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Careless People: Murder, Mayhem, and the Invention of The Great Gatsby

Page 42

by Churchwell, Sarah


  Mintler, Catherine R. “From Esthete to Gangster: The Dandy Figure in the Novels of F. Scott Fitzgerald.” The F. Scott Fitzgerald Review 8 (2010): 104–29.

  Monteiro, George. “Carraway’s Complaint.” Journal of Modern Literature 24.1 (2000): 161–71.

  Mosher, John C. “That Sad Young Man.” The New Yorker, April 17, 1926.

  Ornstein, Robert. “Scott Fitzgerald’s Fable of East and West.” College English 18.3 (1956): 139–43.

  Phelps, Henry C. “Literary History/Unsolved Mystery: The Great Gatsby and the Hall–Mills Murder Case.” ANQ 14.3 (2001): 33–39.

  Plath, James. “In an Odd Light: Kipling’s Maisie and Fitzgerald’s Daisy.” The F. Scott Fitzgerald Review 6 (2008): 95–104.

  Podis, Leonard A. “The Unreality of Reality: Metaphor in The Great Gatsby.” Style 11 (1977): 56–72.

  Quirk, William J. “Living on $500,000 a Year.” The American Scholar, September 2009.

  Raleigh, John Henry. “F. Scott Fitzgerald’s The Great Gatsby: Legendary Bases and Allegorical Significance.” University of Kansas City Review 24 (1957): 55–58.

  Rascoe, Burton. “Contemporary Reminiscences.” Arts and Decoration (June 1925): 66–68.

  Raubicheck, Walter. “Hollywood Nights: The Filmmaker as Artist in ‘Crazy Sunday.’” The F. Scott Fitzgerald Review 7 (2009): 53–64.

  Rawson, Eric. “The Telephonic Logic of The Great Gatsby.” The F. Scott Fitzgerald Review 8 (2010): 92–103.

  Rule-Maxwell, Lauren. “The New Emperor’s Clothes: Keatsian Echoes and American Materialism in The Great Gatsby.” The F. Scott Fitzgerald Review 8 (2010): 57–78.

  Sanders, J’aimé L. “Discovering the Source of Gatsby’s Greatness: Nick’s Eulogy for a ‘Great’ Kierkegaardian Knight.” The F. Scott Fitzgerald Review 3 (2004): 108–27.

  Seguin, Robert. “Ressentiment and the Social Poetics of The Great Gatsby: Fitzgerald Read Cather.” Modern Fiction Studies 46.4 (2000): 917–40.

  Seidel, Kathryn Lee, Alexis Wang and Alvin Y. Wang. “Performing Art: Zelda Fitzgerald’s Art and the Role of the Artist.” The F. Scott Fitzgerald Review 5 (2006): 133–63.

  Scribner, Charles, III. “Celestial Eyes: From Metamorphosis to Masterpiece.” Princeton University Library Chronicle 53 (1992): 140–55.

  Sklenar, R. “Anti-Petronian Elements in The Great Gatsby.” The F. Scott Fitzgerald Review 6 (2008): 121–28.

  Sparrow, Carroll Mason. “Footloose Philosophy.” Virginia Quarterly (Winter, 1926): 125–30.

  Stallman, R. W. “Conrad and The Great Gatsby.” Twentieth Century Literature 1 (1955): 5–12.

  Stenberg, Doug. “Lights from a Distance: The Ghostly Hearts of Fitzgerald’s Gatsby and Chekhov’s Riabovich in ‘The Kiss.’” The F. Scott Fitzgerald Review 7 (2009): 95–112.

  Sutton, Brian. “Fitzgerald’s The Great Gatsby and “Babylon Revisited.’” The Explicator 65.3 (2007): 164–67.

  Tanselle, G. Thomas, and Jackson R. Bryer. “The Great Gatsby: A Study in Literary Reputation.” New Mexico Quarterly 33 (1963–64): 409–25.

  Thomas, J. D. “F. Scott Fitzgerald: James Joyce’s ‘Most Devoted’ Admirer.” The F. Scott Fitzgerald Review 5 (2006): 65–85.

  Trilling, Lionel. “F. Scott Fitzgerald.” The Liberal Imagination: Essays on Literature and Society. New York: Viking, 1950: 243–54.

  Turlish, Lewis Afton. “The Rising Tide of Color: A Note on the Historicism of The Great Gatsby.” American Literature 43 (1971): 442–43.

  Vince, Raymond M. “The Great Gatsby and the Transformations of Space-Time: Fitzgerald’s Modernist Narrative and the New Physics of Einstein.” The F. Scott Fitzgerald Review 5 (2006): 86–108.

  Wagenknecht, Edward. “Our Changing Literary Temper.” College English 6.8 (1945): 423–30.

  Watkins, Floyd C. “Fitzgerald’s Jay Gatz and Young Ben Franklin.” New England Quarterly 27 (1954): 249–52.

  West, James L. W., III. “Polishing Up ‘Pampered.’” The F. Scott Fitzgerald Review 5 (2006): 13–21.

  Wilson, Christopher P. “‘He Fell Just Short of Being News’: Gatsby’s Tabloid Shadows.” American Literature 84 (2012): 119–49.

  Wilson, Edmund. “The Literary Spotlight—VI: F. Scott Fitzgerald.” The Bookman 55 (1922): 20–25.

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