Futile Efforts
Page 31
of a sister you have not seen in twenty years,
imagining what it is she thinks,
what she fears as she approaches from the other end of
her world,
and how similar that might be to your own panicked
contemplation.
Her gaze holds you swaying, perhaps dying
or losing a touch more of mind, the scraping of personality,
and you wonder just which one of you it is
they'll eventually let out of here.
Adjusting the Atonement
Your scars don't quite travel the length of your body
They end here and here, which isn't quite near
as you think—
the old man is rummaging in the fridge again, screaming
for beer—the twist-tops leave the mark of Cain inside
his palms,
at the throat and under the ears are bags of gray
wrinkles he begs
you to carry out to the trash—this is the history of
fear in action,
set in motion by nature—he was at least as young as you
once, but never
quite figured out how to steer around the sharp curves,
the exit signs always
going by too quickly, the off-ramps cluttered—he
never learned
to shift into fourth gear, to parallel park, to change a tire—
there are things
you must do now for your father, whether he's still alive
or not—you
must polish the picture frames, consume the pot roast,
buy your mother
fresh towels, and wait, there's more—
you must put the dog down, empty the contents of your
eyes, swindle
the neighbor and wipe away the tears—he sits at your
left hand
for a reason, he's that much more able to pry and to peer,
and the world doesn't quite look as ripe anymore—go to
the garage
and sit, turn the key,
back out safely, watch for small children,
never look in your mirror again—it's been a pretty damn
bad day,
and remember—you were never really here.
The Toll of Your Personal Evil Troll
Maybe it was true what they taught us back then
about the sandbars of sins, the snapping forest traps
of potential failure and fear—perhaps they were
in our backyards all along, like the legends laid out
against the cool stone and brick, the nearby scent
of fresh-cut grass swaying us from the shadows
of apple trees, with
our scabbed knees and swollen hearts.
That was the trick.
The sunlight boiled and poured over our tanned backs—
maybe it was true we were destined to stock our lives
one against the other, comparing trunk space
and our children's faces, tax shelters and plumbers' bills,
the size of our porch swings and car dings
and manly things. I was once a bridge troll who sat in
hairy wait
for the marketplace sellers and farmers and troubadours,
all shouldering their pushcarts,
and the drunken city guard who danced with their daggers.
I bore your burden. I demanded my price and I was paid,
or my claws would catch their scornful sneers
and I'd take their ears.
I kept their contempt in a vase,
and their overbearing eyes
and sweetie-pie gazes in a wine barrel. And when
they brandished their golden chests and teeth,
I plucked each upon each within
their easy reach, and although I was the ugliest,
I was the best, and I never needed rest.
Show me the photos of your babies once more, delight
in your tiled kitchen, the in-ground heated pool, expound
upon the quiet of the filter, the thrill of the hot tub—glance
sidelong, with pity, at me one last time. My price
has increased. Bring me your carefree chatter and looks
of derision, tell me of each and every precious vaunted
well-planned decision, the power of your flesh,
the grandeur of your credit report,
the precision of your manicurist, each light of your life.
For they've built a bridge beneath every mall,
on every corner,
on the way home from every school,
right beside your bed and next to your sleeping head
and I'm waiting beneath them all.
This Cape is Red Because I've Been Bleeding
Don't ask me that again
You're eager with death and muscle, choosing to place
your damage up against mine, our arms thrust together,
the burns bright and pink, stab wounds healing
but not closed,
never filled—we've stepped on the same nails,
chewed the same gravel,
bitten off the tips of our tongues, mine yours,
yours mine, we've loved the same woman, and now,
now she lives in your attic I'm told, rocking with one
baby or another,
the ghosts of our uncollected promises drift on the
ash-strewn wind
and swim in our bathtubs
Your tears aren't as wet as mine, you can't compare—
sniff this air
and tell me you still want to share and shoulder another's
load,
you act concerned but you're not, and it's cost you
your hair
Don't speak, don't say another word,
you've got nothing left to tell, just sit
there and wait, another moment or two, be patient,
it's coming,
just the way you wanted it, here, open wide
wider,
I owe you all of hell
Nunzio, Sixty Years Dead, Lying
at My Side, Staring
Rivers rise just high enough to drown our short regrets,
the tall ones, the weighty ones are harder to hold under—
I roll them
facedown in water but these bastards have lung
capacity, they
can hold their breath—I've given them great strength
the way I make
everything much larger, more looming with doom,
but maybe I can kick them to death before my chest
needs another rib-spreader—my heart's been massaged
by some prick who never washed his hands, my
organs have been toyed with, my spleen set aside
in another
room—I am a vassal located in many vessels, my shoes
have tassels,
my mouth is taped shut, you'd think that by now I'd be
used to seeing
the pieces scattered over the floor—I can pick mine out
of a lineup,
look, there's my pancreas, my left testicle,
my medulla oblongata—the hell?…it's my mother's
hysterectomy
come crawling after me—some
grow back, some are sent away to college,
and a chosen few know what to do when
they climb back into the world—my sins
are accomplished, they are time-consuming tasks,
they are sweet as ether
from gas masks—Grandpa went loony during the war,
this was a dark secret
let out by one slip during a drunken family meal, no one
took it seriously
but me—Grandpa, give me your hand you old fuck,
you've passed down the same shit luck and bad knees,
a leaning towards diabetes and heart dis
ease,
a love of boats.
Nunzio, perhaps you're my foe,
Grandpa, pat my head, pat my back and help me down
from this ladder,
out of this hospital bed, off with this plaid shirt,
away from this rack—I am taller
than you, I can tear off your small ears and put them
back on
again—I have your red hair but only in my beard, which
I never grow.
I am lagging, ragged and gagged and de-fagged,
we share the same frayed nerves—maybe they called this
a quiet condition once,
but now they just wrench out the bloody bad worm in
my guts
as I stop being so uptight and nuts and quit shrieking,
learn to smile, and
start ripping out throats.
A Symbolic Interpretation of the
Worst Day of My Life
Without a hat he wanders in the rain, down by the water,
searching for sea monsters and finding them—the sands
are full of beached demons, with shipwrecks and broken
necks, with mostly-eaten apples—it's been a long time
since his birth, he's even older than the beach,
he has a much longer reach, reaching backward
through time
to a morning when the surf ran in a different direction—it
came out of his eyes,
carried away a whole world that looked something
like this. The swirling sunlight means nothing, the moon
has .air, it stalks and hides and schemes, that
is what the depths await, for the game to begin. He isn't
without sin but sometimes almost thinks so, it's easy to be
persuaded by a fervent voice—they ring around the moldy
posy off those who are prochoice, they scream and chant
and throw red all over the bed, and hang dolls from
short sticks
and suck off fifty dicks. He's here to tell you all the truth,
you don't get that every day, as he smacks the squeaky
clean faces,
the guileless leers, glaring down each of those well-trained
sneers,
raises his arms into the air and the grinning beasts of
the deep
stumble ashore and climb into an infant's hair
and descend into your dry mind's lair.
Concern
So much of this concerns fear and hate and the bad
dates with rage,
but what of love? I hear you asking, wondering,
underlining, circling,
hoping to find some small egress into the meaning
behind such images,
beneath all vision, above the clean-cut cadence, and
around each sound.
I talk often of you and us, and not enough of me—
it is a distinction
I wish I didn't have. Almost all of them murmur on
about I, I, I,
and I know how easy it is to lump all words atop
one another,
in the sump, into a mound of well-trod ground.
I understand
how easy it is to fall into song without consequence,
filled with
hard-earned experience or just dripping with
catclaw fantasy.
I will not rhyme this time.
I won't discuss Italy or tombs or the hospital again,
you've seen
too much of that sort of thing before here. We're
trying to avert
boredom, we have a mission to underscore storms
and thrashing
willows, brainpan wars and the edges of chewed pillows,
hideously
torn hearts and other inner parts, big cuts, big cunts,
assholes large
enough to drive a truck through. One day, when we're both
in better shape we really must set all our separate
deaths aside,
hide the murders, the bitten off tongues, put the gin bottles
in the closet,
bury the crushed dogs,
and speak at length of love.
Choke and Throttle
We are the whispering forces set loose in hometown dark,
of closing clubs, the last-call bars, side by side
down the narrow musk-laden halls
leading out to rain-soaked parking lot hells,
where they, like us, pause behind their steering wheels
staring out at Route 231, listening to church bell peals,
cops doing a slow ride-by, easing past like oil. We will wait,
we'll hold court and services and our seances here
while the engine thrums. The heater hums
and the radio is stuffed with static and call-in love shows—
there are voices you recognize, shades wave from
the other side of the final highway, and they know
where the substance of reverie goes.
You're not that far off from your first love,
you've never moved on and she's gone and come around
again, and again, and more. You tasted your first bitter beer
off her lips.
There was a time when this was no greater than you
could dream,
when the world was no larger than a tank of gas—
she ushered you in through the back door, tippie-toes,
silent,
just for a moment, the heat of her cheek in autumn,
the smell of soap on her hands. That was almost enough
for you, once. Dead leaves and dead men drift
along the curbs, stuck in sewer grates, the ice-cream trucks
speed by neck-in-neck with ambulances—there is dying,
and then there's merely waiting the wait.
The glove box contains your 4am life: a foam can holder,
pack of condoms, lint-covered mints, nickel bag,
poorly folded maps of poorly folded places, you recognize
every street sign, every nest, all the car bodies up on blocks,
and the rest, the suburban loss of charm like an amputated
thumb or leg or arm—we have circled
and circled and run screaming
in circles, there's no need to look in the mirror—we all have
the same face. We were all lined up together on .re,
shoulder to shoulder, bright eyes even brighter,
burning, phosphorous, at the beginning of the race
before the many wrecks.
The parking lot is slowly emptying, everyone's
finally leaving this place, and soon it'll be your turn to go.
We take turns, you know, passing around the luck.
There are things unsaid that will never be said,
until we lose
ourselves and live (you thought I'd say "until we are dead").
The gears have slipped, our tongues have slipped—it happens
like that when we're caught in the grip of October cruelty,
and your choke is let out, the throttling won't take long
with such a thin neck.
In this dark what matters most
are these staggering concerns
of the heart, but we cannot get ourselves out of park,
and the car won't start.
How to Make It Through a Friday Night
Without Biting Your Tongue in Two
I never got blind drunk for pleasure, not once—
the taste of whiskey made me want to pull out
my own fillings, squeeze the bar rail until
I'd scratched up the brass like digging gold coins
out of my own ass—I'd pour the rum down
faster than a sword-swallower seeking to pierce
his guts the hard way, from the deep i
nside,
where all your locked-closet fears hide—
the gang would laugh and eye the girls, sip their shots
slowly, acting as if this was pertinent, held meaning,
that this might somehow be action, motion,
vision, a step on the stairway to something
far greater than themselves and their fathers—
and me, nervous, sometimes trembling, the vague
world growing more blurry each hour,
my glasses dirty with ash, the beer bottles
sweating no worse than us,
mirrors bearing unknown faces smiling
our same drunken grins. I held my breath in
and gulped tequila the way that can kill a man.
It was stupid but sane, the shortest line
to oblivion—they'd tell me, later, how I danced
and how I ran
from women, from the cops,
once from my own mother,
down the streets laughing and howling,
dipping into pools of strangers,
waking up—sometimes in midsentence—
lying beside a half-clothed half-beauty, my teeth
marks on her tits, my pants off but my shoes on,
the room too dim to read her eyes,
as her fist tightened in my chest hair
until it felt like a hundred spiders
were biting me there, and she'd talk
of an ex-husband who didn't pay child support,
the baby at her sister's, the classes in psychology,
the poetry of the Romantic lunatics, and me
still no worse for wear, but awash
with the unbearable unwillingness to fail.
And I'd wonder where the hell are my pants? My
keys? Needing badly to take a piss, searching for
a pattern to my own ensconced misery—too blind
to ever see,
and she'd ask, "Do you want a drink?
You really seem to like to drink…"—and
I'd say yes, of course, thanks, because
although half the night was gone
half the night still lay in wait before me.
My First Groupie and How Much I Love Her
Despite the Failed Assassination Attempt
I gave a reading last week, the first one in a while,
fairly big crowd, rows of well-scrubbed faces, a couple
of old ladies in front, the lean teens in back unsure
of what to expect, staring at me and wondering aloud,
Is this what passes for a literary figure