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Wolf Tongue

Page 13

by Barry MacSweeney


  in heather and gorse

  with gleaming braid-pins

  and her letters of consent.

  Preferred my blade

  to the slow business of books.

  You can’t kill a man

  with a word.

  For these admissions

  of course I do

  expect an extra

  stroke or two.

  *

  This is where I bathed.

  This is where I never shaved.

  Proud of my long hair, combed in the manner

  which sent her swooning.

  Bladebreaker Finnbar and swooning Siobhan.

  And here is the psalter

  and here the blood-fine:

  I dragged him from a monastery

  and made his spirit mine.

  God, my holiness, justice

  was a button to be undone.

  Her buttons, Lord of my

  terrifying punishment.

  And here are the pipes,

  architect of undoing,

  here are the pipes

  by the fireside laid.

  Play the pipes

  for my undressing.

  Press me forward

  to be flayed.

  *

  Here are the books she left by in a hurry.

  The brooches and beads and the cloakclasp jar.

  Her hurry to wander from lethal moments,

  from the looms of slaughter built by Finnbar.

  Here soft woollen garments which clothed her leanly,

  the plover-green plaids for the honeymoon walk.

  Here she almost wasted in confinement speechless.

  Here she wanted for the slow tunes and easy talk.

  For I was and am an haughty chief, used more to harpstrums

  than slow breathing from a woman’s lips.

  I turned the filidh from the hearth and battle wrecks,

  cut down foemen’s heads from chariot wheels.

  Who was my appledawn bride is now the plaintiff

  sorely gathered in with her grievance deep.

  She’ll take me to the Judgement Mound

  where for my offences many against the kindred

  I shall rightly be impaled or strung by fires.

  My own satires shall be turned against me, my courage

  diminished, and magic gone from the streams and wells.

  My own mead hall forgotten from the songs.

  For this and all my other aches and pains inflicted,

  apply your justice well. I expect the judgement:

  to be driven from the tribe and to be denied.

  To be belittled in the dust of my days.

  Who was my bride in maythorn blossom days,

  who was my bride from down the Finglas road.

  Who was my bride the pride of Fingal’s clan.

  Who was my joyous love broken and gone.

  Taut-cord-binder, leg-shackler, ankle-twister, knee-crusher

  of mornings when I am vulnerable most, rack-winder

  you alone are witness to the grievous loss experienced here:

  my misery, brehon, dogs gone from the warm hall.

  Listen, man: she hadn’t done her best things yet.

  Who was noontide clover-bee buzzing of days,

  who was my bride. Who was gladsome gatherer

  of seeds and stems in the nooky garden shades.

  Who was the harbinger of pea-pod wine, noblesse oblige

  who sometimes fixed her lips for queenly love-paint war.

  Hark, stern one, when you have gathered your forces

  and gathered me in, remember I loved her uninterrupted.

  This is where we lay together, exhausted and true.

  This is where we strayed beyond normal in the bedroom twining.

  This is where we spent the peewit days in silence solemn and grave.

  This is where we woke each day to a heatherglad beginning.

  Those windless woodsmoke mornings, I wooed like a hound,

  sniffing her traces. Jawking and lapping her laughter lines.

  Harsh one, I was tranced by her magic stillness.

  Your hardness-to-come, I would dance before her nakedness

  and not feel the soul of my face burn like a brand

  in an erasure of embarrassment for once in my life.

  She weaved me, magistrate, to the tune of her willingness,

  to the songs of her yesness, to her bosom of sighs.

  I listened there to the little heart that pounded.

  I listened to the North Sea in her stone-blue veins.

  I wondered there at the whimsical mouse-murmurings

  as her blood-ebbs turned tide with the moon.

  Opening of her lids was like the rising of larks

  in the blue slowness of a stubble-burning day.

  She would stretch out her arms, disgrace-fetcher,

  and I would lose my identity for hours on end,

  displacing my power and delight in power, and my desire

  for the wrecking of other men and the tormenting of tribes.

  We would twinkle to the hearth, bearded one, and

  wrap ourselves in the rags of our fortune.

  Beast, she would purr, beast-enfolder, when I tickled

  the physical appointments she treasured most.

  O tip-toe she was to the water-butt for laving

  those delightful cherishments, those little nut-browns.

  And those breeze-bronzed curvings, and those angled

  by bone paler because they do not see the sun.

  And those tendons, designed by her long-hour stretching

  of legs for the basket-gatherings when summer came on.

  Quick command she had of shyness uncontrolled. Her

  stutters were a charm to me even in the halted speech

  employed by her to wave away my wanting. For her

  alone I would desert the unsheathing of blades.

  I’ll never see another like her all of my days.

  If I sleep alone forever she’ll never come back.

  Her cloakclasp shining in starlight at the edge of an ocean.

  Her plaid flapping in the southern wind at the world’s rim.

  1986

  HELLHOUND MEMOS

  (1993)

  for Terry Kelly and Nicholas Johnson

  I got to keep movin’

  I got to keep movin’

  blues falling down like hail

  U m m m m m m m m m m m m

  blues falling down like hail

  blues falling down like hail

  And the days keep on worrying me

  there’s a hell hound on my trail

  hell hound on my trail

  hell hound on my trail

  ROBERT JOHNSON

  [1]

  Sunk in my darkness at daylight.

  Rain on lamb’s oily wool

  my anointment.

  Sunk in my darkness in my cracked

  braindrain.

  Daydawn lies here spastic as anything.

  Knockings, roarings, sounds arrive

  from one more planet you have not been to.

  Not one child leaps up to say bravo!

  Sunk in my darkness, weeping in trimmed maythorn

  by petrol stations. They want my discount, my

  coupon crystal goblet.

  My phlegm, your phlegm.

  Weak-kneed sunk in my blueness, my sun

  your sun. My fuck-up, your fuck-up.

  My rain, your rain.

  All aboard and welcome.

  [2]

  Sunk at my crossroads, hellhounds baying

  broken from chains, lips, jaws

  slavering with death notice, rape

  on my left and right, filthy money, yellow Jerusalem.

  I’d walk in there, turn the tables, rinse

  the crowd with phlegm, make their shoes walk.

  Swag wings at the con machines, blister

  fingers of the three
lemon fools. Sing mad,

  merle mad, trill a bone, door stance finally

  with contre-jour, say what next ammonite, how

  is oxygenation, where’s your Elvis lipcurl now?

  [3]

  Me the multiplex moron, multigenerational

  multiplicity, many-fingered man with a violet

  shell suit, stolen BMW and a rack of E. I’m here!

  I used to be nowhere, now I’m all over the place.

  I’ve had the garlic and thyme, the purging flax, blood and bone.

  I’ve been to bed with the black pudding. Keep it.

  I’m the only jackpot chancer on the job, estate joy-rider

  extraordinaire. Bored in the listless

  summer, when the boys in blue are in Marbella

  I waft in or rev as is my nature, contrary to

  council or ecclesiastical denial, and open up these

  stolen microwaves. I turn them on and breathe.

  I don’t care what the damage is. Or the waste.

  I enjoy the flames. I can scorch a line, a beautiful

  blue and true line through the hull of your lives

  and must say I like it better so. I adjust my visor

  accordingly. Cut, cut, cut. It’s my dark, dark memo,

  almost a badge. I groove in the magenta heat, I lean

  into it. I don’t erect headstones, Hosanna those

  sky-blue heavens in the fairy tales. I deliver.

  Into a permanent darkness for the rest of your days.

  I come down like slate-grey rain. That’s all. No God available.

  [4]

  (for PBS one day early)

  The very low odour tough acrylic formula

  of B&Q Safe Paint with satin gloss finish

  is venal. Civilisation too good a word for it.

  Percy, why won’t anyone leave us alone? Pass

  The 10-litre can of Professional Obliterating Paint,

  please. Pass the zinc-plated wing nuts, the spur

  budget gold effect bracket and inspiration shelf.

  Not to mention the Zamba Wall Shelving with Tool Rack

  Hardbeam I am for both of us against the intrusions.

  Bysshe, tush, fash not, two hundred is nothing.

  Wait until two thousand, then we’ll justly explode!

  The very floodlit light of heaven has already been

  sold, as you predicted. Nothing to attract you

  but the chard and sprouting broccoli. The rest is trash.

  Babble, babble, babble. Slick, stink, stink.

  Happy birthday, wake up, let’s drown together!

  [8]

  Now that the vast furtherance of widespread publicity

  for the degree course in how to be a complete nobody

  twice over if you’re lucky has won a number of awards

  it is altogether time to nip under the plover’s wing

  and sleep. It is time to hug the lamb and mushroom.

  It is time to pluck the rosemary, the rue, the swaying dill.

  O we will sleep and rest there. We shall be most quiet.

  Lord I know ye will find me a place in a lonnen where

  I can curl sockless, no matter where the sun is, beyond

  any future scars, far from fire, far from phlegm and

  any fame, please. So much I need darkness to surround my head.

  Though I am bent, straighten me.

  [9]

  God bless you little girl the lean dry hand

  wrote on her forehead as the knife went in.

  [10]

  Today we walk by love

  BLISS CARMAN

  Trouble on all sides today up and down:

  Palms of my feet, soles of my hands.

  No rain on lambs’ wool, no anointment under the elder tree.

  Wealth of sickness streaming.

  Four fingers over my right eye, I don’t want to see it.

  But you con it with freak sight, provoked all my life,

  eyes hammered by destruction winds.

  Sunlit laurels I am not fit to wear

  winking reflections like Aidan’s fingernails.

  Alone without lipstick she said in the lit doorway:

  I cannot speak in cogent sentences but still you will not

  terrify me.

  I have seen all of the films and you are not worse than them.

  I have been to the top of the cairn for you, northern prince,

  and I died every inch of the way.

  I listened to the piper and it made me sick.

  Nothing will bring me back: no herbal verbals, no award-winning

  regional disease, coal mines for example.

  No sex with wet hair. No gin and talc.

  I’ll just wash and go.

  [11] Linda Manning Is a Whore

  She moves in tumult.

  ROBERT HUGHES BENSON

  Wisdome flew upon me tonight like a bat’s wing.

  I was at Dunton roundabout

  shaking hands with Robert Johnson and the Jesus Christ Almighty.

  I could hear the elderberries crying dew.

  I was going to ferment them into maniac milk.

  Bubbles everywhere.

  O my knees broke and I sank to my feet.

  I ploated the stupid sky for even daring to wake up,

  honked on the moon, slapped a pizza margherita

  in the sun’s face, saying: Quench in my hart the flames

  of badd desyre so foolishly addressed.

  Who can blot out the Crosse I heard her say.

  Batter my eyelids, knock me down, I will be an usurpte towne

  all by myself, betrothed to an enemie, made by men’s hands

  to kiss the lips of another: Some glue-sniffer sprawled

  unconscious in Hood Street.

  I am a woman, no chief dignitie for me.

  [13] Shaking Minds with Robespierre

  Levellers and prince-fingerers quartered in the heather.

  Once I was an antirrhinum with a hot dry position.

  Now I’m disposable with a seedbed of debatable facts.

  I can hear the hellhounds carping and crapping

  all over the cairn and the law. Suddenly

  one will flame out

  from shook foil to fang a breast.

  I ruck

  and roll the house

  but that snot-streaming bitch

  rides my well-punched eyelids up and down

  and fills my spleen with gall.

  I miss my stew-bearing Mary,

  cusloppe stains upon her hand-made hem.

  O to be a snowflake, whipped in by easterlies,

  soaking gardens and allotments until the lupin and peony seeds

  descend;

  I want to be bright shining

  as cuticles in the Dunton nursery.

  Bright as Aidan’s eyes.

  Yet once more I am taxed

  as hounds paw leek flags and onion beds,

  scarring the enriched loam, eager to run.

  Tonight we try Sarah Ferguson.

  I must collect my papers and go.

  [18] Wringing the Shingle

  I’ll be down at the dock in the morning.

  The brisk cutlets of the breakers

  flash contrast to the sky.

  Foam wringing the shingle is from the strange mouth

  of Anne Sexton.

  She was at the bayside chemist last night.

  Robert’s long gone, up at three, leaving his queen of spades,

  down the highway to the next county fair.

  There’s a glass of poisoned whiskey waiting for him

  and it won’t be from a white man’s hand.

  The ambulance will be slow.

  He’ll be plain stiff chocolate toes turned up on the slab

  just like Bessie.

  Pinned again to the wire, eyes clammed.

  Raven hair blown and burned. Charred to the follicle.

  Wristblood glued to
the Nazi connection.

  Zip done up.

  Laughter lasting as long as she loved him.

  She walked Poland with ten league eyes.

  Sexton toppled in tonight

  crashing into the doctor’s blue swivel chair.

  We fed her stomach to the drain

  and walked her home.

  [19]

  The darkness fell, and all the glory vanished.

  AUGUSTA THEODOSIA DRANE

  Vapour rises from the ducts and flues, ashen and feathered

  against the Batman cape sky like smoked bone, ascending

  wounded inside the theoretical bruising, burdened

  with the small matter of mankind and the grit

  in its windows and eyes, which are silver and aquamarine

  here in the Fauvist metropolis.

  The world with hate and envy raging

  surveys its wild forsaken hoots, and the lanceolate leaves, still

  fragrant, ready for the pan, are quivering under the fjord blasts tonight.

  Sleet penetrates the weave.

  Chapped fingers play the bottleneck

  at Gallowgate crossroads

  where we have lost Robert Johnson to some deep connection

  down the hellhound trail

  passing Anne Sexton details of the Christmas late chemist rota.

  Beneath the blue star are bilious pools of maniac milk.

  Yet once more we enter the falsedom in scarlet and gold,

 

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