Memories, Dreams, Reflections

by C. G. Jung

  It was fairly light in the room, although there were no windows and no apparent source of light. Above the head, however, was an aura of brightness. The thing did not move, yet I had the feeling that it might at any moment crawl off the throne like a worm and creep toward me. I was paralyzed with terror. At that moment I heard from outside and above me my mother’s voice. She called out, “Yes, just look at him. That is the man-eater!” That intensified my terror still more, and I awoke sweating and scared to death. For many nights afterward I was afraid to go to sleep, because I feared I might have another dream like that.

  This dream haunted me for years. Only much later did I realize that what I had seen was a phallus, and it was decades before I understood that it was a ritual phallus. I could never make out whether my mother meant, “That is the man-eater,” or, “That is the man-eater.” In the first case she would have meant that not Lord Jesus or the Jesuit was the devourer of little children, but the phallus; in the second case that the “man-eater” in general was symbolized by the phallus, so that the dark Lord Jesus, the Jesuit, and the phallus were identical.

  The abstract significance of the phallus is shown by the fact that it was enthroned by itself, “ithyphallically” (, “upright”). The hole in the meadow probably represented a grave. The grave itself was an underground temple whose green curtain symbolized the meadow, in other words the mystery of Earth with her covering of green vegetation. The carpet was blood-red. What about the vault? Perhaps I had already been to the Munôt, the citadel of Schaffhausen? This is not likely, since no one would take a three-year-old child up there. So it cannot be a memory-trace. Equally, I do not know where the anatomically correct phallus can have come from. The interpretation of the orificium urethrae as an eye, with the source of light apparently above it, points to the etymology of the word phallus (, shining, bright).3

  At all events, the phallus of this dream seems to be a subterranean God “not to be named,” and such it remained throughout my youth, reappearing whenever anyone spoke too emphatically about Lord Jesus. Lord Jesus never became quite real for me, never quite acceptable, never quite lovable, for again and again I would think of his underground counterpart, a frightful revelation which had been accorded me without my seeking it. The Jesuit’s “disguise” cast its shadow over the Christian doctrine I had been taught. Often it seemed to me a solemn masquerade, a kind of funeral at which the mourners put on serious or mournful faces but the next moment were secretly laughing and not really sad at all. Lord Jesus seemed to me in some ways a god of death, helpful, it is true, in that he scared away the terrors of the night, but himself uncanny, a crucified and bloody corpse. Secretly, his love and kindness, which I always heard praised, appeared doubtful to me, chiefly because the people who talked most about “dear Lord Jesus” wore black frock coats and shiny black boots which reminded me of burials. They were my father’s colleagues as well as eight of my uncles—all parsons. For many years they inspired fear in me—not to speak of occasional Catholic priests who reminded me of the terrifying Jesuit who had irritated and even alarmed my father. In later years and until my confirmation, I made every effort to force myself to take the required positive attitude to Christ. But I could never succeed in overcoming my secret distrust.

  The fear of the “black man,” which is felt by every child, was not the essential thing in that experience; it was, rather, the recognition that stabbed through my childish brain: “That is a Jesuit.” So the important thing in the dream was its remarkable symbolic setting and the astounding interpretation: “That is the man-eater.” Not the child’s ogre of a man-eater, but the fact that this was the man-eater, and that it was sitting on a golden throne beneath the earth. For my childish imagination it was first of all the king who sat on a golden throne; then, on a much more beautiful and much higher and much more golden throne far, far away in the blue sky, sat God and Lord Jesus, with golden crowns and white robes. Yet from this same Lord Jesus came the “Jesuit,” in black women’s garb, with a broad black hat, down from the wooded hill. I had to glance up there every so often to see whether another danger might not be approaching. In the dream I went down into the hole in the earth and found something very different on a golden throne, something non-human and underworldly, which gazed fixedly upward and fed on human flesh. It was only fifty years later that a passage in a study of religious ritual burned into my eyes, concerning the motif of cannibalism that underlies the symbolism of the Mass. Only then did it become clear to me how exceedingly unchildlike, how sophisticated and oversophisticated was the thought that had begun to break through into consciousness in those two experiences. Who was it speaking in me? Whose mind had devised them? What kind of superior intelligence was at work? I know every numbskull will babble on about “black man,” “man-eater,” “chance,” and “retrospective interpretation,” in order to banish something terribly inconvenient that might sully the familiar picture of childhood innocence. Ah, these good, efficient, healthy-minded people, they always remind me of those optimistic tadpoles who bask in a puddle in the sun, in the shallowest of waters, crowding together and amiably wriggling their tails, totally unaware that the next morning the puddle will have dried up and left them stranded.

  Who spoke to me then? Who talked of problems far beyond my knowledge? Who brought the Above and Below together, and laid the foundation for everything that was to fill the second half of my life with stormiest passion? Who but that alien guest who came both from above and from below?

  Through this childhood dream I was initiated into the secrets of the earth. What happened then was a kind of burial in the earth, and many years were to pass before I came out again. Today I know that it happened in order to bring the greatest possible amount of light into the darkness. It was an initiation into the realm of darkness. My intellectual life had its unconscious beginnings at that time.

  I no longer remember our move to Klein-Hüningen, near Basel, in 1879. But I do have a memory of something that happened several years later. One evening my father took me out of bed and carried me in his arms to our porch, which faced west. He showed me the evening sky, shimmering in the most glorious green. That was after the eruption of Krakatoa, in 1883.

  Another time my father took me outside and showed me a large comet on the eastern horizon.

  And once there was a great flood. The river Wiese, which flowed through the village, had broken its dam, and in its upper reaches a bridge had collapsed. Fourteen people were drowned and were carried down by the yellow flood water to the Rhine. When the water retreated, some of the corpses got stuck in the sand. When I was told about it, there was no holding me. I actually found the body of a middle-aged man, in a black frock coat; apparently he had just come from church. He lay half covered by sand, his arm over his eyes. Similarly, I was fascinated to watch a pig being slaughtered. To the horror of my mother, I watched the whole procedure. She thought it terrible, but the slaughtering and the dead man were simply matters of interest to me.

  My earliest memories of art go back to those years at Klein-Hüningen. The house where my parents lived was the eighteenth-century parsonage, and in it there was a dark room. Here all the furniture was good, and old paintings hung on the walls. I particularly remember an Italian painting of David and Goliath. It was a mirror copy from the workshop of Guido Reni; the original hangs in the Louvre. How it came into our family I do not know. There was another old painting in that room which now hangs in my son’s house: a landscape of Basel dating from the early nineteenth century. Often I would steal into that dark, sequestered room and sit for hours in front of the pictures, gazing at all this beauty. It was the only beautiful thing I knew.

  About that time—I must still have been a very little fellow, no more than six years old—an aunt took me to Basel and showed me the stuffed animals in the museum. We stayed a long time, because I wanted to look at everything very carefully. At four o’clock the bell rang, a sign that the museum was about to close. My aunt nagged at me, but I coul
d not tear myself away from the showcases. In the meantime the room had been locked, and we had to go by another way to the staircase, through the gallery of antiquities. Suddenly I was standing before these marvelous figures! Utterly overwhelmed, I opened my eyes wide, for I had never seen anything so beautiful. I could not look at them long enough. My aunt pulled me by the hand to the exit—I trailing always a step behind her—crying out, “Disgusting boy, shut your eyes; disgusting boy, shut your eyes!” Only then did I see that the figures were naked and wore fig leaves. I hadn’t noticed it at all before. Such was my first encounter with the fine arts. My aunt was simmering with indignation, as though she had been dragged through a pornographic institute.

  When I was six years old, my parents took me on an excursion to Arlesheim. On this occasion my mother wore a dress I have never forgotten, and it is the only dress of hers that I can recall: it was of some black stuff printed all over with little green crescents. My earliest recollection of my mother is of a slender young woman wearing this dress. In all my other memories she is older and corpulent.

  We came to a church, and my mother said, “That is a Catholic church.” My curiosity, mingled with fear, prompted me to slip away from my mother and peer through the open door into the interior. I just had time to glimpse the big candles on a richly adorned altar (it was around Easter) when I suddenly stumbled on a step and struck my chin on a piece of iron. I remember that I had a gash that was bleeding badly when my parents picked me up. My state of mind was curious: on the one hand I was ashamed because my screams were attracting the attention of the churchgoers, and on the other hand I felt that I had done something forbidden. “Jesuits—green curtain—secret of the man-eater.… So that is the Catholic Church which has to do with Jesuits. It is their fault that I stumbled and screamed.”

  For years afterward I was unable to set foot inside a Catholic church without a secret fear of blood and falling and Jesuits. That was the aura or atmosphere that hung about it, but at the same time it always fascinated me. The proximity of a Catholic priest made me even more uneasy, if that were possible. Not until I was in my thirties was I able to confront Mater Ecclesia without this sense of oppression. The first time was in St. Stephen’s Cathedral in Vienna.

  Soon after I was six my father began giving me Latin lessons, and I also went to school. I did not mind school; it was easy for me, since I was always ahead of the others and had learned to read before I went there. However, I remember a time when I could not yet read, but pestered my mother to read aloud to me out of the Orbis Pictus, an old, richly illustrated children’s book, which contained an account of exotic religions, especially that of the Hindus. There were illustrations of Brahma, Vishnu, and Shiva which I found an inexhaustible source of interest. My mother later told me that I always returned to these pictures. Whenever I did so, I had an obscure feeling of their affinity with my “original revelation”—which I never spoke of to anyone. It was a secret I must never betray. Indirectly, my mother confirmed this feeling, for the faint tone of contempt with which she spoke of “heathens” did not escape me. I knew that she would reject my “revelation” with horror, and I did not want to expose myself to any such injury.

  This unchildlike behavior was connected on the one hand with an intense sensitivity and vulnerability, on the other hand—and this especially—with the loneliness of my early youth. (My sister was born nine years after me.) I played alone, and in my own way. Unfortunately I cannot remember what I played; I recall only that I did not want to be disturbed. I was deeply absorbed in my games and could not endure being watched or judged while I played them. My first concrete memory of games dates from my seventh or eighth year. I was passionately fond of playing with bricks, and built towers which I then rapturously destroyed by an “earthquake.” Between my eighth and eleventh years I drew endlessly—battle pictures, sieges, bombardments, naval engagements. Then I filled a whole exercise book with ink blots and amused myself giving them fantastic interpretations. One of my reasons for liking school was that there I found at last the playmates I had lacked for so long.

  At school, I also discovered something else. But before I go into this I should first mention that the nocturnal atmosphere had begun to thicken. All sorts of things were happening at night, things incomprehensible and alarming. My parents were sleeping apart. I slept in my father’s room. From the door to my mother’s room came frightening influences. At night Mother was strange and mysterious. One night I saw coming from her door a faintly luminous, indefinite figure whose head detached itself from the neck and floated along in front of it, in the air, like a little moon. Immediately another head was produced and again detached itself. This process was repeated six or seven times. I had anxiety dreams of things that were now small, now large. For instance, I saw a tiny ball at a great distance; gradually it approached, growing steadily into a monstrous and suffocating object. Or I saw telegraph wires with birds sitting on them, and the wires grew thicker and thicker and my fear greater until the terror awoke me.

  Although these dreams were overtures to the physiological changes of puberty, they had in their turn a prelude which occurred about my seventh year. At that time I was sick with pseudo-croup, accompanied by choking fits. One night during an attack I stood at the foot of the bed, my head bent back over the bed rail, while my father held me under the arms. Above me I saw a glowing blue circle about the size of the full moon, and inside it moved golden figures which I thought were angels. This vision was repeated, and each time it allayed my fear of suffocation. But the suffocation returned in the anxiety dreams. I see in this a psychogenic factor: the atmosphere of the house was beginning to be unbreathable.

  I hated going to church. The one exception was Christmas Day. The Christmas carol “This Is the Day That God Has Made” pleased me enormously. And then in the evening, of course, came the Christmas tree. Christmas was the only Christian festival I could celebrate with fervor. All others left me cold. New Year’s Eve alone had something of the attractiveness of Christmas, but definitely took second place; Advent had a quality about it that somehow did not fit in with the coming Christmas. It had to do with night, storms, and wind, and also with the darkness of the house. There was something whispering, something queer going on.

  I return now to the discovery I made in the course of associating with my rustic schoolmates. I found that they alienated me from myself. When I was with them I became different from the way I was at home. I joined in their pranks, or invented ones which at home would never have occurred to me, so it seemed; although, as I knew only too well, I could hatch up all sorts of things when I was alone. It seemed to me that the change in myself was due to the influence of my schoolfellows, who somehow misled me or compelled me to be different from what I thought I was. The influence of this wider world, this world which contained others besides my parents, seemed to me dubious if not altogether suspect and, in some obscure way, hostile. Though I became increasingly aware of the beauty of the bright daylight world where “golden sunlight filters through green leaves,” at the same time I had a premonition of an inescapable world of shadows filled with frightening, unanswerable questions which had me at their mercy. My nightly prayer did, of course, grant me a ritual protection since it concluded the day properly and just as properly ushered in night and sleep. But the new peril lurked by day. It was as if I sensed a splitting of myself, and feared it. My inner security was threatened.

  I also recall from this period (seven to nine) that I was fond of playing with fire. In our garden there was an old wall built of large blocks of stone, the interstices of which made interesting caves. I used to tend a little fire in one of these caves, with other children helping me; a fire that had to burn forever and therefore had to be constantly maintained by our united efforts, which consisted in gathering the necessary wood. No one but myself was allowed to tend this fire. Others could light other fires in other caves, but these fires were profane and did not concern me. My fire alone was living and had an unmi
stakable aura of sanctity.

  In front of this wall was a slope in which was embedded a stone that jutted out—my stone. Often, when I was alone, I sat down on this stone, and then began an imaginary game that went something like this: “I am sitting on top of this stone and it is underneath.” But the stone also could say “I” and think: “I am lying here on this slope and he is sitting on top of me.” The question then arose: “Am I the one who is sitting on the stone, or am I the stone on which he is sitting?” This question always perplexed me, and I would stand up, wondering who was what now. The answer remained totally unclear, and my uncertainty was accompanied by a feeling of curious and fascinating darkness. But there was no doubt whatsoever that this stone stood in some secret relationship to me. I could sit on it for hours, fascinated by the puzzle it set me.