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New and Selected Poems

Page 13

by Hughes, Ted


  The Harvest Moon

  The flame-red moon, the harvest moon,

  Rolls along the hills, gently bouncing,

  A vast balloon,

  Till it takes off, and sinks upward

  To lie in the bottom of the sky, like a gold doubloon.

  The harvest moon has come,

  Booming softly through heaven, like a bassoon.

  And earth replies all night, like a deep drum.

  So people can’t sleep,

  So they go out where elms and oak trees keep

  A kneeling vigil, in a religious hush.

  The harvest moon has come!

  And all the moonlit cows and all the sheep

  Stare up at her petrified, while she swells

  Filling heaven, as if red hot, and sailing

  Closer and closer like the end of the world.

  Till the gold fields of stiff wheat

  Cry ‘We are ripe, reap us!’ and the rivers

  Sweat from the melting hills.

  Leaves

  Who’s killed the leaves?

  Me, says the apple, I’ve killed them all.

  Fat as a bomb or a cannonball

  I’ve killed the leaves.

  Who sees them drop?

  Me, says the pear, they will leave me all bare

  So all the people can point and stare.

  I see them drop.

  Who’ll catch their blood?

  Me, me, me, says the marrow, the marrow.

  I’ll get so rotund that they’ll need a wheelbarrow.

  I’ll catch their blood.

  Who’ll make their shroud?

  Me, says the swallow, there’s just time enough

  Before I must pack all my spools and be off.

  I’ll make their shroud.

  Who’ll dig their grave?

  Me, says the river, with the power of the clouds

  A brown deep grave I’ll dig under my floods.

  I’ll dig their grave.

  Who’ll be their parson?

  Me, says the Crow, for it is well known

  I study the bible right down to the bone.

  I’ll be their parson.

  Who’ll be chief mourner?

  Me, says the wind, I will cry through the grass

  The people will pale and go cold when I pass.

  I’ll be chief mourner.

  Who’ll carry the coffin?

  Me, says the sunset, the whole world will weep

  To see me lower it into the deep.

  I’ll carry the coffin.

  Who’ll sing a psalm?

  Me, says the tractor, with my gear-grinding glottle

  I’ll plough up the stubble and sing through my throttle.

  I’ll sing the psalm.

  Who’ll toll the bell?

  Me, says the robin, my song in October

  Will tell the still gardens the leaves are over.

  I’ll toll the bell.

  from Autumn Notes

  III

  The chestnut splits its padded cell.

  It opens an African eye.

  A cabinet-maker, an old master

  In the root of things, has done it again.

  Its slippery gloss is a swoon,

  A peek over the edge into – what?

  Down the well-shaft of swirly grain,

  Past the generous hands that lifted the May-lamps,

  Into the Fairytale of a royal tree

  That does not know about conkers

  Or the war-games of boys.

  Invisible though he is, this plump mare

  Bears a tall armoured rider towards

  The mirk-forest of rooty earth.

  He rides to fight the North corner.

  He must win a sunbeam princess

  From the cloud castle of the rains.

  If he fails, evil faces,

  Jaws without eyes, will tear him to pieces.

  If he succeeds, and has the luck

  To snatch his crown from the dragon

  Which resembles a slug

  He will reign over our garden

  For two hundred years.

  IV

  When the Elm was full

  When it heaved and all its tautnesses drummed

  Like a full-sail ship

  It was just how I felt.

  Waist-deep, I ploughed through the lands,

  I leaned at horizons, I bore down on strange harbours.

  As the sea is a sail-ship’s root

  So the globe was mine.

  When the swell lifted the crow from the Elm-top

  Both Poles were my home, they rocked me and supplied me.

  But now the Elm is still

  All its frame bare

  Its leaves are a carpet for the cabbages

  And it stands engulfed in the peculiar golden light

  With which Eternity’s flash

  Photographed the sudden cock pheasant –

  Engine whinneying, the fire-ball bird clatters up,

  Shuddering full-throttle

  Its three-tongued tail-tip writhing

  And the Elm stands, astonished, wet with light,

  And I stand, dazzled to my bones, blinded.

  V

  Through all the orchard’s boughs

  A honey-colour stillness, a hurrying stealth,

  A quiet migration of all that can escape now.

  Under ripe apples, a snapshot album is smouldering.

  With a bare twig,

  Glow-dazed, I coax its stubborn feathers.

  A gold furred flame. A blue tremor of the air.

  The fleshless faces dissolve, one by one,

  As they peel open. Blackenings shrivel

  To grey flutter. The clump’s core hardens. Everything

  Has to be gone through. Every corpuscle

  And its gleam. Everything must go.

  My heels squeeze wet mulch, and my crouch aches.

  A wind-swell lifts through the oak.

  Scorch-scathed, crisping, a fleeing bonfire

  Hisses in invisible flames – and the flame-roar.

  An alarmed blackbird, lean, alert, scolds

  The everywhere slow exposure – flees, returns.

  VI

  Water-wobbling blue-sky-puddled October.

  The distance microscopic, the ditches brilliant.

  Flowers so low-powered and fractional

  They are not in any book.

  I walk on high fields feeling the bustle

  Of the million earth-folk at their fair.

  Fieldfares early, exciting foreigners.

  A woodpigeon pressing over, important as a policeman.

  A far Bang! Then Bang! and a litter of echoes –

  Country pleasures. The farmer’s guest,

  In U.S. combat green, will be trampling brambles,

  Waving his gun like a paddle.

  I thought I’d brushed with a neighbour –

  Fox-reek, a warm web, rich as creosote,

  Draping the last watery blackberries –

  But it was the funeral service.

  Two nights he has lain, patient in his position,

  Puckered under the first dews of being earth,

  Crumpled like dead bracken. His reek will cling

  To his remains till spring.

  Then I shall steal his fangs, and wear them, and honour them.

  A Cranefly in September

  She is struggling through grass-mesh – not flying,

  Her wide-winged, stiff, weightless basket-work of limbs

  Rocking, like an antique wain, a top-heavy ceremonial cart

  Across mountain summits

  (Not planing over water, dipping her tail)

  But blundering with long strides, long reachings, reelings

  And ginger-glistening wings

  From collision to collision.

  Aimless in no particular direction,

  Just exerting her last to escape out of the overwhelming

  Of whatever it is
, legs, grass,

  The garden, the county, the country, the world –

  Sometimes she rests long minutes in the grass forest

  Like a fairytale hero, only a marvel can help her.

  She cannot fathom the mystery of this forest

  In which, for instance, this giant watches –

  The giant who knows she cannot be helped in any way.

  Her jointed bamboo fuselage,

  Her lobster shoulders, and her face

  Like a pinhead dragon, with its tender moustache,

  And the simple colourless church windows of her wings

  Will come to an end, in mid-search, quite soon.

  Everything about her, every perfected vestment

  Is already superfluous.

  The monstrous excess of her legs and curly feet

  Are a problem beyond her.

  The calculus of glucose and chitin inadequate

  To plot her through the infinities of the stems.

  The frayed apple leaves, the grunting raven, the defunct tractor

  Sunk in nettles, wait with their multiplications

  Like other galaxies.

  The sky’s Northward September procession, the vast soft armistice,

  Like an Empire on the move,

  Abandons her, tinily embattled

  With her cumbering limbs and cumbered brain.

  from GAUDETE

  Collision with the earth has finally come –

  Collision with the earth has finally come –

  How far can I fall?

  A kelp, adrift

  In my feeding substance

  A mountain

  Rooted in stone of heaven

  A sea

  Full of moon-ghost, with mangling waters

  Dust on my head

  Helpless to fit the pieces of water

  A needle of many Norths

  Ark of blood

  Which is the magic baggage old men open

  And find useless, at the great moment of need

  Error on error

  Perfumed

  With a ribbon of fury

  *

  Once I said lightly

  Once I said lightly

  Even if the worst happens

  We can’t fall off the earth.

  And again I said

  No matter what fire cooks us

  We shall be still in the pan together.

  And words twice as stupid.

  Truly hell heard me.

  She fell into the earth

  And I was devoured.

  *

  This is the maneater’s skull.

  This is the maneater’s skull.

  These brows were the Arc de Triomphe

  To the gullet.

  The deaf adder of appetite

  Coiled under. It spied through these nacelles

  Ignorant of death.

  And the whole assemblage flowed hungering through the long ways.

  Its cry

  Quieted the valleys.

  It was looking for me.

  I was looking for you.

  You were looking for me.

  *

  I see the oak’s bride in the oak’s grasp.

  I see the oak’s bride in the oak’s grasp.

  Nuptials among prehistoric insects

  The tremulous convulsion

  The inching hydra strength

  Among frilled lizards

  Dropping twigs, and acorns, and leaves.

  The oak is in bliss

  Its roots

  Lift arms that are a supplication

  Crippled with stigmata

  Like the sea-carved cliffs earth lifts

  Loaded with dumb, uttering effigies

  The oak seems to die and to be dead

  In its love-act.

  As I lie under it

  In a brown leaf nostalgia

  An acorn stupor.

  *

  A primrose petal’s edge

  A primrose petal’s edge

  Cuts the vision like laser.

  And the eye of a hare

  Strips the interrogator naked

  Of all but some skin of terror –

  A starry frost.

  Who is this?

  She reveals herself, and is veiled.

  Somebody

  Something grips by the nape

  And bangs the brow, as against a wall

  Against the untouchable veils

  Of the hole which is bottomless

  Till blood drips from the mouth.

  *

  Waving goodbye, from your banked hospital bed,

  Waving goodbye, from your banked hospital bed,

  Waving, weeping, smiling, flushed

  It happened

  You knocked the world off, like a flower-vase.

  It was the third time. And it smashed.

  I turned

  I bowed

  In the morgue I kissed

  Your temple’s refrigerated glazed

  As rained-on graveyard marble, my

  Lips queasy, heart non-existent

  And straightened

  Into sun-darkness

  Like a pillar over Athens

  Defunct

  In the blinding metropolis of cameras.

  *

  The swallow – rebuilding –

  The swallow – rebuilding –

  Collects the lot

  From the sow’s wallow.

  But what I did only shifted the dust about.

  And what crossed my mind

  Crossed into outer space.

  And for all rumours of me read obituary

  What there truly remains of me

  Is that very thing – my absence.

  So how will you gather me?

  I saw my keeper

  Sitting in the sun –

  If you can catch that, you are the falcon of falcons.

  *

  The grass-blade is not without

  The grass-blade is not without

  The loyalty that never was beheld.

  And the blackbird

  Sleeking from common anything and worm-dirt

  Balances a precarious banner

  Gold on black, terror and exultation.

  The grim badger with armorial mask

  Biting spade-steel, teeth and jaw-strake shattered,

  Draws that final shuddering battle cry

  Out of its backbone.

  Me too,

  Let me be one of your warriors.

  Let your home

  Be my home. Your people

  My people.

  *

  I know well

  I know well

  You are not infallible

  I know how your huge your unmanageable

  Mass of bronze hair shrank to a twist

  As thin as a silk scarf, on your skull,

  And how your pony’s eye darkened larger

  Holding too lucidly the deep glimpse

  After the humane killer

  And I had to lift your hand for you

  While your chin sank to your chest

  With the sheer weariness

  Of taking away from everybody

 

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