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The Comedy of Errors

Page 53

by Kent Cartwright


  Douce

  Francis Douce, Illustrations of Shakespeare and of Ancient Manners (1839)

  Drayton

  The Works of Michael Drayton, ed. J. William Hebel, 5 vols (Oxford, 1931; corrected edn, 1961)

  Drew-Bear

  Annette Drew-Bear, Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions (Cranbury, NJ, 1994)

  Duncan-Jones

  Shakespeare’s Sonnets, ed. Katherine Duncan-Jones, The Arden Shakespeare, Third Series (2010)

  Dutton

  Richard Dutton, ‘The Comedy of Errors and The Calumny of Apelles: an exercise in source study’, in Richard Dutton and Jean E. Howard (eds), A Companion to Shakespeare’s Works: The Comedies (Oxford, 2003), 307–19

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  Alexander Dyce, Remarks on Mr. J.P. Collier’s and Mr. C. Knight’s Editions of Shakespeare (1844)

  Edelman

  Charles Edelman, Shakespeare’s Military Language (2000)

  Edwards, DP

  Richard Edwards, Damon and Pythias, in Edwards, Works

  Edwards, Works

  Richard Edwards, The Works of Richard Edwards, ed. Ros King (Manchester, 2001)

  Ellacombe

  Henry Nicholson Ellacombe, The Plant Lore & Garden Craft of Shakespeare, new edn (1896)

  Elliott

  G.R. Elliott, ‘Weirdness in The Comedy of Errors’, in Miola, Essays, 57–70; orig. pub. University of Toronto Quarterly, 9 (1939), 95 –106

  ELR

  English Literary Renaissance

  Elyot

  A Critical Edition of Sir Thomas Elyot’s ‘The Boke named the Governour’, ed. Donald W. Rude (New York, 1992)

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  Sally Emerson, ‘Trevor Nunn’s musical production, 1976’, in Miola, Essays, 497– 8; orig. pub. Plays and Players, 24 (December 1976), 37

  Erasmus, Adages

  The Collected Works of Erasmus: Adages II i 1 to II vi 100, trans. and annotated by R.A.B. Mynors, vol. 33 (Toronto, 1991)

  Erasmus, Colloquies

  The Collected Works of Erasmus: Colloquies, trans. and annotated by Craig R. Thompson, vols 39 – 40 (Toronto, 1997)

  Evans

  G. Blakemore Evans (ed.), Shakespearean Prompt-books of the Seventeenth Century, 8 vols (Charlottesville, Va., 1960 – 96)

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  Evanthius, ‘De fabula’, trans. O.B. Hardison, Jr, in Preminger et al., 301–5

  Everyman

  Everyman, in Medieval Drama, ed. David Bevington (Boston, Mass., 1975)

  Ewen

  C. L’Estrange Ewen, Witchcraft and Demonianism (1933)

  Feldman

  A. Bronson Feldman, ‘Shakespeare’s early errors’, Journal of International Psychoanalysis, 36 (1955), 114 –33

  Fennor

  William Fennor, The Compter’s Commonwealth, or A Voyage Made to an Infernal Island (1617)

  Findlay

  Alison Findlay, ‘Ceremony and selfhood in The Comedy of Errors (c. 1592)’, in Betteridge & Walker, 338 –54

  Finkelstein

  Richard Finkelstein, ‘The Comedy of Errors and the theology of things’, SEL, 42 (2012), 325 – 44

  Fischer

  Sandra K. Fischer, Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama (Newark, Del., 1985)

  Fitzpatrick &

  Tim Fitzpatrick and Wendy Millyard, ‘Hanging doors

  Millyard

  and discoveries: conflicting evidence or problematical assumptions?’, ThN, 54 (2000), 2–23

  Fletcher

  Giles Fletcher, Of the Russe Common Wealth (1591)

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  John R. Ford, ‘ “Methinks you are my glass”: looking for The Comedy of Errors in performance’, SB, 24 (2006), 11–28

  Forker

  King Richard II, ed. Charles R. Forker, The Arden Shakespeare, Third Series (2002)

  Foster

  Donald W. Foster, ‘A Funeral Elegy: W[illiam] S[hakespeare]’s “best-speaking witnesses” ’, SSt, 25 (1997), 115– 40

  Freedman, ‘Farce’

  Barbara Freedman, ‘Errors in comedy: a psychoanalytic theory of farce’, in Maurice Charney (ed.), Shakespearean Comedy (New York, 1980), 233 – 43

  Freedman, Gaze

  Barbara Freedman, Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean Comedy (Ithaca, NY, 1991)

  Freud

  Sigmund Freud: Studies in Parapsychology, ed. Philip Rieff (New York, 1963)

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  The Works of the English Reformers: William Tyndale and John Frith, ed. Thomas Russell, 3 vols (1831)

  Frye

  Northrop Frye, ‘The argument of comedy’, in D.A. Robertson, Jr (ed.), English Institute Essays 1948 (New York, 1949), 58 –73

  Fuchs

  Barbara Fuchs, Romance (New York, 2004)

  Fuller

  Thomas Fuller, The Worthies of England (1662), ed. John Freeman (1952)

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  Edmund Gardner, ‘The Act of Uniformity: Williams production, 1962’, in Miola, Essays, 481–3; orig. pub. Stratford-upon-Avon Herald, 14 September 1962

  Gascoigne, Glass

  George Gascoigne, The Steel Glass, Together with the Complaint of Philomene (1576)

  Gascoigne, ‘Notes’

  George Gascoigne, ‘Certayne Notes of Instruction’, in Vickers, Criticism, 162–71

  Geneva Bible

  The Geneva Bible, A Facsimile of the 1560 Edition, intro. Lloyd E. Berry (Madison, Wis., 1969)

  Ghose

  Indira Ghose, Shakespeare and Laughter: A Cultural History (Manchester, 2008)

  Gifford

  George Gifford, A Dialogue Concerning Witches and Witchcraft (1603)

  Gillies

  John Gillies, Shakespeare and the Geography of Difference (Cambridge, 1994)

  Godman

  Maureen Godman, ‘ “Plucking a crow” in The Comedy of Errors’, Early Theatre, 8 (2005), 53 – 68

  Golding

  Ovid’s ‘Metamorphoses’, trans. Arthur Golding (1567), ed. John Frederick Nims (Philadelphia, Pa., 2000)

  Gosson

  Stephen Gosson, The School of Abuse (1579)

  Gould

  George Gould, Corrigenda and Explanations of the Text of Shakespere (1884)

  Gower

  John Gower, Confessio Amantis, ed. Russell A. Peck, trans. Andrew Galloway, vol. 1, 2nd edn (Kalamazoo, Mich., 2006)

  Gratwick

  Plautus: ‘Menaechmi’, ed. A.S. Gratwick (Cambridge, 1993)

  Greene

  The Life and Complete Works in Prose and Verse of Robert Greene, ed. Alexander B. Grosart, 15 vols (1881– 6)

  Greg, Bibliography

  W.W. Greg, A Bibliography of the English Printed Drama to the Restoration, 4 vols (1939–59)

  Greg, Folio

  W.W. Greg, The Shakespeare First Folio: Its Bibliographical and Textual History (Oxford, 1955)

  Greg, Problem

  W.W. Greg, The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text, 3rd edn (Oxford, 1954)

  Grennan

  Eamon Grennan, ‘Arm and sleeve: nature and custom in The Comedy of Errors’, Philological Quarterly, 59 (1980), 150 – 64

  Grey

  Zachary Grey, Critical, Historical, and Explanatory Notes on Shakespeare, 2 vols (1754)

  Griffiths

  Eric Griffiths, ‘Ludwig Wittgenstein and the comedy of errors’, in Michael Cordner et al. (eds), English Comedy (Cambridge, 1994), 288 –316

  Gurr, Companies

  Andrew Gurr, The Shakespearian Playing Companies (Oxford, 1996)

  Gurr, Company

  Andrew Gurr, The Shakespeare Company, 1594 –1642 (Cambridge, 2004)

  Gurr, ‘Gulf’

  Andew Gurr, ‘Doors at the Globe: the gulf between page and stage’, ThN, 55 (2001), 59 –71

  Gurr, Playgoing

  Andrew Gurr, Playgoing in Shakespeare’s London, 3rd edn (Cambridge, 2004)

  Gurr,
‘Stage doors’

  Andrew Gurr, ‘Stage doors at the Globe’, ThN, 52 (1999), 8–18

  Gurr & Egan

  Andrew Gurr and Gabriel Egan, ‘Prompting, backstage activity, and the openings onto the Shakespearean stage’, ThN, 56 (2002), 138 – 42

  Gurr & Ichikawa

  Andrew Gurr and Mariko Ichikawa, Staging in Shakespeare’s Theatres (Oxford, 2000)

  Hadfield

  Andrew Hadfield, ‘Shakespeare, John Derricke and Ireland: The Comedy of Errors, III.ii.105 – 6’, N&Q, 242 (1997), 53 – 4

  Hamilton

  Donna B. Hamilton, Shakespeare and the Politics of Protestant England (Lexington, Ky, 1992)

  Harris

  Jonathan Gil Harris, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England (Philadelphia, Pa., 2004)

  Harrison

  William Harrison, ‘The Description of England’: The Classic Contemporary Account of Tudor Social Life, ed. Georges Edelen (Washington, DC, 1968)

  Harsnett

  Samuel Harsnett, A Declaration of Egregious Popish Impostures (1603)

  Hart

  Elizabeth Hart, ‘ “Great is Diana” of Shakespeare’s Ephesus’, SEL, 43 (2003), 347–74

  Hartley

  Andrew James Hartley, ‘Character, agency, and the familiar actor’, in Paul Yachnin and Jessica Slights (eds), Shakespeare and Character: Theory, History, Performance, and Theatrical Persons (Houndmills, Basingstoke, 2009), 158 –76

  Hazlitt

  William Hazlitt, The Characters of Shakespear’s Plays (1817)

  Heath

  Benjamin Heath, A Revisal of Shakespear’s Text (1765)

  Heller

  Agnes Heller, Immortal Comedy (Lanham, Md, 2005)

  Hennings

  Thomas P. Hennings, ‘The Anglican doctrine of affectionate marriage in The Comedy of Errors’, Modern Language Quarterly, 47 (1986), 91–107

  Henze

  Richard Henze, ‘The Comedy of Errors: a freely binding chain’, SQ, 22 (1971), 35 – 41

  Herodotus

  Herodotus, trans. A.D. Godley, 4 vols (1921– 61)

  Herrick, Italian

  Marvin T. Herrick, Italian Comedy in the Renaissance

  Comedy

  (Urbana, Ill., 1960)

  Herrick, Theory

  Marvin T. Herrick, Comic Theory in the Sixteenth Century (Urbana, Ill., 1964)

  Heywood,

  Thomas Heywood, Captain Thomas Stuckeley (c.

  Stuckeley

  1594), in Charles Edelman (ed.), The Stukeley Plays (Manchester, 2005)

  Heywood, Wife

  How a Man May Choose a Good Wife from a Bad (1602)

  Hills

  Erato Hills, ‘Shakespeariana’, N&Q, ser. 4, vol. 11, pt 1 (1873), 152

  Hinman,

  Charlton Hinman (ed.), The First Folio of Shake-

  First Folio

  speare: The Norton Facsimile (New York, 1968; 2nd edn, 1996)

  Hinman, Printing

  Charlton Hinman, The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vols (Oxford, 1963)

  Hodgdon

  The Taming of the Shrew, ed. Barbara Hodgdon, The Arden Shakespeare, Third Series (2010)

  Hogan

  Charles Beecher Hogan, Shakespeare in the Theatre, 1701–1800, 2 vols (1952–7)

  Hollander

  John Hollander, ‘Romantic verse form and the metrical contract’, in Harold Bloom (ed.), Romanticism and Consciousness (New York, 1970), 181–200

  Homer, Il.

  The Iliad, trans. A.T. Murray, rev. William F. Wyatt, 2 vols, Loeb Classical Library, 2nd edn (Cambridge, Mass., 1999)

  Homer, Od.

  The Odyssey, trans. A.T. Murray, rev. George E. Dimock, 2 vols, Loeb Classical Library, 2nd edn (Cambridge, Mass., 1995)

  Homilies

  Certain Sermons or Homilies Appointed to be Read in Churches in the Time of Queen Elizabeth of Famous Memory, ed. John Griffiths (1864)

  Honigmann

  E.A.J. Honigmann, ‘Re-enter the stage direction: Shakespeare and some contemporaries’, SS 29 (1976), 117–25

  Hope

  Jonathan Hope, Shakespeare’s Grammar (2003)

  Hotson

  Leslie Hotson, The First Night of ‘Twelfth Night’ (1954)

  Howard-Hill,

  T.H. Howard-Hill, ‘The compositors of Shakespeare’s

  ‘Compositors’

  Folio comedies’, StB, 26 (1973), 61–106

  Howard-Hill, Crane

  T.H. Howard-Hill, Ralph Crane and Some Shakespeare First Folio Comedies (Charlottesville, Va., 1972)

  Hull

  The Comedy of Errors; with Alterations from Shakspeare as Performed at the Theatre-Royal, Covent Garden, adapted by Thomas Hull (1793)

  Hunt

  Maurice Hunt, ‘Slavery, English servitude, and The Comedy of Errors’, ELR, 27 (1997), 31–56

  Hutton

  Luke Hutton, The Black Dog of Newgate (1596)

  Ichikawa, ‘Acting’

  Mariko Ichikawa, ‘ “Maluolio within”: acting on the threshold between onstage and offstage spaces’, MRDE, 18 (2005), 123 – 45

  Ichikawa,

  Mariko Ichikawa, Shakespearean Entrances

  Entrances

  (Houndmills, Basingstoke, 2002)

  Ichikawa, ‘Staging’

  Mariko Ichikawa, ‘The staging of The Comedy of Errors, Act 3, Scene 1’, Journal of the Graduate School of International Studies (Tohoku University, Japan), 15 (2007), 81–97

  Isherwood

  Charles Isherwood, ‘Shakespeare at large in Runyonland’, New York Times, 18 June 2013 (http://theater.nytimes.com/2013/06/19/theater/reviews/a-comedy-of-errors-unfolds-in-the-40s-with-fedoras.html?emc=eta1&_r=0&pagewanted=1) (accessed 20 June 2013)

  Jack

  Sybil M. Jack, Trade and Industry in Tudor and Stuart England (1977)

  James VI/I

  Basilikon Doron (Edinburgh, 1599)

  Jervis

  Swynfen Jervis, Proposed Emendations of the Text of Shakespeare’s Plays (1861)

  Johnson,

  Samuel Johnson, A Dictionary of the English Language,

  Dictionary

  2 vols (1755; facsimile edn, New York, 1967)

  Johnson, ‘Preface’

  Samuel Johnson, ‘Preface to “The Plays of William Shakespeare” ’ (1765), in D. Nichol Smith (ed.), Eighteenth Century Essays on Shakespeare (Oxford, 1963), 104 –51

  Jonson

  Ben Jonson, ed. C.H. Herford and Percy and Evelyn Simpson, 11 vols (Oxford, 1925 –52)

  Judges

  A.V. Judges (ed.), The Elizabethan Underworld (New York, 1930)

  Kahn

  Coppélia Kahn, Man’s Estate: Masculine Identity in Shakespeare (Berkeley, Calif., 1981)

  Kehler

  Dorothea Kehler, ‘The Comedy of Errors as a problem comedy’, Rocky Mountain Review of Language and Literature, 41 (1987), 229–40

  Kellner

  Leon Kellner, Restoring Shakespeare: A Critical Analysis of Misreadings in Shakespeare’s Work (1925)

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  Dennis Kennedy, Looking at Shakespeare: A Visual History of Twentieth-Century Performances (Cambridge, 1993)

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  Margaret Jane Kidnie, ‘Text, performance, and the editors: staging Shakespeare’s drama’, SQ, 51 (2000), 456 –73

  King, Casting

  T.J. King, Casting Shakespeare’s Plays (Cambridge, 1992)

  Kinney, ‘Kinds’

  Arthur F. Kinney, ‘Shakespeare’s The Comedy of Errors and the nature of kinds’, SEL, 85 (1988), 29 –52

  Kinney, Rogues

  Arthur Kinney (ed.), Rogues, Vagabonds, & Sturdy Beggars (Barre, Mass., 1973)

  Kish

  see Solinus

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  Margaret Knapp and Michal Kobialka, ‘Shakespeare and the Prince of Purpoole: the 1594 production of The Comedy of Errors at Gray’s Inn Hall’, in Miola, Essays, 431– 44; orig. pub. Theatre His
tory Studies, 4 (1984), 71– 81

  Knight, Buffs

  H.R. Knight, Historical Record of the Buffs, 2 vols (1905)

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  Roslyn Lander Knutson, The Repertory of Shakespeare’s Company, 1594 –1613 (Fayetteville, Ark., 1991)

  Kökeritz

  Helge Kökeritz, Shakespeare’s Pronunciation (New Haven, Conn., 1953)

  Kreps

  Barbara Kreps, ‘Playing the law for lawyers: witnessing, evidence and the law of contracts in The Comedy of Errors’, SS 63 (2010), 262–71

  Kyd, ST

  Thomas Kyd, The Spanish Tragedy, in Bevington, RD

  Landau

  Aaron Landau, ‘ “Past thought of human reason”: confounding reason in The Comedy of Errors’, English Studies, 85 (2004), 189 –205

  Lanham

  Richard A. Lanham, A Handlist of Rhetorical Terms (Berkeley, Calif., 1991)

 

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