The Complete Works of Henry James

by Henry James

  There had not yet been quite so much, on all the showing, as since their return from their twenty months in America, as since their settlement again in England, experimental though it was, and the consequent sense, now quite established for him, of a domestic air that had cleared and lightened, producing the effect, for their common personal life, of wider perspectives and large waiting spaces. It was as if his son-in-law’s presence, even from before his becoming his son-in-law, had somehow filled the scene and blocked the future—very richly and handsomely, when all was said, not at all inconveniently or in ways not to have been desired: inasmuch as though the Prince, his measure now practically taken, was still pretty much the same “big fact,” the sky had lifted, the horizon receded, the very foreground itself expanded, quite to match him, quite to keep everything in comfortable scale. At first, certainly, their decent little old-time union, Maggie’s and his own, had resembled a good deal some pleasant public square, in the heart of an old city, into which a great Palladian church, say—something with a grand architectural front—had suddenly been dropped; so that the rest of the place, the space in front, the way round, outside, to the east end, the margin of street and passage, the quantity of over-arching heaven, had been temporarily compromised. Not even then, of a truth, in a manner disconcerting—given, that is, for the critical, or at least the intelligent, eye, the great style of the facade and its high place in its class. The phenomenon that had since occurred, whether originally to have been pronounced calculable or not, had not, naturally, been the miracle of a night, but had taken place so gradually, quietly, easily, that from this vantage of wide, wooded Fawns, with its eighty rooms, as they said, with its spreading park, with its acres and acres of garden and its majesty of artificial lake— though that, for a person so familiar with the “great” ones, might be rather ridiculous—no visibility of transition showed, no violence of adjustment, in retrospect, emerged. The Palladian church was always there, but the piazza took care of itself. The sun stared down in his fulness, the air circulated, and the public not less; the limit stood off, the way round was easy, the east end was as fine, in its fashion, as the west, and there were also side doors for entrance, between the two—large, monumental, ornamental, in their style—as for all proper great churches. By some such process, in fine, had the Prince, for his father-in- law, while remaining solidly a feature, ceased to be, at all ominously, a block.

  Mr. Verver, it may further be mentioned, had taken at no moment sufficient alarm to have kept in detail the record of his reassurance; but he would none the less not have been unable, not really have been indisposed, to impart in confidence to the right person his notion of the history of the matter. The right person—it is equally distinct—had not, for this illumination, been wanting, but had been encountered in the form of Fanny Assingham, not for the first time indeed admitted to his counsels, and who would have doubtless at present, in any case, from plenitude of interest and with equal guarantees, repeated his secret. It all came then, the great clearance, from the one prime fact that the Prince, by good fortune, hadn’t proved angular. He clung to that description of his daughter’s husband as he often did to terms and phrases, in the human, the social connection, that he had found for himself: it was his way to have times of using these constantly, as if they just then lighted the world, or his own path in it, for him—even when for some of his interlocutors they covered less ground. It was true that with Mrs. Assingham he never felt quite sure of the ground anything covered; she disputed with him so little, agreed with him so much, surrounded him with such systematic consideration, such predetermined tenderness, that it was almost—which he had once told her in irritation as if she were nursing a sick baby. He had accused her of not taking him seriously, and she had replied—as from her it couldn’t frighten him—that she took him religiously, adoringly. She had laughed again, as she had laughed before, on his producing for her that good right word about the happy issue of his connection with the Prince—with an effect the more odd perhaps as she had not contested its value. She couldn’t of course, however, be, at the best, as much in love with his discovery as he was himself. He was so much so that he fairly worked it—to his own comfort; came in fact sometimes near publicly pointing the moral of what might have occurred if friction, so to speak, had occurred. He pointed it frankly one day to the personage in question, mentioned to the Prince the particular justice he did him, was even explicit as to the danger that, in their remarkable relation, they had thus escaped. Oh, if he HAD been angular!—who could say what might THEN have happened? He spoke—and it was the way he had spoken to Mrs. Assingham too—as if he grasped the facts, without exception, for which angularity stood.

  It figured for him, clearly, as a final idea, a conception of the last vividness. He might have been signifying by it the sharp corners and hard edges, all the stony pointedness, the grand right geometry of his spreading Palladian church. Just so, he was insensible to no feature of the felicity of a contact that, beguilingly, almost confoundingly, was a contact but with practically yielding lines and curved surfaces. “You’re round, my boy,” he had said—”you’re ALL, you’re variously and inexhaustibly round, when you might, by all the chances, have been abominably square. I’m not sure, for that matter,” he had added, “that you’re not square in the general mass—whether abominably or not. The abomination isn’t a question, for you’re inveterately round—that’s what I mean—in the detail. It’s the sort of thing, in you, that one feels—or at least I do—with one’s hand. Say you had been formed, all over, in a lot of little pyramidal lozenges like that wonderful side of the Ducal Palace in Venice—so lovely in a building, but so damnable, for rubbing against, in a man, and especially in a near relation. I can see them all from here—each of them sticking out by itself—all the architectural cut diamonds that would have scratched one’s softer sides. One would have been scratched by diamonds—doubtless the neatest way if one was to be scratched at all—but one would have been more or less reduced to a hash. As it is, for living with, you’re a pure and perfect crystal. I give you my idea—I think you ought to have it—just as it has come to me.” The Prince had taken the idea, in his way, for he was well accustomed, by this time, to taking; and nothing perhaps even could more have confirmed Mr. Verver’s account of his surface than the manner in which these golden drops evenly flowed over it. They caught in no interstice, they gathered in no concavity; the uniform smoothness betrayed the dew but by showing for the moment a richer tone. The young man, in other words, unconfusedly smiled—though indeed as if assenting, from principle and habit, to more than he understood. He liked all signs that things were well, but he cared rather less WHY they were.

  In regard to the people among whom he had since his marriage been living, the reasons they so frequently gave—so much oftener than he had ever heard reasons given before—remained on the whole the element by which he most differed from them; and his father-in- law and his wife were, after all, only first among the people among whom he had been living. He was never even yet sure of how, at this, that or the other point, he would strike them; they felt remarkably, so often, things he hadn’t meant, and missed not less remarkably, and not less often, things he had. He had fallen back on his general explanation—”We haven’t the same values;” by which he understood the same measure of importance. His “curves” apparently were important because they had been unexpected, or, still more, unconceived; whereas when one had always, as in his relegated old world, taken curves, and in much greater quantities too, for granted, one was no more surprised at the resulting feasibility of intercourse than one was surprised at being upstairs in a house that had a staircase. He had in fact on this occasion disposed alertly enough of the subject of Mr. Verver’s approbation. The promptitude of his answer, we may in fact well surmise, had sprung not a little from a particular kindled remembrance; this had given his acknowledgment its easiest turn. “Oh, if I’m a crystal I’m delighted that I’m a perfect one, for I believe that they some
times have cracks and flaws—in which case they’re to be had very cheap!” He had stopped short of the emphasis it would have given his joke to add that there had been certainly no having HIM cheap; and it was doubtless a mark of the good taste practically reigning between them that Mr. Verver had not, on his side either, taken up the opportunity. It is the latter’s relation to such aspects, however, that now most concerns us, and the bearing of his pleased view of this absence of friction upon Amerigo’s character as a representative precious object. Representative precious objects, great ancient pictures and other works of art, fine eminent “pieces” in gold, in silver, in enamel, majolica, ivory, bronze, had for a number of years so multiplied themselves round him and, as a general challenge to acquisition and appreciation, so engaged all the faculties of his mind, that the instinct, the particular sharpened appetite of the collector, had fairly served as a basis for his acceptance of the Prince’s suit.

  Over and above the signal fact of the impression made on Maggie herself, the aspirant to his daughter’s hand showed somehow the great marks and signs, stood before him with the high authenticities, he had learned to look for in pieces of the first order. Adam Verver knew, by this time, knew thoroughly; no man in Europe or in America, he privately believed, was less capable, in such estimates, of vulgar mistakes. He had never spoken of himself as infallible—it was not his way; but, apart from the natural affections, he had acquainted himself with no greater joy, of the intimately personal type, than the joy of his originally coming to feel, and all so unexpectedly, that he had in him the spirit of the connoisseur. He had, like many other persons, in the course of his reading, been struck with Keats’s sonnet about stout Cortez in the presence of the Pacific; but few persons, probably, had so devoutly fitted the poet’s grand image to a fact of experience. It consorted so with Mr. Verver’s consciousness of the way in which, at a given moment, he had stared at HIS Pacific, that a couple of perusals of the immortal lines had sufficed to stamp them in his memory. His “peak in Darien” was the sudden hour that had transformed his life, the hour of his perceiving with a mute inward gasp akin to the low moan of apprehensive passion, that a world was left him to conquer and that he might conquer it if he tried. It had been a turning of the page of the book of life—as if a leaf long inert had moved at a touch and, eagerly reversed, had made such a stir of the air as sent up into his face the very breath of the Golden Isles. To rifle the Golden Isles had, on the spot, become the business of his future, and with the sweetness of it—what was most wondrous of all—still more even in the thought than in the act. The thought was that of the affinity of Genius, or at least of Taste, with something in himself—with the dormant intelligence of which he had thus almost violently become aware and that affected him as changing by a mere revolution of the screw his whole intellectual plane. He was equal, somehow, with the great seers, the invokers and encouragers of beauty—and he didn’t after all perhaps dangle so far below the great producers and creators. He had been nothing of that kind before-too decidedly, too dreadfully not; but now he saw why he had been what he had, why he had failed and fallen short even in huge success; now he read into his career, in one single magnificent night, the immense meaning it had waited for.

  It was during his first visit to Europe after the death of his wife, when his daughter was ten years old, that the light, in his mind, had so broken—and he had even made out at that time why, on an earlier occasion, the journey of his honeymoon year, it had still been closely covered. He had “bought” then, so far as he had been able, but he had bought almost wholly for the frail, fluttered creature at his side, who had had her fancies, decidedly, but all for the art, then wonderful to both of them, of the Rue de la Paix, the costly authenticities of dressmakers and jewellers. Her flutter—pale disconcerted ghost as she actually was, a broken white flower tied round, almost grotesquely for his present sense, with a huge satin “bow” of the Boulevard—her flutter had been mainly that of ribbons, frills and fine fabrics; all funny, pathetic evidence, for memory, of the bewilderments overtaking them as a bridal pair confronted with opportunity. He could wince, fairly, still, as he remembered the sense in which the poor girl’s pressure had, under his fond encouragement indeed, been exerted in favour of purchase and curiosity. These were wandering images, out of the earlier dusk, that threw her back, for his pity, into a past more remote than he liked their common past, their young affection, to appear. It would have had to be admitted, to an insistent criticism, that Maggie’s mother, all too strangely, had not so much failed of faith as of the right application of it; since she had exercised it eagerly and restlessly, made it a pretext for innocent perversities in respect to which philosophic time was at, last to reduce all groans to gentleness. And they had loved each other so that his own intelligence, on the higher line, had temporarily paid for it. The futilities, the enormities, the depravities, of decoration and ingenuity, that, before his sense was unsealed, she had made him think lovely! Musing, reconsidering little man that he was, and addicted to silent pleasures—as he was accessible to silent pains—he even sometimes wondered what would have become of his intelligence, in the sphere in which it was to learn more and more exclusively to play, if his wife’s influence upon it had not been, in the strange scheme of things, so promptly removed. Would she have led him altogether, attached as he was to her, into the wilderness of mere mistakes? Would she have prevented him from ever scaling his vertiginous Peak?—or would she, otherwise, have been able to accompany him to that eminence, where he might have pointed out to her, as Cortez to HIS companions, the revelation vouchsafed? No companion of Cortez had presumably been a real lady: Mr. Verver allowed that historic fact to determine his inference.

  VIII

  What was at all events not permanently hidden from him was a truth much less invidious about his years of darkness. It was the strange scheme of things again: the years of darkness had been needed to render possible the years of light. A wiser hand than he at first knew had kept him hard at acquisition of one sort as a perfect preliminary to acquisition of another, and the preliminary would have been weak and wanting if the good faith of it had been less. His comparative blindness had made the good faith, which in its turn had made the soil propitious for the flower of the supreme idea. He had had to LIKE forging and sweating, he had had to like polishing and piling up his arms. They were things at least he had had to believe he liked, just as he had believed he liked transcendent calculation and imaginative gambling all for themselves, the creation of “interests” that were the extinction of other interests, the livid vulgarity, even, of getting in, or getting out, first. That had of course been so far from really the case—with the supreme idea, all the while, growing and striking deep, under everything, in the warm, rich earth. He had stood unknowing, he had walked and worked where it was buried, and the fact itself, the fact of his fortune, would have been a barren fact enough if the first sharp tender shoot had never struggled into day. There on one side was the ugliness his middle time had been spared; there on the other, from all the portents, was the beauty with which his age might still be crowned. He was happier, doubtless, than he deserved; but THAT, when one was happy at all, it was easy to be. He had wrought by devious ways, but he had reached the place, and what would ever have been straighter, in any man’s life, than his way, now, of occupying it? It hadn’t merely, his plan, all the sanctions of civilization; it was positively civilization condensed, concrete, consummate, set down by his hands as a house on a rock—a house from whose open doors and windows, open to grateful, to thirsty millions, the higher, the highest knowledge would shine out to bless the land. In this house, designed as a gift, primarily, to the people of his adoptive city and native State, the urgency of whose release from the bondage of ugliness he was in a position to measure—in this museum of museums, a palace of art which was to show for compact as a Greek temple was compact, a receptacle of treasures sifted to positive sanctity, his spirit to-day almost altogether lived, making up, as he would ha
ve said, for lost time and haunting the portico in anticipation of the final rites.

  These would be the “opening exercises,” the august dedication of the place. His imagination, he was well aware, got over the ground faster than his judgment; there was much still to do for the production of his first effect. Foundations were laid and walls were rising, the structure of the shell all determined; but raw haste was forbidden him in a connection so intimate with the highest effects of patience and piety; he should belie himself by completing without a touch at least of the majesty of delay a monument to the religion he wished to propagate, the exemplary passion, the passion for perfection at any price. He was far from knowing as yet where he would end, but he was admirably definite as to where he wouldn’t begin. He wouldn’t begin with a small show—he would begin with a great, and he could scarce have indicated, even had he wished to try, the line of division he had drawn. He had taken no trouble to indicate it to his fellow- citizens, purveyors and consumers, in his own and the circumjacent commonwealths, of comic matter in large lettering, diurnally “set up,” printed, published, folded and delivered, at the expense of his presumptuous emulation of the snail. The snail had become for him, under this ironic suggestion, the loveliest beast in nature, and his return to England, of which we are present witnesses, had not been unconnected with the appreciation so determined. It marked what he liked to mark, that he needed, on the matter in question, instruction from no one on earth. A couple of years of Europe again, of renewed nearness to changes and chances, refreshed sensibility to the currents of the market, would fall in with the consistency of wisdom, the particular shade of enlightened conviction, that he wished to observe. It didn’t look like much for a whole family to hang about waiting- they being now, since the birth of his grandson, a whole family; and there was henceforth only one ground in all the world, he felt, on which the question of appearance would ever really again count for him. He cared that a work of art of price should “look like” the master to whom it might perhaps be deceitfully attributed; but he had ceased on the whole to know any matter of the rest of life by its looks.