Complete Works of Jane Austen

by Jane Austen

  I am but just returned from Melissa’s Bedside, and in my Life tho’ it has been a pretty long one, and I have during the course of it been at many Bedsides, I never saw so affecting an object as she exhibits. She lies wrapped in a book muslin bedgown, a chambray gauze shift, and a French net nightcap. Sir William is constantly at her bedside. The only repose he takes is on the Sopha in the Drawing room, where for five minutes every fortnight he remains in an imperfect Slumber, starting up every Moment and exclaiming ‘Oh! Melissa, Ah! Melissa,’ then sinking down again, raises his left arm and scratches his head. Poor Mrs Burnaby is beyond measure afflicted. She sighs every now and then, that is about once a week; while the melancholy Charles says every Moment ‘Melissa, how are you?’ The lovely Sisters are much to be pitied. Julia is ever lamenting the situation of her friend, while lying behind her pillow and supporting her head — Maria more mild in her grief talks of going to Town next week, and Anna is always recurring to the pleasures we once enjoyed when Melissa was well. — I am usually at the fire cooking some little delicacy for the unhappy invalid — Perhaps hashing up the remains of an old Duck, toasting some cheese or making a Curry which are the favourite Dishes of our poor friend. — In these situations we were this morning surprised by receiving a visit from Dr Dowkins ‘I am come to see Melissa,’ said he. ‘How is She?’ ‘Very weak indeed,’ said the fainting Melissa—’Very weak,’ replied the punning Doctor, ‘aye indeed it is more than a very week since you have taken to your bed — How is your appetite!’ ‘Bad, very bad,’ said Julia. That is very bad’ — replied he. ‘Are her spirits good, Madam!’ ‘So poorly, Sir, that we are obliged to strengthen her with cordials every Minute.’—’Well then she receives Spirits from your being with her. Does she sleep?’ ‘Scarcely ever.’—’And Ever Scarcely I suppose when she does. Poor thing! Does she think of dieing?’ ‘She has not strength to Think at all. ‘Nay then she cannot think to have Strength.’

  THE GENEROUS CURATE

  A MORAL TALE, SETTING FORTH THEADVANTAGES OF BEING GENEROUS AND A CURATE.

  In a part little known of the County of Warwick, a very worthy Clergyman lately resided. The income of his living which amounted to about two hundred pound, and the interest of his Wife’s fortune which was nothing at all, was entirely sufficient for the Wants and Wishes of a Family who neither wanted or wished for anything beyond what their income afforded them. Mr Williams had been in possession of his living above twenty Years, when this history commences, and his Marriage which had taken place soon after his presentation to it, had made him the father of six very fine Children. The eldest had been placed at the Royal Academy for Seamen at Portsmouth when about thirteen years old, and from thence had been discharged on board of one of the Vessels of a small fleet destined for Newfoundland, where his promising and amiable disposition had procured him many friends among the Natives, and from whence he regularly sent home a large Newfoundland Dog every Month to his family. The second, who was also a Son, had been adopted by a neighbouring Clergyman with the intention of educating him at his own expence, which would have been a very desirable Circumstance had the Gentleman’s fortune been equal to his generosity, but as he had nothing to support himself and a very large family but a Curacy of fifty pound a year, Young Williams knew nothing more at the age of 18 than what a twopenny Dame’s School in the village could teach him. His Character however was perfectly amiable though his genius might be cramped, and he was addicted to no vice, or ever guilty of any fault beyond what his age and situation rendered perfectly excusable. He had indeed; sometimes been detected in flinging Stones at a Duck or putting brickbats into his Benefactor’s bed; but these innocent efforts of wit were considered by that good Man rather as the effects of a lively imagination, than of anything bad in his Nature, and if any punishment were decreed for the offence it was in general no greater than that the Culprit should pick up the Stones or take the brickbats away. —

  FINIS

  ODE TO PITY

  To Miss Austen, the following Ode to Pity is dedicated, from a thorough knowledge of her pitiful Nature, by her obedt humle Servt

  THE AUTHOR

  ODE TO PITY

  1.

  Ever musing I delight to tread

  The Paths of honour and the Myrtle Grove

  Whilst the pale Moon her beams doth shed

  On disappointed Love.

  While Philomel on airy hawthorn Bush

  Sings sweet and Melancholy, And the thrush

  Converses with the Dove.

  2.

  Gently brawling down the turnpike road,

  Sweetly noisy falls the Silent Stream —

  The Moon emerges from behind a Cloud

  And darts upon the Myrtle Grove her beam.

  Ah! then what Lovely Scenes appear,

  The hut, the Cot, the Grot, and Chapel queer,

  And eke the Abbey too a mouldering heap,

  Cnceal’d by aged pines her head doth rear

  And quite invisible doth take a peep.

  June 3d, 1793

  The Letters

  Austen’s home — Chawton Cottage in Hampshire

  THE LETTERS OF JANE AUSTEN

  Selected from the Compilation of her Great Nephew Edward, Lord Bradbourne

  by Sarah Chauncey Woolsey

  PREFACE.

  I.

  II.

  III.

  IV.

  V.

  VI.

  VII.

  VIII.

  IX.

  X.

  XI.

  XII.

  XIII.

  XIV.

  XV.

  XVI.

  XVII.

  XVIII.

  XIX.

  XX.

  XXI.

  XXII.

  XXIII.

  XXIV.

  XXV.

  XXVI.

  XXVII.

  XXVIII.

  XXIX.

  XXX.

  XXXI.

  XXXII.

  XXXIII.

  XXXIV.

  XXXV.

  XXXVI.

  XXXVII.

  XXXVIII.

  XXXIX.

  XL.

  XLI.

  XLII.

  XLIII.

  XLIV.

  XLV.

  XLVI.

  XLVII.

  XLVIII.

  XLIX.

  L.

  LI.

  LII.

  LIII.

  LIV.

  LV.

  LVI.

  LVII.

  LVIII.

  LIX.

  LX.

  LXI.

  LXII.

  LXIII.

  LXIV.

  LXV.

  LXVI.

  LXVII.

  LXVIII.

  LXIX.

  LXX.

  LXXI.

  LXXII.

  LXXIII.

  LXXIV.

  LXXV.

  LXXVI.

  LXXVII.

  LXXVIII.

  PREFACE.

  The recent cult for Miss Austen, which has resulted in no less than ten new editions of her novels within a decade and three memoirs by different hands within as many years, have made the facts of her life familiar to most readers. It was a short life, and an uneventful one as viewed from the standpoint of our modern times, when steam and electricity have linked together the ends of the earth, and the very air seems teeming with news, agitations, discussions. We have barely time to recover our breath between post and post; and the morning paper with its statements of disaster and its hints of still greater evils to be, is scarcely out-lived, when, lo! in comes the evening issue, contradicting the news of the morning, to be sure, but full of omens and auguries of its own to strew our pillows with the seed of wakefulness.

  To us, publications come hot and hot from the press. Telegraphic wires like the intricate and incalculable zigzags of the lightning ramify above our heads; and who can tell at what moment their
darts may strike? In Miss Austen’s day the tranquil, drowsy, decorous English day of a century since, all was different. News travelled then from hand to hand, carried in creaking post-wagons, or in cases of extreme urgency by men on horseback. When a gentleman journeying in his own “chaise” took three days in going from Exeter to London, a distance now covered in three hours of railroad, there was little chance of frequent surprises. Love, sorrow, and death were in the world then as now, and worked their will upon the sons of men; but people did not expect happenings every day or even every year. No doubt they lived the longer for this exemption from excitement, and kept their nerves in a state of wholesome repair; but it goes without saying that the events of which they knew so little did not stir them deeply.

  Miss Austen’s life coincided with two of the momentous epochs of history, — the American struggle for independence, and the French Revolution; but there is scarcely an allusion to either in her letters. She was interested in the fleet and its victories because two of her brothers were in the navy and had promotion and prize-money to look forward to. In this connection she mentions Trafalgar and the Egyptian expedition, and generously remarks that she would read Southey’s “Life of Nelson” if there was anything in it about her brother Frank! She honors Sir John Moore by remarking after his death that his mother would perhaps have preferred to have him less distinguished and still alive; further than that, the making of the gooseberry jam and a good recipe for orange wine interests her more than all the marchings and countermarchings, the man[oe]uvres and diplomacies, going on the world over. In the midst of the universal vortex of fear and hope, triumph and defeat, while the fate of Britain and British liberty hung trembling in the balance, she sits writing her letters, trimming her caps, and discussing small beer with her sister in a lively and unruffled fashion wonderful to contemplate. “The society of rural England in those days,” as Mr. Goldwin Smith happily puts it, “enjoyed a calm of its own in the midst of the European tempest like the windless centre of a circular storm.”

  The point of view of a woman with such an environment must naturally be circumscribed and narrow; and in this Miss Austen’s charm consists. Seeing little, she painted what she saw with absolute fidelity and a dexterity and perfection unequalled. “On her was bestowed, though in a humble form, the gift which had been bestowed on Homer, Shakespeare, Cervantes, Scott, and a few others, — the gift of creative power.” Endowed with the keenest and most delicate insight and a vivid sense of humor, she depicted with exactitude what she observed and what she understood, giving to each fact and emotion its precise shade and value. The things she did not see she did not attempt. Affectation was impossible to her, — most of all, affectation of knowledge or feeling not justly her own. “She held the mirror up to her time” with an exquisite sincerity and fidelity; and the closeness of her study brought her intimately near to those hidden springs which underlie all human nature. This is the reason why, for all their skimp skirts, leg-of-mutton sleeves, and bygone impossible bonnets, her characters do not seem to us old-fashioned. Minds and hearts are made pretty much after the same pattern from century to century; and given a modern dress and speech, Emma or Elizabeth or dear Anne Eliot could enter a drawing-room to-day, and excite no surprise except by so closely resembling the people whom they would find there.

  “Miss Austen’s novels are dateless things,” Mr. Augustine Birrell tells us. “Nobody in his senses would speak of them as ‘old novels.’ ‘John Inglesant’ is an old novel, so is ‘Ginx’s Baby.’ But Emma is quite new, and, like a wise woman, affords few clues to her age.”

  We allude with a special touch of affection to Anne Eliot. “Persuasion,” which was written during the last two years of Miss Austen’s life, when the refining touch of Eternity was already upon her, has always seemed to us the most perfect of her novels; and Anne, with her exquisite breeding and unselfish straightforwardness, just touched with the tender reserve of memory and regret, one of her best portraitures. But this is a matter of individual taste. Doubtless Elizabeth Bennet is “better fun” as the modern girl would say. Miss Austen herself preferred her. She had a droll and pretty way of talking about her characters which showed how real they were to her own mind, and made them equally real to other people. In 1813 she had the good luck to light upon a portrait of Jane Bennet at an exhibition.

  “I was very well pleased (pray tell Fanny) with a small portrait of Mrs. Bingley, excessively like her. I went in hopes of seeing one of her sister, but there was no Mrs. Darcy. Perhaps I may find her in the great exhibition, which we shall go to if we have time. Mrs. Bingley’s is exactly like herself, — size, shaped face, features and sweetness; there never was a greater likeness. She is dressed in a white gown, with green ornaments, which convinces me of what I had always supposed, that green was a favorite color with her. I dare say Mrs. D. will be in yellow.”

  And later: —

  “We have been both to the exhibition and Sir J. Reynolds’; and I am disappointed, for there was nothing like Mrs. D. at either. I can only imagine that Mr. D. prizes any picture of her too much to like it should be exposed to the public eye. I can imagine he would have that sort of feeling, — that mixture of love, pride, and delicacy.”

  The letters included in this series comprise about three quarters of the collection in two volumes published in 1884 by her great-nephew Lord Brabourne. The lightness, almost friskiness, of their tone cannot fail to strike the reader. Modern letters written by women are filled more or less with hints and queries; questionings as to the why and the wherefore occur; allusions to the various “fads” of the day, literary or artistic, — Ibsen, Tolstoi, Browning, Esoteric Buddhism, Wagner’s Music, the Mind Cure, Social Science, Causes and Reforms. But Cowper and Crabbe were the poetical sensations in Miss Austen’s time, Scott and Byron its phenomenal novelties; it took months to get most books printed, and years to persuade anybody to read them. Furthermore the letters, in all probability, are carefully chosen to reveal only the more superficial side of their writer. There are wide gaps of omission, covering important events such as Mr. Austen’s death, the long illness through which Jane nursed her brother Henry, and the anxieties and worries which his failure in business caused to the whole family. What is vouchsafed us is a glimpse of the girlish and untroubled moments of Miss Austen’s life; and the glimpse is a sweet and friendly one. We are glad to have it, in spite of our suspicion that another and even more interesting part of her personality is withheld from us.

  A good daughter, a delightful sister, the most perfect of aunts, what better record could there be of a single woman? Her literary work never stood in the way of her home duties, any more than her “quiet, limpid, unimpassioned style” stood between her thought and her readers.

  Her fame may justly be said to be almost entirely posthumous. She was read and praised to a moderate degree during her lifetime, but all her novels together brought her no more than seven hundred pounds; and her reputation, as it were, was in its close-sheathed bud when, at the early age of forty-one, she died. It would have excited in her an amused incredulity, no doubt, had any one predicted that two generations after her death the real recognition of her powers was to come. Time, which like desert sands has effaced the footprints of so many promising authors, has, with her, served as the desert wind, to blow aside those dusts of the commonplace which for a while concealed her true proportions. She is loved more than she ever hoped to be, and far more widely known. Mrs. Ritchie tells somewhere an anecdote of a party of seven assembled at a dinner-table, where the question arose of the locality of one of Miss Austen’s places, — Maple Grove, the residence of Mr. Suckling, if we are not mistaken, — and six of the persons present at once recognized the allusion, and had a formed opinion on the subject. The seventh was a Frenchman who did not read English!

  Scott, Macaulay, Sir James Mackintosh, Miss Martineau, Mrs. Ritchie, Miss Mitford, and a host of others have vied in their generous tributes of admiration. But most striking of all, to our thinking,
is that paid to Miss Austen by Lord Tennyson when, in some visit to Lyme not many years since, those with him pointed out this and the other feature of the place only to be interrupted with—”Never mind all that. Show me the exact spot where Louisa Musgrove fell!” Could non-historical verisimilitude go farther or mean more?

  S. C. W.

  Newport, June, 1892.

  I.

  Steventon, Thursday (January 16, 1796).

  I HAVE just received yours and Mary’s letter, and I thank you both, though their contents might have been more agreeable. I do not at all expect to see you on Tuesday, since matters have fallen out so unpleasantly; and if you are not able to return till after that day, it will hardly be possible for us to send for you before Saturday, though for my own part I care so little about the ball that it would be no sacrifice to me to give it up for the sake of seeing you two days earlier. We are extremely sorry for poor Eliza’s illness. I trust, however, that she has continued to recover since you wrote, and that you will none of you be the worse for your attendance on her. What a good-for-nothing fellow Charles is to bespeak the stockings! I hope he will be too hot all the rest of his life for it!

  I sent you a letter yesterday to Ibthorp, which I suppose you will not receive at Kintbury. It was not very long or very witty, and therefore if you never receive it, it does not much signify. I wrote principally to tell you that the Coopers were arrived and in good health. The little boy is very like Dr. Cooper, and the little girl is to resemble Jane, they say.

  Our party to Ashe to-morrow night will consist of Edward Cooper, James (for a ball is nothing without him), Buller, who is now staying with us, and I. I look forward with great impatience to it, as I rather expect to receive an offer from my friend in the course of the evening. I shall refuse him, however, unless he promises to give away his white coat.

  I am very much flattered by your commendation of my last letter, for I write only for fame, and without any view to pecuniary emolument.