The Complete Works of Henry James

by Henry James

  He took life in general higher up the stream; so far as he was not actually taking it as a collector, he was taking it, decidedly, as a grandfather. In the way of precious small pieces he had handled nothing so precious as the Principino, his daughter’s first-born, whose Italian designation endlessly amused him and whom he could manipulate and dandle, already almost toss and catch again, as he couldn’t a correspondingly rare morsel of an earlier pate tendre. He could take the small clutching child from his nurse’s arms with an iteration grimly discountenanced, in respect to their contents, by the glass doors of high cabinets. Something clearly beatific in this new relation had, moreover, without doubt, confirmed for him the sense that none of his silent answers to public detraction, to local vulgarity, had ever been so legitimately straight as the mere element of attitude—reduce it, he said, to that—in his easy weeks at Fawns. The element of attitude was all he wanted of these weeks, and he was enjoying it on the spot, even more than he had hoped: enjoying it in spite of Mrs. Rance and the Miss Lutches; in spite of the small worry of his belief that Fanny Assingham had really something for him that she was keeping back; in spite of his full consciousness, overflowing the cup like a wine too generously poured, that if he had consented to marry his daughter, and thereby to make, as it were, the difference, what surrounded him now was, exactly, consent vivified, marriage demonstrated, the difference, in fine, definitely made. He could call back his prior, his own wedded consciousness—it was not yet out of range of vague reflection. He had supposed himself, above all he had supposed his wife, as married as anyone could be, and yet he wondered if their state had deserved the name, or their union worn the beauty, in the degree to which the couple now before him carried the matter. In especial since the birth of their boy, in New York—the grand climax of their recent American period, brought to so right an issue—the happy pair struck him as having carried it higher, deeper, further; to where it ceased to concern his imagination, at any rate, to follow them. Extraordinary, beyond question, was one branch of his characteristic mute wonderment—it characterised above all, with its subject before it, his modesty: the strange dim doubt, waking up for him at the end of the years, of whether Maggie’s mother had, after all, been capable of the maximum. The maximum of tenderness he meant—as the terms existed for him; the maximum of immersion in the fact of being married. Maggie herself was capable; Maggie herself at this season, was, exquisitely, divinely, the maximum: such was the impression that, positively holding off a little for the practical, the tactful consideration it inspired in him, a respect for the beauty and sanctity of it almost amounting to awe —such was the impression he daily received from her. She was her mother, oh yes—but her mother and something more; it becoming thus a new light for him, and in such a curious way too, that anything more than her mother should prove at this time of day possible.

  He could live over again at almost any quiet moment the long process of his introduction to his present interests—an introduction that had depended all on himself, like the “cheek” of the young man who approaches a boss without credentials or picks up an acquaintance, makes even a real friend, by speaking to a passer in the street. HIS real friend, in all the business, was to have been his own mind, with which nobody had put him in relation. He had knocked at the door of that essentially private house, and his call, in truth, had not been immediately answered; so that when, after waiting and coming back, he had at last got in, it was, twirling his hat, as an embarrassed stranger, or, trying his keys, as a thief at night. He had gained confidence only with time, but when he had taken real possession of the place it had been never again to come away. All of which success represented, it must be allowed, his one principle of pride. Pride in the mere original spring, pride in his money, would have been pride in something that had come, in comparison, so easily. The right ground for elation was difficulty mastered, and his difficulty—thanks to his modesty—had been to believe in his facility. THIS was the problem he had worked out to its solution—the solution that was now doing more than all else to make his feet settle and his days flush; and when he wished to feel “good,” as they said at American City, he had but to retrace his immense development. That was what the whole thing came back to—that the development had not been somebody’s else passing falsely, accepted too ignobly, for his. To think how servile he might have been was absolutely to respect himself, was in fact, as much as he liked, to admire himself, as free. The very finest spring that ever responded to his touch was always there to press—the memory of his freedom as dawning upon him, like a sunrise all pink and silver, during a winter divided between Florence, Rome and Naples some three years after his wife’s death. It was the hushed daybreak of the Roman revelation in particular that he could usually best recover, with the way that there, above all, where the princes and Popes had been before him, his divination of his faculty most went to his head. He was a plain American citizen, staying at an hotel where, sometimes, for days together, there were twenty others like him; but no Pope, no prince of them all had read a richer meaning, he believed, into the character of the Patron of Art. He was ashamed of them really, if he wasn’t afraid, and he had on the whole never so climbed to the tip-top as in judging, over a perusal of Hermann Grimm, where Julius II and Leo X were “placed” by their treatment of Michael Angelo. Far below the plain American citizen—in the case at least in which this personage happened not to be too plain to be Adam Verver. Going to our friend’s head, moreover, some of the results of such comparisons may doubtless be described as having stayed there. His freedom to see—of which the comparisons were part—what could it do but steadily grow and grow?

  It came perhaps even too much to stand to him for ALL freedom— since, for example, it was as much there as ever at the very time of Mrs. Rance’s conspiring against him, at Fawns, with the billiard-room and the Sunday morning, on the occasion round which we have perhaps drawn our circle too wide. Mrs. Rance at least controlled practically each other license of the present and the near future: the license to pass the hour as he would have found convenient; the license to stop remembering, for a little, that, though if proposed to—and not only by this aspirant but by any other—he wouldn’t prove foolish, the proof of wisdom was none the less, in such a fashion, rather cruelly conditioned; the license in especial to proceed from his letters to his journals and insulate, orientate, himself afresh by the sound, over his gained interval, of the many-mouthed monster the exercise of whose lungs he so constantly stimulated. Mrs. Rance remained with him till the others came back from church, and it was by that time clearer than ever that his ordeal, when it should arrive, would be really most unpleasant. His impression—this was the point—took somehow the form not so much of her wanting to press home her own advantage as of her building better than she knew; that is of her symbolising, with virtual unconsciousness, his own special deficiency, his unfortunate lack of a wife to whom applications could be referred. The applications, the contingencies with which Mrs. Rance struck him as potentially bristling, were not of a sort, really, to be met by one’s self. And the possibility of them, when his visitor said, or as good as said, “I’m restrained, you see, because of Mr. Rance, and also because I’m proud and refined; but if it WASN’T for Mr. Rance and for my refinement and my pride!”—the possibility of them, I say, turned to a great murmurous rustle, of a volume to fill the future; a rustle of petticoats, of scented, many-paged letters, of voices as to which, distinguish themselves as they might from each other, it mattered little in what part of the resounding country they had learned to make themselves prevail. The Assinghams and the Miss Lutches had taken the walk, through the park, to the little old church, “on the property,” that our friend had often found himself wishing he were able to transport, as it stood, for its simple sweetness, in a glass case, to one of his exhibitory halls; while Maggie had induced her husband, not inveterate in such practices, to make with her, by carriage, the somewhat longer pilgrimage to the nearest altar, modest though it happened to be,
of the faith—her own as it had been her mother’s, and as Mr. Verver himself had been loosely willing, always, to let it be taken for his—without the solid ease of which, making the stage firm and smooth, the drama of her marriage might not have been acted out.

  What at last appeared to have happened, however, was that the divided parties, coming back at the same moment, had met outside and then drifted together, from empty room to room, yet not in mere aimless quest of the pair of companions they had left at home. The quest had carried them to the door of the billiard- room, and their appearance, as it opened to admit them, determined for Adam Verver, in the oddest way in the world, a new and sharp perception. It was really remarkable: this perception expanded, on the spot, as a flower, one of the strangest, might, at a breath, have suddenly opened. The breath, for that matter, was more than anything else, the look in his daughter’s eyes—the look with which he SAW her take in exactly what had occurred in her absence: Mrs. Rance’s pursuit of him to this remote locality, the spirit and the very form, perfectly characteristic, of his acceptance of the complication—the seal set, in short, unmistakably, on one of Maggie’s anxieties. The anxiety, it was true, would have been, even though not imparted, separately shared; for Fanny Assingham’s face was, by the same stroke, not at all thickly veiled for him, and a queer light, of a colour quite to match, fairly glittered in the four fine eyes of the Miss Lutches. Each of these persons—counting out, that is, the Prince and the Colonel, who didn’t care, and who didn’t even see that the others did—knew something, or had at any rate had her idea; the idea, precisely, that this was what Mrs. Rance, artfully biding her time, WOULD do. The special shade of apprehension on the part of the Miss Lutches might indeed have suggested the vision of an energy supremely asserted. It was droll, in truth, if one came to that, the position of the Miss Lutches: they had themselves brought, they had guilelessly introduced Mrs. Rance, strong in the fact of Mr. Rance’s having been literally beheld of them; and it was now for them, positively, as if their handful of flowers—since Mrs. Rance was a handful!—had been but the vehicle of a dangerous snake. Mr. Verver fairly felt in the air the Miss Lutches’ imputation—in the intensity of which, really, his own propriety might have been involved.

  That, none the less, was but a flicker; what made the real difference, as I have hinted, was his mute passage with Maggie. His daughter’s anxiety alone had depths, and it opened out for him the wider that it was altogether new. When, in their common past, when till this moment, had she shown a fear, however dumbly, for his individual life? They had had fears together, just as they had had joys, but all of hers, at least, had been for what equally concerned them. Here of a sudden was a question that concerned him alone, and the soundless explosion of it somehow marked a date. He was on her mind, he was even in a manner on her hands—as a distinct thing, that is, from being, where he had always been, merely deep in her heart and in her life; too deep down, as it were, to be disengaged, contrasted or opposed, in short objectively presented. But time finally had done it; their relation was altered: he SAW, again, the difference lighted for her. This marked it to himself—and it wasn’t a question simply of a Mrs. Rance the more or the less. For Maggie too, at a stroke, almost beneficently, their visitor had, from being an inconvenience, become a sign. They had made vacant, by their marriage, his immediate foreground, his personal precinct—they being the Princess and the Prince. They had made room in it for others—so others had become aware. He became aware himself, for that matter, during the minute Maggie stood there before speaking; and with the sense, moreover, of what he saw her see, he had the sense of what she saw HIM. This last, it may be added, would have been his intensest perception had there not, the next instant, been more for him in Fanny Assingham. Her face couldn’t keep it from him; she had seen, on top of everything, in her quick way, what they both were seeing.

  IX

  So much mute communication was doubtless, all this time, marvellous, and we may confess to having perhaps read into the scene, prematurely, a critical character that took longer to develop. Yet the quiet hour of reunion enjoyed that afternoon by the father and the daughter did really little else than deal with the elements definitely presented to each in the vibration produced by the return of the church-goers. Nothing allusive, nothing at all insistent, passed between them either before or immediately after luncheon—except indeed so far as their failure soon again to meet might be itself an accident charged with reference. The hour or two after luncheon—and on Sundays with especial rigour, for one of the domestic reasons of which it belonged to Maggie quite multitudinously to take account—were habitually spent by the Princess with her little boy, in whose apartment she either frequently found her father already established or was sooner or later joined by him. His visit to his grandson, at some hour or other, held its place, in his day, against all interventions, and this without counting his grandson’s visits to HIM, scarcely less ordered and timed, and the odd bits, as he called them, that they picked up together when they could—communions snatched, for the most part, on the terrace, in the gardens or the park, while the Principino, with much pomp and circumstance of perambulator, parasol, fine lace over-veiling and incorruptible female attendance, took the air. In the private apartments, which, occupying in the great house the larger part of a wing of their own, were not much more easily accessible than if the place had been a royal palace and the small child an heir-apparent—in the nursery of nurseries the talk, at these instituted times, was always so prevailingly with or about the master of the scene that other interests and other topics had fairly learned to avoid the slighting and inadequate notice there taken of them. They came in, at the best, but as involved in the little boy’s future, his past, or his comprehensive present, never getting so much as a chance to plead their own merits or to complain of being neglected. Nothing perhaps, in truth, had done more than this united participation to confirm in the elder parties that sense of a life not only uninterrupted but more deeply associated, more largely combined, of which, on Adam Verver’s behalf, we have made some mention. It was of course an old story and a familiar idea that a beautiful baby could take its place as a new link between a wife and a husband, but Maggie and her father had, with every ingenuity, converted the precious creature into a link between a mamma and a grandpapa. The Principino, for a chance spectator of this process, might have become, by an untoward stroke, a hapless half-orphan, with the place of immediate male parent swept bare and open to the next nearest sympathy.

  They had no occasion thus, the conjoined worshippers, to talk of what the Prince might be or might do for his son—the sum of service, in his absence, so completely filled itself out. It was not in the least, moreover, that there was doubt of him, for he was conspicuously addicted to the manipulation of the child, in the frank Italian way, at such moments as he judged discreet in respect to other claims: conspicuously, indeed, that is, for Maggie, who had more occasion, on the whole, to speak to her husband of the extravagance of her father than to speak to her father of the extravagance of her husband. Adam Verver had, all round, in this connection, his own serenity. He was sure of his son-in-law’s auxiliary admiration—admiration, he meant, of his grand-son; since, to begin with, what else had been at work but the instinct—or it might fairly have been the tradition—of the latter’s making the child so solidly beautiful as to HAVE to be admired? What contributed most to harmony in this play of relations, however, was the way the young man seemed to leave it to be gathered that, tradition for tradition, the grandpapa’s own was not, in any estimate, to go for nothing. A tradition, or whatever it was, that had flowered prelusively in the Princess herself—well, Amerigo’s very discretions were his way of taking account of it. His discriminations in respect to his heir were, in fine, not more angular than any others to be observed in him; and Mr. Verver received perhaps from no source so distinct an impression of being for him an odd and important phenomenon as he received from this impunity of appropriation, these unchallenged nursery h
ours. It was as if the grandpapa’s special show of the character were but another side for the observer to study, another item for him to note. It came back, this latter personage knew, to his own previous perception—that of the Prince’s inability, in any matter in which he was concerned, to CONCLUDE. The idiosyncrasy, for him, at each stage, had to be demonstrated—on which, however, he admirably accepted it. This last was, after all, the point; he really worked, poor young man, for acceptance, since he worked so constantly for comprehension. And how, when you came to that, COULD you know that a horse wouldn’t shy at a brass-band, in a country road, because it didn’t shy at a traction-engine? It might have been brought up to traction-engines without having been brought up to brass-bands. Little by little, thus, from month to month, the Prince was learning what his wife’s father had been brought up to; and now it could be checked off—he had been brought, up to the romantic view of principini. Who would have thought it, and where would it all stop? The only fear somewhat sharp for Mr. Verver was a certain fear of disappointing him for strangeness. He felt that the evidence he offered, thus viewed, was too much on the positive side. He didn’t know—he was learning, and it was funny for him—to how many things he HAD been brought up. If the Prince could only strike something to which he hadn’t! This wouldn’t, it seemed to him, ruffle the smoothness, and yet MIGHT, a little, add to the interest.