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New and Selected Poems

Page 14

by Hughes, Ted


  Your envied beauty, your much-desired beauty

  Your hardly-used beauty

  Of lifting away yourself

  From yourself

  And weeping with the ache of the effort

  *

  Sometimes it comes, a gloomy flap of lightning,

  Sometimes it comes, a gloomy flap of lightning,

  Like the flushed gossip

  With the tale that kills

  Sometimes it strengthens very slowly

  What is already here –

  A tree darkening the house.

  The saviour

  From these veils of wrinkle and shawls of ache

  Like the sun

  Which is itself cloudless and leafless

  Was always here, is always as she was.

  *

  Calves harshly parted from their mamas

  Calves harshly parted from their mamas

  Stumble through all the hedges in the country

  Hither thither crying day and night

  Till their throats will only grunt and whistle.

  After some days, a stupor sadness

  Collects them again in their field.

  They will never stray any more.

  From now on, they only want each other.

  So much for calves.

  As for the tiger

  He lies still

  Like left luggage.

  He is roaming the earth light, unseen.

  He is safe.

  Heaven and hell have both adopted him.

  *

  A bang – a burning –

  A bang – a burning –

  I opened my eyes

  In a vale crumbling with echoes.

  A solitary dove

  Cries in the tree – I cannot bear it.

  From this centre

  It wearies the compass.

  Am I killed?

  Or am I searching?

  Is this the rainbow silking my body?

  Which wings are these?

  *

  At the bottom of the Arctic sea, they say.

  At the bottom of the Arctic sea, they say.

  Or ‘Terrible as an army with banners’.

  If I wait, I am a castle

  Built with blocks of pain.

  If I set out

  A kayak stitched with pain

  *

  Your tree – your oak

  Your tree – your oak

  A glare

  Of black upward lightning, a wriggling grab

  Momentary

  Under the crumbling of stars.

  A guard, a dancer

  At the pure well of leaf.

  Agony in the garden. Annunciation

  Of clay, water and the sunlight.

  They thunder under its roof.

  Its agony is its temple.

  Waist-deep, the black oak is dancing

  And my eyes pause

  On the centuries of its instant

  As gnats

  Try to winter in its wrinkles.

  The seas are thirsting

  Towards the oak.

  The oak is flying

  Astride the earth.

  from REMAINS OF ELMET

  Football at Slack

  Between plunging valleys, on a bareback of hill

  Men in bunting colours

  Bounced, and their blown ball bounced.

  The blown ball jumped, and the merry-coloured men

  Spouted like water to head it.

  The ball blew away downwind –

  The rubbery men bounced after it.

  The ball jumped up and out and hung on the wind

  Over a gulf of treetops.

  Then they all shouted together, and the ball blew back.

  Winds from fiery holes in heaven

  Piled the hills darkening around them

  To awe them. The glare light

  Mixed its mad oils and threw glooms.

  Then the rain lowered a steel press.

  Hair plastered, they all just trod water

  To puddle glitter. And their shouts bobbed up

  Coming fine and thin, washed and happy

  While the humped world sank foundering

  And the valleys blued unthinkable

  Under depth of Atlantic depression –

  But the wingers leapt, they bicycled in air

  And the goalie flew horizontal

  And once again a golden holocaust

  Lifted the cloud’s edge, to watch them.

  Stanbury Moor

  These grasses of light

  Which think they are alone in the world

  These stones of darkness

  Which have a world to themselves

  This water of light and darkness

  Which hardly savours Creation

  And this wind

  Which has enough just to exist

  Are not

  A poor family huddled at a poor gleam

  Or words in any phrase

  Or wolf-beings in a hungry waiting

  Or neighbours in a constellation

  They are

  The armour of bric-à-brac

  To which your soul’s caddis

  Clings with all its courage.

  Leaf Mould

  In Hardcastle Crags, that echoey museum,

  Where she dug leaf mould for her handfuls of garden

  And taught you to walk, others are making poems,

  Between finger and thumb roll a pine-needle.

  Feel the chamfer, feel how they threaded

  The sewing machines.

  And

  Billy Holt invented a new shuttle

  As like an ant’s egg, with its folded worker,

  As every other.

  You might see an ant carrying one.

  And

  The cordite conscripts tramped away. But the cenotaphs

  Of all the shells that got their heads blown off

  And their insides blown out

  Are these beech-bole stalwarts.

  And oak, birch,

  Holly, sycamore, pine.

  The lightest air-stir

  Released their love-whispers when she walked

  The needles weeping, singing, dedicating

  Your spectre-double, still in her womb,

  To this temple of her Missa Solemnis.

  White-faced, brain-washed by her nostalgias,

  You were her step-up transformer.

  She grieved for her girlhood and the fallen.

  You mourned for Paradise and its fable.

  Giving you the kiss of life

  She hung round your neck her whole valley

  Like David’s harp.

  Now, whenever you touch it, God listens

  Only for her voice.

  Leaf mould. Blood-warm. Fibres crumbled alive

  Between thumb and finger.

  Feel again

  The clogs twanging your footsoles, on the street’s steepness,

  As you escaped.

  Moors

  Are a stage

  For the performance of heaven.

  Any audience is incidental.

  A chess-world of top-heavy Kings and Queens

  Circling in stilted majesty

  Tremble the bog-cotton

  Under the sweep of their robes.

  Fools in sunny motley tumble across,

  A laughter – fading in full view

  To grass-tips tapping at stones.

  The witch-brew boiling in the sky-vat

  Spins electrical terrors

  In the eyes of sheep.

  Fleeing wraith-lovers twist and collapse

  In death-pact languor

  To bedew harebells

  On the spoil-heaps of quarries.

  Wounded champions lurch out of sunset

  To gurgle their last gleams into potholes.

  Shattered, bowed armies, huddling leaderless

  Escape from a world

  Where snipe work late.

  Chine
se History of Colden Water

  A fallen immortal found this valley –

  Leafy conch of whispers

  On the shore of heaven. He brought to his ear

  The mad singing in the hills,

  The prophetic mouth of the rain –

  These hushings lulled him. So he missed

  The goblins toiling up the brook.

  The clink of fairy hammers forged his slumber

  To a migraine of headscarves and clatter

  Of clog-irons and looms and gutter water

  And clog-irons and biblical texts.

  Till he woke in a terror, tore free, lay panting.

  The dream streamed from him. He blinked away

  The bloody matter of the Cross

  And the death’s-head after-image of ‘Poor’.

  Chapels, chimneys, roofs in the mist – scattered.

  Hills with raised wings were standing on hills.

  They rode the waves of light

  That rocked the conch of whispers

  And washed and washed at his eye.

  Washed from his ear

  All but the laughter of foxes.

  Rhododendrons

  Dripped a chill virulence

  Into my nape –

  Rubberized prison-wear of suppression!

  Guarding and guarded by

  The Council’s black

  Forbidding forbidden stones.

  The policeman’s protected leaf!

  Detestable evergreen sterility!

  Over dead acid gardens

  Where blue widows, shrined in Sunday, shrank

  To arthritic clockwork,

  Yapped like terriers and shook sticks from doorways

  Vast and black and proper as museums.

  Cenotaphs and the moor-silence!

  Rhododendrons and rain!

  It is all one. It is over.

  Evergloom of official titivation –

  Uniform at the reservoir, and the chapel,

  And the graveyard park,

  Ugly as a brass-band in India.

  Sunstruck

  The freedom of Saturday afternoons

  Starched to cricket dazzle, nagged at a theorem –

  Shaggy valley parapets

  Pending like thunder, narrowing the spin-bowler’s angle.

  The click, disconnected, might have escaped –

  A six! And the ball slammed flat!

  And the bat in flinders! The heart soaring!

  And everybody jumping up and running –

  Fleeing after the ball, stampeding

  Through the sudden hole in Saturday – but

  Already clapped into hands and the trap-shout

  The ball jerked back to the stumper on its elastic.

  Everything collapsed that bit deeper

  Towards Monday.

  Misery of the brassy sycamores!

  Misery of the swans and the hard ripple!

  Then again Yes Yes a wild YES –

  The bat flashed round the neck in a tight coil,

  The stretched shout snatching for the North Sea –

  But it fell far short, even of Midgley.

  And the legs running for dear life, twinkling white

  In the cage of wickets

  Were cornered again by the ball, pinned to the crease,

  Blocked by the green and white pavilion.

  Cross-eyed, mid-stump, sun-descending headache!

  Brain sewn into the ball’s hide

  Hammering at four corners of abstraction

  And caught and flung back, and caught, and again caught

  To be bounced on baked earth, to be clubbed

  Toward the wage-mirage sparkle of mills

  Toward Lord Savile’s heather

  Toward the veto of the poisonous Calder

  Till the eyes, glad of anything, dropped

  From the bails

  Into the bottom of a teacup,

  To sandwich crusts for the canal cygnets.

  The bowler had flogged himself to a dishclout.

  And the burned batsmen returned, with changed faces,

  ‘Like men returned from a far journey’,

  Under the long glare walls of evening

  To the cool sheet and the black slot of home.

  Curlews

  I

  They lift

  Out of the maternal watery blue lines

  Stripped of all but their cry

  Some twists of near-inedible sinew

  They slough off

  The robes of bilberry blue

  The cloud-stained bogland

  They veer up and eddy away over

  The stone horns

  They trail a long, dangling, falling aim

  Across water

  Lancing their voices

  Through the skin of this light

  Drinking the nameless and naked

  Through trembling bills.

  II

  Curlews in April

  Hang their harps over the misty valleys

  A wobbling water-call

  A wet-footed god of the horizons

  New moons sink into the heather

  And full golden moons

  Bulge over spent walls.

  For Billy Holt

  The longships got this far. Then

  Anchored in nose and chin.

  Badlands where outcast and outlaw

  Fortified the hill-knowle’s long outlook.

  A far, veiled gaze of quietly

  Homicidal appraisal.

  A poverty

  That cut rock lumps for words.

  Requisitioned rain, then more rain,

  For walls and roof.

  Enfolding arms of sour hills

  For company.

  Blood in the veins

  For amusement.

  A graveyard

  For homeland.

  When Men Got to the Summit

  Light words forsook them.

  They filled with heavy silence.

  Houses came to support them,

  But the hard, foursquare scriptures fractured

  And the cracks filled with soft rheumatism.

  Streets bent to the task

  Of holding it all up

  Bracing themselves, taking the strain

  Till their vertebrae slipped.

  The hills went on gently

  Shaking their sieve.

  Nevertheless, for some giddy moments

  A television

  Blinked from the wolf’s lookout.

  The Canal’s Drowning Black

  Bred wild leopards – among the pale depth fungus.

  Loach. Torpid, ginger-bearded, secret

  Prehistory of the canal’s masonry,

  With little cupid mouths.

  Five inches huge!

  On the slime-brink, over bridge reflections,

  I teetered. Then a ringing, skull-jolt stamp

  And their beards flowered sudden anemones

 

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