Edward Burne-Jones
Page 37
—— Introduction, Catalogue for the New Gallery Retrospective of the work of Sir Edward Burne-Jones, Bart., 1898
CARRINGTON, Charles Rudyard Kipling: his Life and Work, Macmillan, 1955
CARTWRIGHT, Julia Sir Edward Burne-Jones, Bart, The Art Annual (Art Journal, Christmas Number), Virtue, 1894
CHANDLER, Alice A Dream of Order: The Mediaeval Ideal in Nineteenth Century English Literature, Routledge & Kegan Paul, 1971
CHRISTIAN, John Gordon Introduction, Catalogue for the Burne-Jones Commemorative Exhibition, Fulham Library, 1967
COHEN, Lucy Lady de Rothschild and her Daughters, 1821–1931, John Murray, 1935
CLIFFORD, Edward Broadlands As It Was, Lindsey, 1890
COLVIN, Sidney Memories and Notes of Persons and Places 1852–1912, Arnold, 1921
—— Edward Burne-Jones, The Portfolio, February 1870
CRANE, Walter An Artist’s Reminiscences, Methuen, 1907
CRATHORNE, Nancy with Katherine Elliot of Harwood and James Dugdale, Tennant’s Stalk, Macmillan, 1973
DALZIEL The Brothers Dalziel: a Record of Fifty Years Work, Methuen, 1901
DE LISLE, Fortunée Burne-Jones (Little Books on Art), Methuen, 1904
DENT, Robert The Making of Birmingham, J.L. Allday, 1904
DIGBY, Sir Kenelm The Broadstone of Honour, or the True Sense and Practice of Chivalry, London, 1822 (Editions of 1845–8 are without Book 4)
DOUGHTY, Oswald A Victorian Romantic: Dante Gabriel Rossetti, Muller, 1949
DUFTY, A.R. Introduction to The Story of Cupid and Psyche (reproductions of the original woodcuts for the Earthly Paradise), Clover Hill Press, 1974
DUGDALE, Blanche Arthur James Balfour, by his niece, Blanche Dugdale, Hutchinson, 1936
DU MAURIER The Young Du Maurier: a Selection of his Letters, 1860–1870, ed: Daphne du Maurier, Peter Davies, 1951
DUNN, Henry Treffry Recollections of Dante Gabriel Rossetti & his circle, Elkin Matthews, 1904
EDEL, Leon Henry James, Hart-Davis, 1953–62
ELIOT, George The George Eliot Letters, ed. G.S. Haight, Oxford University Press, 1954–6
EVANS, Sebastian The High History of The Holy Graal, translated from Volume 1 of Perceval le Gallois, Dent, 1898
FALK, Bernard Five Years Dead, Hutchinson, 1938 (includes reminiscences of Simeon Solomon)
FILDES, L.V.Luke Fildes, R.A.: A Victorian Painter, Michael Joseph, 1968
FORBES-ROBERTSON, Sir J. A Player Under Three Reigns, Fisher Unwin, 1925
FOUQUE, H. de la Motte The Seasons: Four Romances from the German, London, 1843 (Sintram and his Companions is the winter romance)
FREDEMAN, W.E. Pre-Raphaelitism: A Bibliocritical Study, Harvard, 1965
—— Prelude to the Last Decade: D.G. Rossetti in the summer of 1872, Bulletin of the John Rylands Library, vol. 53, no. 1 Autumn 1970 & vol. 53, no. 2 Spring 1971
FRITH, W.P. My Autobiography and Reminiscences, Richard Bentley, 1887
FRY Letters of Roger Fry, ed: Denys Sutton, Chatto & Windus, 1972
GAUNT, W., and M.D.E. Clayton-Stamm William de Morgan, Studio Vista, 1971
GIROUARD, Mark The Victorian Country House, Oxford University Press, 1971
GLADSTONE Diaries and Letters of Mary Gladstone, ed. Lucy Masterman, Methuen, 1930
GRYLLS, Rosalie Glynn Portrait of Rossetti, Macdonald, 1964
HAIGHT, Gordon S. George Eliot, a Biography, Oxford University Press, 1968
HENDERSON, Philip William Morris: His Life, Work, and Friends, Thames & Hudson, 1967
—— Swinburne, Routledge & Kegan Paul, 1974
HENLEY, Dorothy Rosalind Howard, Countess of Carlisle, Hogarth Press, 1958
HOLIDAY, Henry Reminiscences of My Life, Heinemann, 1914
—— Stained Glass as an Art, Macmillan, 1896
HOPKINS, G.M. Notebooks and Papers of Gerard Manley Hopkins, ed. Humphrey House, Oxford University Press, 1937
—— Correspondence of Gerard Manley Hopkins and Richard Watson Dixon, ed. C.C. Abbott, Oxford University Press, 1935
HORNER, Frances Time Remembered, Heinemann, 1933
HUEFFER, Ford Madox Ford Madox Brown: A Record of his Life and Work, Longman, 1896
HUNT, W. Holman Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. Macmillan, 1905–6
IONIDES, Alexander ‘Ion’, a Grandfather’s Tale, Cuala Press, 1927
IONIDES, Luke Memories, privately printed, Paris, 1925
IRONSIDE, Robin Pre-Raphaelite Painters, with a descriptive catalogue by John Gere, Phaidon, 1948
JACOBS, Joseph Some Recollections of Edward Burne-Jones, Nineteenth Century vol. XLV, January 1899
KING, A.W An Aubrey Beardsley Lecture, R.A. Walker, 1924
KIPLING, Rudyard Language of Something of Myself, Macmillan, 1937
‘FLOWERS, THE’ Anonymous, printed Edinburgh, 1849
LESLIE, G.G. The Inner Life of the Royal Academy, John Murray, 1914
LETTERS TO KATIE (Burne-Jones’s letters to Katie Lewis) ed. W. Graham Robertson, Macmillan, 1925
LEVEY, Michael Botticelli and Nineteenth Century England, Journal of the Warburg and Courtauld Institutes, vol. XXIII, July-December 1960
LOWNDES Diaries of Marie Belloc Lowndes, 1911–1947, ed. Susan Lowndes, Chatto & Windsus, 1971
LYTTELTON, Lord Glynnese Glossary (the private language of the Glynne, Lyttelton and Gladstone families), privately printed, no date
MAAS, Jeremy Victorian Painters, Barrie & Jenkins, 1969
MACDONALD, Grenville George Macdonald and his Wife, Allen & Unwin, 1924
MACKAIL, J.W. The Life of William Morris, Longman, 1899
MALLOCK, W.H. The New Republic: or, Culture, Faith and Philosophy in an English Country House, London, 1877
MEINHOLD, Johann Wilhelm Sidonia the Sorceress, translated by Mrs Wilde, Parlour Library, 1849
MILLAIS, J.G. The Life and Letters of Sir J.E. Millais, Methuen, 1899
—— Sir John Millais: his House and Studio, Magazine of Art, vol. 4, 1881
MILNER, Viscountess My Picture Gallery, 1886–1901, Murray, 1951
MORRIS, May William Morris, Artist, Writer, Socialist, Blackwells, 1936
MORRIS, William Letters of William Morris to his Family and Friends, ed. Philip Henderson, Longman, 1950
NORTON Letters of Charles Eliot Norton with biographical comment by his daughter Sara Norton and M.R. de Wolfe Howe, Constable, 1913
NOTES & QUERIES Series X, vol. III, 88, vol. X 427, 491 (queries about Phyllis and Demophoon and The Golden Stairs)
ORMOND, Richard A Pre-Raphaelite Beauty (Marie Stillman), Country Life, 30 December 1965
PAIN, Amanda St. Eva, Osgood, McIlvane, 1897
PELLECER, a Cirici El Arte Modernista Catalana, Aymà Editor, 1951
PENNELL, E.R. & J. The Whistler Journal, Lippincott Co., 1921
—— The Life of James McNeil Whistler, Heinemann, 1908
POTTER, Beatrix The Journal of Beatrix Potter 1881–1897), transcribed by Leslie Linder, F. Warne & Co., 1966
PRINSEP, Valentine Reminiscences, The Magazine of Art, vol. XXIV, 1904
QUILTER, Harry Preferences in Art, Life and Literature, Swannenschein, 1892
RICHMOND The Richmond Papers, ed. A.M.W. Stirling, Heinemann, 1926
ROBERTSON, W. Graham Time Was, Hamish Hamilton, 1931
ROBICHEZ, Jacques Le Symbolisme au Théatre Lugné-Poe et les débuts de L’Oeuvre, L’Arche Editeur, 1957
ROGET, J.L. The Old Watercolour Society: with an account of its schools and exhibitions, principally in the reign of Queen Victoria, Longman, 1891
‘ROMANCE OF MERLIN’ Roman de Merlin, translated in 1450, ed. H.B. Wheatley, Early English Text Society, 1865
ROOKE, T.M. Introduction to the catalogue of the Tate Gallery Centenary exhibition of the work of Burne-Jones, June 7 1933
ROSSETTI, D.G. Letters of Dante Gabriel Rossetti, ed. O. Doughty and J.R. Wahl, Oxford University Press, 1965–7
ROSSETTI, W.M. Rossetti Papers 1862�
�70, Sands, 1930
—— D.G. Rossetti: His Family Letters, with a Memoir, Ellis & Ellis, 1895
—— The P.R.B. Journal, Pre-Raphaelite Diaries and Letters, Hurst & Blackett, 1900
ROTHENSTEIN, Sir William Men and Memories, Faber, 1931
ROYAL ACADEMY Laws Relating to the School, the Library and the Students, 1862
RUSKIN, John Mythic Schools of Painting: E. Burne-Jones and G.F. Watts, in The Art of England, Allen, 1883
—— On the Present State of Modern Art, The Works of John Ruskin, Library Edition, ed. E.T. Cook and A.D.O. Wedderburn, vol. XIX, Allen, 1902–12
—— Letters to M.G. (Mary Gladstone) and H.G., ed. the Rt. Hon. George Wyndham, Privately printed, 1903
—— Diaries of John Ruskin 1838–47 and Diaries of John Ruskin 1848–73, ed. Joan Evans and John Howard Whitehouse, 1956 and 1958
—— The Winnington Letters, ed. Van Akin Burd, Allen & Unwin 1969
—— Sublime and Instructive: Letters from John Ruskin to Louisa Marchioness of Waterford, Anna Blunden, and Ellen Heaton, ed. Virginia Surtees, Michael Joseph, 1972
RUSSELL, Bertrand and Patricia The Amberley Papers (includes reminiscences of Rosalind Hoard and of Burne-Jones at Naworth), Hogarth Press, 1937
ST MARGARET’S CHURCH ROTTINGDEAN Parish Magazine, 1896-
SEWTER, A.C.The Stained Glass of William Morris and his Circle, Yale University Press, 1974–5
SHANNON, R.T. Gladstone and the Bulgarian Agitation, Nelson, 1964
SHAW, G.B. William Morris As I Knew Him (Preface to vol. II of William Morris, Artist, Writer, Socialist), Blackwell, 1936
SIZERANNE, Robert de la La Peinture Anglaise Contemporaine, Hachette, 1895
—— The Late Sir Edward Burne-Jones, Bart., D.C.L. Supplement to The Artist vol. XXII. June 1889
STEPHENS, F.G Edward Burne-Jones, A.R.A., The Portfolio, vol. XVI, November 1885 and December 1885
—— D.G. Rossetti, The Portfolio, Seeley & Co., 1894
STEVENSON, C.R. Sir Edward Burne-Jones, O.W.S. Club 9th Annual Volume, 1932 (includes a list of Burne-Jones’s exhibits at the O.W.S.)
STIRLING, A.M.W. William de Morgan and his Wife, Butterworth, 1922
SURTEES, Virginia The Paintings and Drawings of D.G. Rossetti: A Catalogue Raisonné, Oxford University Press, 1971
SWINBURNE, Algernon Letters, ed. Cecil Y. Lang, Yale University Press, 1939
THIRKELL, Angela Three Houses, Oxford University Press, 1931
THOMPSON, E.P. William Morris, Romantic to Revolutionary, Lawrence & Wishart, 1955
TILLOTSON, G. and K. Mid-Victorian Studies, Athlone Press, 1965
TUCKWELL, REVD W. Reminiscences of Oxford, Smith Elder, 1907 (includes recollections of Rossetti and his circle at the Oxford Union)
TWEEDSMUIR, Lady The Lilac and the Rose, Duckworth, 1952 (includes recollections of Norman Grosvenor and Lord Wharncliffe)
VALLANCE, Aymer The Decorative Art of Sir Edward Burne-Jones, Baronet, The Art Journal, Easter Number, Virtue, 1900
WATERS, B. AND MARTIN HARRISON Burne-Jones, Barrie & Jenkins, 1973
WATTS, Mary S. George Frederic Watts: The Annals of an Artist, Macmillan, 1912
WILDE, Oscar Letters of Oscar Wilde, ed. Rupert Hart-Davis, Hart-Davis, 1962
WILLIAMSON, G.C. Murray Marks and his Friends, John Lane, 1912
WILSON, Michael The Case of the Victorian Piano, Victoria & Albert Museum Yearbook no. 3, 1972
WOOD, T. Martin Introduction to Drawings of the Great Masters: The Drawings of Sir Edward Burne-Jones, Newnes, 1907
WORKING MENS COLLEGE MAGAZINE ed. R.B. Litchfield, January 1859–1862
YEATS, W.B. Autobiographies, Macmillan, 1926
YONGE, Charlotte M. The Heir of Redcliffe, John W. Parker, 1853
ZAMBACO, Dr D.A. Mémoire sur la Lèpre Observée à Constantinople, Paris, 1887
ADDENDUM TO BIBLIOGRAPHY, 1997, by Cathy Gere
Place of publication is London unless otherwise stated.
APOLLO MAGAZINE Special issue on Burne-Jones, November 1975 (includes articles by L. Lambourne, J. Christian, B. Waters, M. Lago.)
ARTS COUNCIL Catalogue, Burne-Jones: the paintings, graphic and decorative work of Sir Edward Burne-Jones, 1833–98, ed. Penelope Marcus, Hayward Gallery, 1975–6
ASH, Russell Sir Edward Burne-Jones Pavilion Books, 1993
BARTRAM, Michael The Pre-Raphaelite Camera, Weidenfeld and Nicolson, 1985
BROWN, Ford Madox The Diary of Ford Madox Brown, ed. Virginia Surtees, New Haven, Yale University Press, 1981
CASSIVETTI, Eileen ‘The Fatal Meeting and the Fruitful Passion: Edward Burne-Jones and Mary Zambaco,’ in Antique Collector, March 1989, pp. 34–45
CECIL, David Visionary and Dreamer: Two Poetic Painters, Samuel Palmer and Edward Burne-Jones, Princeton, New Jersey, Princeton University Press, 1983
CHRISTIAN, John Introduction, Letters to Katie from Edward Brune-Jones, British Museum Publications, 1988
—— Introduction, The Fairy Family: a series of Ballads and Metrical Tales illustrating the Fairy Faith of Europe, by Archibald Maclaren, illustrated by Edward Burne-Jones, North Berwick, East Lothian, Dalrymple Press, 1985 ‘A Serious Talk: Ruskin’s place in Burne-Jones’s artistic development,’ in Pre-Raphaelite Papers, ed. Leslie Parris, Tate Gallery Publications, 1984
—— Introduction, The Little Holland House Album, by Sir Edward Burne-Jones, North Berwick, Dalrymple Press, 1981 (facsimile of an album of poems transcribed and illustrated by Edward Burne-Jones)
DORMENT, Richard ‘Burne-Jones’s Roman Mosaics’ in Burlington Magazine, February 1978, pp. 72–82
LAGO, Mary (ed) Burne-Jones Talking, John Murray, 1981
MacCARTHY, Fiona William Morris, a Life for Our Time, Faber and Faber, 1994
MARSH, Jan The Pre-Raphaelite Sisterhood, Quartet, 1985
MERRILL, Linda A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin, Washington and London, Smithsonian Institution Press, 1992
NEWALL, Cristopher Grosvenor Gallery Exhibitions: Change and Continuity in the Victorian Art World, Cambridge University Press, 1995
NEWMAN, Teresa and WATKINSON, Ray Ford Madox Brown and the Pre-Raphaelite Circle, Chatto & Windus, 1991
POULSON, Christine ‘Costume Designs by Burne-Jones for Irving’s Production of King Arthur,’ in Burlington Magazine, January 1986, pp 18–24
RUSSELL, Frances ‘Advice to a Young Traveller from Burne-Jones: Letters to Agnes Graham, 1876,’ in Apollo, December 1978, pp 424–7
TATE GALLERY Catalogue, The Pre-Raphaelites, Tate Gallery, 1984
TAYLOR, Ina Victorian Sisters: the remarkable MacDonalds and the four great men they inspired, Weidenfeld and Nicolson, 1987
WARRELL, Ian Catalogue essay, Burne-Jones, watercolours and drawings, Tate Gallery, 1993
APPENDIX 2: PAINTINGS BY BURNE-JONES MENTIONED IN THE TEXT AND NOW IN PUBLIC COLLECTIONS
Of the more important pictures mentioned in the text, the following are in private collections: Beatrice, Fair Rosamund, Green Summer (1868 version), Heart of the Rose, and the portraits of Frances Balfour, Georgiana Burne-Jones, Margaret Burne-Jones, Dossie Drew, Mary Gladstone, Frances Graham, Cecily Horne, Katie Lewis, Lady Windsor (the Countess of Plymouth).
The following are in public collections, or in private collections which are shown to the public:
Annunciation, The (1876–9) Lady Lever Gallery, Port Sunlight
Avalon (begun 1881) Ponce Museum of Art, Puerto Rico
Beguiling of Merlin, The (1872–7) Lady Lever Gallery, Port Sunlight
Briar Rose (1894) Buscot Park, Faringdon
Chant d’Amour (1865) Museum of Fine Arts, Boston
Danae (1888 version) Glasgow City Art Gallery
Depths of the Sea, The (1886) Fogg Art Museum, Cambridge, Mass.
Flower Book (original watercolours) British Museum Print Room
Golden Stairs, The (1876–80) Tate Gallery, London
Hesperides, The (1870–3 version) Birmingha
m Museums & Art Gallery
King Cophetua and the Beggar Maid (1880–4) Tate Gallery, London
Laus Veneris (1873–5) Laing Art Gallery, Newcastle
Love Among the Ruins (1894 version)Wightwick Manor, Wolverhampton
Love and the Pilgrim (1877–97) Tate Gallery, London
Love’s Wayfaring (begun 1872)Victoria & Albert Museum, London
Merciful Knight, The (1863) Birmingham Museums & Art Gallery
Merlin and Nimuë (1861) Victoria & Albert Museum, London
Mill, The (1870–82) Victoria & Albert Museum, London
Phyllis and Demophoön (1870) Birmingham Museums & Art Gallery
Sidonia and Clara Van Bork (1860) Tate Gallery, London
Sirens, The (begun 1870) Ringling Museum, Sarasota, Florida
Sibylla Delphica (1886) Manchester City Art Gallery
Sponsa di Libano (1891) Walker Art Gallery, Liverpool
Vespertina Quies (1893) Tate Gallery, London
Wheel of Fortune, The (1872–6 version) Hammersmith Public Libraries, Fulham Branch
NOTES TO THE TEXT
With a few exceptions, references have only been given for hitherto unpublished material. Printed sources are given in the bibliography.
Abbreviations
Castle Howard, E.B.J. to G.H. Letters from Edward Burne-Jones to George Howard, Castle Howard collection
Castle Howard, G.B.J. to R.H. Letters from Georgiana Burne-Jones to Rosalind Howard, Castle Howard collection
H.M.G. Letters from Edward Burne-Jones to Helen Mary Gaskell
R.D. The studio diaries of T.M. Rooke. The page numbers are from the duplicate of a copy belonging to Mrs Celia Rooke, which is deposited in the Victoria and Albert. Some corrections have been made from the original copy made for Lady Burne-Jones, which is now in the possession of Mr Lance Thirkell
Walthamstow William Morris Gallery, Walthamstow
Chapter 1
1. R.D. p. 46
2. R.D. p. 160
3. R.D. p. 46
4. R.D. p. 468
5. R.D. p. 470
6. R.D. p. 218
7. 19 May 1896 in G.B.J.’s copy of R.D.
8. R.D. p. 38
9. R.D. p. 491
10. Undated letter to Olive Maxse, Lord Hardinge of Penshurst
11. 19 May 1896 in G.B.J.’s copy of R.D.
12. R.D. p. 139–40
13. 19 May 1896 in G.B.J.’s copy of R.D.