farrell, Auckland University Press and Penguin Group (NZ) for ‘Charlotte O’Neil’s Song’, extract from The Skinny Louie Book; Cliff Fell and Victoria University Press for ‘The Adulterer Becomes a Roadie for the Clash and Thinks About Sleeping with their Girlfriends’, extract from ‘The M at the End of the Earth’; Sia Figiel for extract from Where We Once Belonged; Anne French for ‘The evader writes a lyric poem’, ‘Cabin Fever’, ‘The lady fishermen’; The Front Lawn [Harry Sinclair and Don McGlashan], ‘Tomorrow Night’, words and music by DON McGLASHAN and HARRY SINCLAIR © Copyright Native Tongue Music Publishing Ltd, all print rights for Native Tongue Music Publishing Ltd administered in Australia and New Zealand by Sasha Music Publishing, a division of All Music Publishing & Distribution Pty Ltd ACN 147 390 814, www.ampd.com.au. Used by permission. All rights reserved. Unauthorised reproduction is illegal; Mrs A.G. Pickard and Auckland University Press for A.P. Gaskell, ‘School Picnic’; Maurice Gee, Richards Literary Agency and Penguin Group (NZ) for ‘A Glorious Morning, Comrade’, extracts from The Big Season, Plumb; copyright holder Pia Glover and the Denis Glover Estate for ‘Home Thoughts’, ‘The Road Builders’, ‘The Magpies’, ‘The Arraignment of Paris’, ‘Arawata Bill’, ‘Centennial’, ‘Sings Harry’; Patricia Grace and Penguin Group (NZ) for ‘Parade’, extracts from Potiki, Cousins; Briar Grace-Smith and Huia Publishers for extract from Ngā Pou Wāhine; Paula Green and Auckland University Press for ‘Waitakere Rain’; Rore Hapipi for ‘The Raw Men: For the Maori Battalion’; Bernadette Hall and Victoria University Press for ‘Anorexia’, ‘Poem in the Matukituki Valley’, ‘Omakau’; Dean Hapeta aka Te Kupu for ‘Hardcore’; Michael Harlow for ‘The Nannies Are Coming!’; Dinah Hawken and Victoria University Press for ‘Hope’, ‘The Tug of War’, ‘Light Is the Word for Light’; Hinemoa Hilliard for Noel Hilliard, extract from Maori Girl; Anthony Holcroft for M.H. Holcroft, extract from The Deepening Stream; Dylan Horrocks and Victoria University Press for extract from Hicksville; Keri Hulme for ‘One Whale Singing’, ‘The Pluperfect Pā-wā’; Sam Hunt for ‘Porirua Friday Night’, ‘A Valley Called Moonshine’, ‘Requiem’; Witi Ihimaera and Penguin Group (NZ) for ‘Maori Life and Literature: A Sensory Perception’, ‘A Game of Cards’, extract from Bulibasha; Kevin Ireland for ‘Animals and Engines’; Anna Jackson and Auckland University Press for ‘Takahe’, ‘Moa’, ‘Huia’; Cecilia Johnson and Victoria University Press for Louis Johnson, ‘Magpie and Pines’, ‘Song in the Hutt Valley’; Andrew Johnston and Victoria University Press for ‘The Present’, ‘Sol’; Lloyd Jones and Penguin Group (NZ) for extracts from Mister Pip, The Book of Fame; C.E. Joseph and Auckland University Press for M.K. Joseph, ‘Secular Litany’, ‘Drunken Gunners’; David Higham Literary, Film and TV Agents for Anna Kavan, extract from ‘New Zealand: Answer to an Inquiry’; Jan Kemp for ‘Against the Softness of Woman’, ‘Quiet in the Eye, New Hebrides to Fiji 1974’; Anne Kennedy and Auckland University Press for ‘Whenua (1)’, ‘Blackout’; Fiona Kidman and Random House New Zealand for extract from True Stars; Elizabeth Knox and Victoria University Press for extracts from The Vintner’s Luck, Daylight; Margaret Lawlor-Bartlett for Pat Lawlor, extract from Maori Tales; Michele Leggott and Auckland University Press for ‘Blue Irises’, ‘Mirabile Dictu’; the Len Lye Foundation for ‘Dazing Daylight’; Tina Makereti and Huia Publishers for ‘Skin and Bones’; Estate of John Male for ‘Girl with Her Hair Cut Short’, ‘Three poems—Tunisia, April 1943’, ‘Sangro in Flood’; Bill Manhire and Victoria University Press for ‘How to Take Off Your Clothes at the Picnic’, ‘Milky Way Bar’, ‘Phar Lap’, ‘Zoetropes’, ‘1950s’, ‘Kevin’, ‘Without Form’; Owen Marshall and Random House New Zealand for ‘Mumsie and Zip’, ‘The Rule of Jenny Pen’; the Bruce Mason Estate and Victoria University Press for extract from The End of the Golden Weather; Hocken Collections Uare Taoka o Hākena for R.A.K. Mason, ‘Sonnet of Brotherhood’, ‘Latter-Day Geography Lesson’, ‘Old Memories of Earth’, ‘Song of Allegiance’, ‘Sonnet to MacArthur’s Eyes’; Rachel McAlpine for ‘Burning the Liberty Bodice’; Sue McCauley and Glenys Bean for extract from Other Halves; Greg McGee and Victoria University Press for extract from Foreskin’s Lament; Cilla McQueen and Otago University Press for ‘Living Here’, ‘Vegetable Garden Poem IV’; Otago University Press for O.E. Middleton, ‘Killers’; Karlo Mila and Huia Publishers for ‘On Joining Pasifica’; Sara Mitchell and Genevieve McClean for David Mitchell, ‘my lai/remuera/ponsonby’, ‘ponsonby/remuera/my lai’, ‘th oldest game’; Paula Morris and Penguin Group (NZ) for ‘Like a Mexican’; C.A. Notman, H.L. Engelen, S.I. 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Margaret Edgcumbe and Auckland University Press for Kendrick Smithyman, ‘An Ordinary Day Beyond Kaitaia’, extract from ‘Reading the Maps’; Alexandra Smithyman and Auckland University Press for Mary Stanley, ‘The Wife Speaks’, ‘Morepork’, ‘Sestina’, ‘Per Diem et per Noctem’, ‘Night Piece’; C.K. Stead and Auckland University Press for ‘Deconstructing the Rainbow Warrior’, ‘A Fitting Tribute’, poem from ‘Quesada’, extract from All Visitors Ashore by C.K. Stead, published by Harvill Press, reprinted by permission of The Random House Group Limited; by arrangement with the Licensor, The Douglas Stewart Estate, c/-Curtis Brown (Aust.) Pty Ltd for Douglas Stewart, ‘Green Lions’, ‘Mending the Bridge’, ‘The Girl on the Bus’; Paul Millar and John Baxter for J.C. Sturm, ‘For All the Saints’, ‘Maori to Pakeha’, ‘The Old Coat’; Robert Sullivan and Auckland University Press for poems from Star Waka; Alice Tawhai and Huia Publishers for ‘Luminous’; Apirana Taylor for ‘The Womb’, ‘Sad Joke on a Marae’; Ms Rosamund Droescher and Victoria University Press for Greville Texidor, extract from Goodbye Forever; Chris Tse for ‘Chinese Colours’; Brian Turner and Victoria University Press for ‘The Initiation’, ‘Semi-Kiwi’; Rob Tuwhare ([email protected]) on behalf of the Estate of Hone Tuwhare for ‘Time and the Child’, ‘No Ordinary Sun’, ‘The Old Place’, ‘To a Maori Figure Cast in Bronze Outside the Chief Post Office, Auckland’, ‘A Fall of Rain at Mitimiti: Hokianga’, ‘Sun o (2)’, ‘We, Who Live in Darkness’, ‘Rain’, ‘The New Zealand Land March on Wellington’; Jean Watson for extract from Stand in the Rain; Ian Wedde and Auckland University Press for ‘Pathway to the Sea’, poems from Earthly: Sonnets for Carlos, ‘Beautiful Golden Girl of the Sixties’, ‘Driving into the Storm’, ‘To death’; Peter Wells for ‘When My Brother Got Thin’; Albert Wendt and Penguin Group (NZ) for ‘Exam Failure Praying’, extract from Sons for the Return Home; Damien Wilkins and Victoria University Press for ‘The Prodigals’, ‘Reunion’, extract from The Miserables; Janet Wilson and Victoria University Press for Phillip Wilson, ‘End of the River’; Alison Wong and Penguin Group (NZ) for extract from As the Earth Turns Silver; Ashleigh Young for ‘A Swim with Mum’.
The Auckland University Press Anthology of New Zealand Literature Page 155