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ACKNOWLEDGEMENTS
Ben Hayes of Reaktion Books motivated me to write this book, and I am very grateful for his encouragement and prodding. Over 25 years ago, Paul Bahn encouraged me to break out from my narrow interests in early European farmers in Poland and write short pieces for a general audience. The cumulative results of these efforts helped shape the discussion of many sites and finds described in this book. For over thirty years, Pam Crabtree has been an esteemed colleague who has kept me up to date on discoveries in the later prehistory of western Europe. Our collaboration on Ancient Europe, 8000 BC–AD 1000: An Encyclopedia of the Barbarian World (New York, 2004) and our teaching together at Princeton in the late 1980s enabled me to obtain a broad overview of the Bronze Age and Iron Age societies outside my own research interests. Vince Poor, as dean of the School of Engineering and Applied Science at Princeton University, where I work, encouraged my participation in archaeological scholarship and supported my attendance at conferences. Traci Miller, through meticulous attention to the demands of our office, enabled me to divert my attention occasionally from my deanly responsibilities to write and think. Our student assistants Erin O’Hearn and Alev Baysoy helped compile lists of sites, check references and mark editorial queries. It has been a pleasure to work with cartographer Sebastian Ballard on the preparation of the maps. Amy Salter and Jess Chandler saw the book through the editorial process with exacting attention to detail. Finally, I must acknowledge the support of my family: my wife Virginia and daughters Caroline and Marianna, who have accompanied me on visits to many sites mentioned in this book. In fact, the proposal for this book was drafted in a hotel room in Washington, DC, while Caroline was downstairs with Marianna and Ginny getting ready for her wedding to C. J. Cross later that afternoon. Little did they know that, upstairs, The Barbarians were astir!
PHOTO ACKNOWLEDGEMENTS
The author and publishers wish to express their thanks to the below sources of illustrative material and/or permission to reproduce it. Some locations of artworks are also given below.
Søren H. Anderson: p. 30; Muzeum Archeologiczne, Poznań, p. 92; © Sebastian Ballard: pp. 23, 24; Bibliothèque nationale de France: p. 185; © BOAT 1550 BC project: p. 67; Peter Bogucki: pp. 16, 51 (after drawing by Irene Deluis), 169 (after Larsson), 194; photo © Denis Gliksman, INRAP, used by permission: pp. 108–9; Kalmar County Museum: p. 186; image courtesy of Seweryn Rzepecki, University of Łódź: p. 161; The Metropolitan Museum of Art, New York: p. 10; National Museum, Copenhagen: pp. 19, 62–3, 73, 74, 165; National Museum, Dublin: p. 85; National Portrait Gallery, London: p. 197; Norfolk Museum: p. 77; © P. P�
�trequin, Centre de la Recherches Archeologique de la Vallée de l’Ain, used by permission: p. 34; © South Tyrol Museum of Archaeology, Bolzano, www.iceman.it, used by permission: pp. 39, 42; image © Tiroler-Kräuterdestillerie, used by permission: p. 212; Marianne Vedeler: p. 214.
Kevin King, the copyright holder of the image on p. 122, Carole Raddato, the copyright holder of the image on p. 146, Xuan Che, the copyright holder of the image on p. 106, and N Stjerna, the copyright holder of the image on p.70, have published these online under conditions imposed by a Creative Commons CC-BY-SA 2.0 license; Rama, the copyright holder of the image on p. 33, has published online under conditions imposed by a Creative Commons CC-BY-SA 2.0 FR license; Ash_Crow, the copyright holder of the image on p. 184, Erlend Bjørtvedt, the copyright holder of the image on pp. 80–81, Bullenwächter, the copyright holder of the image on p. 125, Cherubino, the copyright holder of the image on p. 142, Dbachmann, the copyright holder of the image on p. 65, Eric Gaba, the copyright holder of the image on p. 139, Jochen Jahnke, the copyright holder of the image on p. 135, LepoRello, the copyright holder of the image on pp. 208–9, Ludek, the copyright holder of the image on p. 95, Gun Powder Ma, the copyright holder of the image on p. 116, Midnightblueowl, the copyright holder of the image on pp. 118–19, Nationalmuseet, the copyright holder of the image on p. 132, Nawi112, the copyright holder of the image on p. 203, Przykuta, the copyright holder of the image on p. 177, and Andreas W. Rausch, the copyright holder of the image on p. 98, have published these online under conditions imposed by a Creative Commons CC-BY-SA 3.0 license; the image on p. 112 by Hampshire Hub and the University of Southampton is used under an Open Government Licence (OGL) 1.0; John Lee, Nationalmuseet, the copyright holder of the images on pp. 19, 131, 166, 171, Lennart Larsen, the copyright holder of the image on p. 126, and Kit Weiss, the copyright holder of the image on pp. 150–51, have published these online under the conditions imposed by a Creative Commons CC-BY-SA 2.5 DK license; Richard Avery, the copyright holder of the image on p. 27, Wolfgang Sauber, the copyright holder of the image on p. 89, Claude Piard, the copyright holder of the image on p. 203, and Myrabella, the copyright holder of the image on p. 200, have published these online under conditions imposed by a Creative Commons CC-BY-SA 4.0 license.