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Sargent's Women

Page 35

by Donna M. Lucey


  220“snarling, blear-eyed bulldog”: Tharp, Mrs. Jack, 283.

  220already decided to create a museum: Chong, Lingner, and Zahn, Eye of the Beholder, xiii.

  220Europa: Saarinen, Proud Possessors, 34. “Now, please, be reasonable,” Berenson wrote her once, “you cannot possess all the great paintings that come on the market.”

  220“picture-habit”: Hadley, Letters of Berenson and Gardner, 63.

  220“I have not one cent”: Tharp, Mrs. Jack, 187.

  220“I am breathless . . . all of joy!!!”: Chong, Lingner, and Zahn, Eye of the Beholder, 105.

  222“The wind and the weather”: Henry James, “The Grand Canal,” Scribner’s Magazine 12, no. 5 (November 1892), 538.

  222“rois en exil”: Henry James, Italian Hours (Boston: Houghton Mifflin, 1909), 57.

  222“positively scandalous” . . . “interested in Venetian gondoliers”: McCauley et al., Gondola Days, 115. See also xiv–xv for discussion of Venice as a less conventional, sensual, place of exile, and Henry James cited as a closeted homosexual.

  223According to legend, the Curtis family: Ibid., 60–63.

  223“pretty stupid as a constant companion”: Ibid., 18.

  223Henry James came to visit: Ibid., 144.

  224uncanny resemblance to Belle: Ibid., xv.

  224Photographs from Venice: Ibid., 20, 23. Gondoliers were “for hire in every sense of the term,” 20.

  224The artist brought an Italian . . . until the artist’s death: Ibid., 110–15. Jacques-Émile Blanche recalled seeing the portrait hanging in Sargent’s studio and remarked, rather ungraciously, “I wait, under the portrait of the young gondolier, who, now old, remains there, the master’s faithful dog.”

  224adventure in acquisition: Carter, Gardner and Fenway Court, 166–67. McCauley et al., Gondola Days, 33.

  225“more favorable time”: McCauley et al., Gondola Days, 33.

  225“gondola gossip”: Ralph Curtis to I. S. Gardner, June 1, 1885, Gardner Museum Archives.

  225“My dear Queen Isabella”: Ibid., April 13 [1894], Gardner Museum Archives.

  225“Society Leader Breaks Leg” . . . “water-melon pink toque”: Tharp, Mrs. Jack, 204–05.

  226“invent a new system”: Smith, Interesting People, 154.

  227Jack suffered a stroke: Tharp, Mrs. Jack, 209–10.

  227Belle inherited: Ibid., 216; Carter, Gardner and Fenway Court, 173–74.

  227“Boston’s most interesting widow”: Tharp, Mrs. Jack, 216.

  228honoring Jack’s wish: Tharp, Mrs. Jack, 212. Buying open land, following Jack’s wish.

  228“cosmic and insatiable”: Saarinen, Proud Possessors, 26.

  229A new entrance: In 2012 the museum added an entryway designed by Renzo Piano. In making the necessary renovations to the original building, museum officials had to get permission from the attorney general of Massachusetts, as any change to the museum would violate Belle’s express wishes.

  229“seductive siren”: Saarinen, Proud Possessors, 51.

  229took up a brush: Goldfarb, Gardner and Fenway Court, 43. Color of the pink stucco walls and Belle showing workmen how to paint them.

  230Ca’ d’Oro: Or House of Gold, had its own romantic history. In 1846 a Russian prince, Alexander Troubetzkoy, bought the fifteenth-century palazzo for his lover, a diva ballerina. At that time she already owned three other houses on the Grand Canal, trophies from her suitors.

  232true Renaissance Venetian palazzo: Goldfarb, Gardner Museum, 16.

  232four-leaf clover: Carter, Gardner and Fenway Court, 177.

  232“never knows what is to be done”: Ibid., 184.

  232Belle won the battle: Ibid., 184–85.

  232“special legislation”: Luisa Lambri, Portrait (Boston: Isabella Stewart Gardner Museum, 2012), 17. Quoting diary entry by Willard Sears, August 1, 1900.

  232Feuds: Ibid., 17. Chong, Lingner, and Zahn, Eye of the Beholder, xiv.

  233insurance policy: Lambri, Portrait, 13.

  233“Bolgi”: Carter, Gardner and Fenway Court, 182–83.

  2341904 photograph: Goldfarb, Gardner Museum, 21.

  234“building a new house”: Chong, Lingner, and Zahn, Eye of the Beholder, xv.

  234Like one of the workmen: Tharp, Mrs. Jack, 233.

  235unveiling ceremonies: Carter, Gardner and Fenway Court, 197. Goldfarb, Gardner Museum, 18.

  235“Punctually”: Tharp, Mrs. Jack, 243.

  235“Rajah”: Ibid., 111. In 1886 Bella purchased the two diamonds at Tiffany & Company in New York for more than forty-six thousand dollars.

  236“Listening to music in such a hall”: Ibid., 244.

  236“aesthetic perfection”: William James to I. S. Gardner, January 3, 1903, Gardner Museum Archives. Carter, Gardner and Fenway Court, 200.

  236Ruth St. Denis: Carter, Gardner and Fenway Court, 211. Tharp, Mrs. Jack, 247–48.

  237“in my shirt-sleeves”: Sargent to I. S. Gardner, September 14, 1902, Gardner Museum Archives.

  237“Venice misses you”: Ibid.

  238“permanent abode at Fenway Court”: Ibid., May 1903, Gardner Museum Archives.

  239“Don’t touch”: Tharp, Mrs. Jack, 317, 345 note.

  239“patting”: Smith, Interesting People, 166.

  239“I will not despair of our age”: Goldfarb, Gardner Museum, 18.

  239“simply improbable!”: William Sturgis Bigelow to I. S. Gardner, August 1, 1902, Gardner Museum Archives.

  239“magnificent”: Henry Duveen to I. S. Gardner, January 19, 1915, Gardner Museum Archives.

  239“knocked flat”: Richard Watson Gilder to I. S. Gardner, April 8, 1903, Gardner Museum Archives.

  240“dazed”: Mariana Griswold Van Rensselaer to I. S. Gardner, March 12, [no year], Gardner Museum Archives.

  240“the only palace” . . . “boiled”: Charles Fletcher Lummis to I. S. Gardner, December 31, 1904, Gardner Museum Archives.

  240“the sobriety of taste”: Francis Marion Crawford to I. S. Gardner, June 12, 1907, Gardner Museum Archives.

  240“It is alive”: Mrs. Fiske Warren (Gretchen Osgood Warren) and Margaret Osgood to I. S. Gardner, no date, Gardner Museum Archives.

  240“breathless”: Ethel Barrymore to I. S. Gardner, April 1902, Gardner Museum Archives.

  241“an acknowledged public benefactor”: Santayana, The Middle Span, 124.

  241Sargent’s masterful El Jaleo: Goldfarb, Gardner Museum, 36.

  241“If you really think”: Chong, Lingner, and Zahn, Eye of the Beholder, 158.

  242parsimony: Tharp, Mrs. Jack, 283–84.

  242embolism: Ibid., 309. Morris Carter, who was present for the attack, gives the date December 26. Carter, Gardner and Fenway Court, 245.

  242“fleecy cloud” . . . “paint her portrait”: Tharp, Mrs. Jack, 318–19.

  244“Carry my coffin high”: Ibid., 3.

  Epilogue

  245“to pay her a last tribute”: John Singer Sargent to William C. Endicott, August 9, 1924, Gardner Museum Archives.

  245“paughtraits”: Charteris, John Sargent, 155.

  245“Ask me to paint your gates”: Richard Ormond and Elaine Kilmurray, Later Portraits, 122. Despite his repeated vows that his career as a portraitist was over, Sargent did complete two three-quarter-length formal portraits in 1925—one of Lady Curzon, which he had been promising to do for years—and another of the publishing magnate George A. Macmillan, a fellow member of the Society of Dilettanti, a private club of aesthetes in which Sargent served as “Official Painter.” Sargent executed the latter painting with the proviso that it would be a free gift to the society, 272–73.

  245“empty bravura passages”: http://hyperallergic.com/239398/the-unsettled-legacy-of-john-singer-sargent/.

  246“Now the American things are done”: Olson, John Singer Sargent, 268.

  246“Au revoir”: Mount, John Singer Sargent, 1957 ed., 333–34. Description of his final evening. Olson, John Singer Sargent, 268–69.

  246At midday the trustee: Mount, John S
inger Sargent, 1957 ed., 1.

  246“End of an Epoch in English Art”: London Times, April 16, 1925.

  246“LABORE EST ORARE”: http://www.findagrave.com/cgi-bin/fg.cgi?page=pv&GRid=20246&PIpi=2386719.

  INDEX

  Page numbers listed correspond to the print edition of this book. You can use your device’s search function to locate particular terms in the text.

  Note: Page numbers after 250 refer to Notes.

  Adams, Clover, 73

  Adams, Henry, 73, 194, 239

  Agnew, Lady, of Lochnaw, Sargent’s portrait of, 27

  Albert, Prince, 128

  Aldrich, Thomas Bailey, 258

  American Society of Miniature Painters, 104

  American Society of Painters, 104

  Amory, Cleveland, The Proper Bostonians, 181

  Angelico, Fra, 172, 217

  Art Students League, New York, 62

  Astor, Caroline Schermerhorn, 124–25, 175

  Astor, John Jacob II, 159

  Astor, John Jacob III, 136

  Astor, William B., 120, 122, 164

  Astor, William B. Jr., 124

  Astor, William Waldorf (later, Viscount Astor), 136

  Astor family:

  and Chanler family, 119, 120, 122, 124, 155, 159, 162, 164, 181

  and divorce, 276–77

  fortune of, 124

  “Astor orphans,” 119, 120

  Atlantic Monthly, 59

  Austen, Jane, 125

  Balfour, Arthur, 144

  Barrymore, Ethel, 75, 85, 99, 102, 240

  Beaman, Charles, 72–73

  Beaux, Cecilia, 239

  Belleroche, Albert de, xix

  Bellow, Saul, 173

  Berenson, Bernard, 166, 169

  and Gardner, 213–18, 220, 242

  Sketch for a Self-Portrait, 217–18, 294–95

  and Villa I Tatti, 218

  Bernhardt, Sarah, 240

  Bigelow, William Sturgis, 206, 239

  Blair, John, 36

  Bloomingdale Asylum, White Plains, 159–62, 164

  Bohm, Ebba, 89, 94, 98

  Boit family, 204

  Bonchurch, England, 128–30

  Bonnat, Léon, 143

  Boston:

  abolitionism in, 184

  Back Bay neighborhood of, 182, 195, 221, 226, 228

  Brahmin aristocracy in, 181–83, 184, 186, 214, 223, 240–41

  Dante Circle in, 195

  the Fens in, 226–27, 228, 234

  Gardner Museum/Fenway Court in, see Isabella Stewart Gardner Museum

  Museum of Fine Arts in, 245–46

  Puritanism in, 206

  St. Botolph Club Exhibition (1888), 146, 203–4, 211

  Boston Athenaeum, 54, 101, 149

  Boston Cecilia society, 236

  Boston Public Library, Sargent’s wall decorations for, 20, 21, 25, 34, 147, 237, 243

  Boston Symphony Orchestra, 60, 77, 95, 235, 236

  Botticelli, Sandro, 217

  The Tragedy of Lucretia, 213–14

  Bourget, Paul, 202

  Broadway, England, Fairchild family in, 57–58

  Browning, Robert, 125, 171

  Bryan, William Jennings, 71

  Bunker, Dennis Miller, 62

  Byard, Theodore, 225

  Caesar, Julius, 177

  Carlyle, Thomas, 129

  Carmencita (dancer), 209–10, 211–12, 292–93

  Carr, Alice Strettell, Terry’s Macbeth gown designed by, 4, 41

  Carr, Doll, 40–41

  Carr, Joseph, 4, 16–17

  Carter, Morris, 225

  Cassatt, Mary, Modern Woman, 65

  Cecil, Arthur, 28

  Chanler, Alida (sister), 124, 146, 154–55, 158

  Chanler, Egerton (brother), 120, 122, 141

  Chanler, Elizabeth Winthrop, xvi, 118

  birth of, 125

  in Boston, 181–82

  death of, 173–74

  debilitating illness of, xix, 119, 137–41, 143, 172

  family of, 164

  guardians of, 136, 137, 138–39, 140, 143, 273

  and her father, 125–27, 143

  and Jack Chapman, see Chapman, John Jay

  marriage prospects of, 119, 143, 155

  maternal presence of, 121–22, 126, 127, 167

  Old World manners of, 171–72

  orphaned in England, 127–37, 138

  pregnancies of, 163, 167–68

  and Queen Victoria, 144–45

  Sargent’s portrait of, xiii, 118–19, 125, 145, 146, 147–49, 174–75

  schooling of, 125, 126–27, 128, 132–33, 139

  socializing, 144, 146–47

  travels of, 142, 156–57, 165–66, 276

  wealth of, 142–43

  Chanler, John Armstrong “Archie” (brother), 120, 121, 126, 136–37, 170

  in Bloomingdale Asylum, 159–62, 164

  Chanler, John Winthrop (father), 120, 122, 125–27, 136, 138, 143, 271, 272

  Chanler, Lewis (brother), 122

  Chanler, Margaret (sister), 123, 165, 171

  death of, 175

  and Jack and Elizabeth’s relationship, 155–56, 279

  and Rokeby, 125, 141

  and Sargent’s portrait of Elizabeth, 146, 148, 174, 175

  travels of, 146, 156–57, 162–63

  Chanler, Margaret Astor (mother), 118, 120, 125

  Chanler, Marion (brother), 122, 141–42

  Chanler, Robert (brother), 119, 120, 142, 145–46

  Chanler, Willie (brother), 122, 142, 161, 163, 279

  Chanler, Winthrop “Wintie” (brother), 121, 126, 136–37, 139, 162, 163, 272

  Chanler family:

  and Astor family, 119, 120, 122, 124, 155, 159, 162, 164, 181

  children/siblings of, 121, 122–24, 125, 159–60, 162

  debating skills of, 121

  family scandal, 159–62

  and financial concerns, 160, 164

  and ghosts, 123, 124

  papers of, 136, 142, 167–68, 173

  pets of, 120–21, 141

  Rokeby estate of, 118, 120–23, 125, 127, 136, 138, 140–42, 149, 152, 153, 155, 159, 164, 175

  servants of, 122–24

  social circles of, 124–25, 143, 144, 146–47, 152, 155

  travels of, 142

  Chapman, Chanler Armstrong, 164, 170–71, 172–73, 175

  Chapman, Conrad, 157, 164, 175

  Chapman, Elizabeth, see Chanler, Elizabeth Winthrop

  Chapman, John Jay “Jack,” 149–59, 173

  in Austrian Tyrol, 166

  and “Bingen on the Rhine,” 172

  breakdown of, 163–66

  “Cape Cod, Rome, and Jerusalem,” 170

  death of, 172

  in Edgewater, 166–67

  and Elizabeth, 149, 152–59, 160–61, 163–66, 167, 168–69, 171–72, 200, 279, 282

  and Gardner family, 200, 201

  literary career of, 168, 170, 172, 174, 200

  and Minna, 151, 154

  and Minna’s death, 157–58

  Ode on the Sailing of our Troops for France, 170

  private wars of, 170, 284

  self-induced injury of, 150

  and Sylvania, 167, 172, 175

  and World War I, 168–70

  Chapman, John Jay Jr., 164, 166

  Chapman, Maria Weston, 150

  Chapman, Minna Timmins, 149–50, 151, 153, 154, 155, 156, 157–58, 166

  Chapman, Olivia, 172

  Chapman, Victor Emmanuel, 151, 164, 167, 168–69

  Chase, Salmon P., 6

  Chase, William Merritt, 62, 211

  Christian Science, 91, 93–94, 114, 165

  Christo, 57

  Churchill, Mabel, 85

  Churchill, Winston, 85, 134, 275

  City of Paris (steamship), 13

  Civil War, U.S., 183, 184

  Clark, Davida, 87

  Cleopatra, 176–77, 188, 225

  Cocteau, Jean, 111

  Colnaghi art deal
ers, London, 216

  Colorado:

  “Garden of the Gods” in, 8

  Rocky Mountains in, 7

  Colorado Springs, 7–8, 9, 30, 32–33, 39, 51

  Colyer-Fergusson, Sir Thomas, 19

  Coolidge, Joseph Randolph, 184

  Coolidge, Thomas Jefferson, 199, 211, 241

  Cornish Arts Colony, New Hampshire, 72–76, 117

  children’s projects in, 75, 85–87, 90

  masque performed in, 94–98

  and Saint-Gaudens, 72–75, 87–88, 94–98

  Cox, Kenyon, 76

  Crawford, Francis Marion “Frank,” 196, 204, 225–26, 240

  Cross, Jane, 122–23

  Curtis, Ariana Wormley, 223

  Curtis, Daniel Sargent, 223

  Curtis, Ralph, 223, 225

  Curzon, George, 144

  Curzon, Lady, 298

  Cushing, Edith, 100, 101

  Cust, Lionel, 166

  Dante Alighieri, 195–96

  Dartmouth College, New Hampshire, 86

  Davidge, Clara Potter, 91

  Degas, Edgar, 213

  Dewing, Thomas, 88

  Dickens, Charles, 129–30, 133

  d’Inverno, Nicola, 224

  Disraeli, Benjamin, 217

  Doherty, Knucksey, 291

  Don Carlos, of Spain, 222

  Duncan, Isadora, 75

  Dunham, Carroll, 70–71

  Dunham, Helen, 26, 27

  Dunham, Katie, 26–27, 47

  Dunham family, 10

  Duveen, Henry, 239

  Eddy, Mary Baker, 93–94, 114

  Edward VII, king of England, 144

  Elizabeth I, queen of England, 25

  Emmet, Alida Chanler, 124, 154–55

  Emmet, Temple, 154–55, 163, 283

  Endecott/Endicott, John, 183

  Erie Canal, 179

  Eugénie, Empress, 185, 274

  Exposition Universelle, Paris, 63

  Fairchild, Blair (brother), 100, 101, 109

  Fairchild, Charles (father), 58–59, 64

  aging of, 99–100, 102–3

  and Atlantic Monthly, 59

  death of, 103

  financial problems of, 76–77, 80, 99

  and Sargent, 55, 61, 102, 116

  Fairchild, Charles Jr. (brother), 77, 84, 100–101

  Fairchild, Gordon (brother), 102, 103–4, 108–9, 110

  Fairchild, Jack (brother), 101–2

  Fairchild, Lily (mother), 64, 101, 204

  and Charles, 99–100, 103

  death of, 107–8

  and Sally, 103, 107–8, 109, 116

  and Stevenson, 61–62, 102

  Fairchild, Lucia, 61–72

 

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