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The Leonard Bernstein Letters

Page 84

by Leonard Bernstein


  Clurman, Harold (i), (ii) n143, (iii), (iv), (v), (vi) n148

  Coates, Helen (i), (ii), (iii) n3, (iv), (v), (vi), (vii), (viii), (ix), (x) n45, (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx) n96, (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii) n173, (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix) n15, (lx) n44, (lxi), (lxii), (lxiii) n61, (lxiv), (lxv) n93, (lxvi) n100, (lxvii), (lxviii) n137, (lxix), (lxx), (lxxi), (lxxii), (lxxiii), (lxxiv), (lxxv), (lxxvi), (lxxvii) n18, (lxxviii), (lxxix), (lxxx)

  Cohen, Mrs. Frank (i)

  Cohen, Yardena (i)

  Coleman, Francis A. (i) n10

  Colombo, Ted (i)

  Columbia Records (i), (ii) n38, (iii) n120, (iv) n137, (v), (vi) n52, (vii) n62, (viii), (ix), (x) n58, (xi), (xii) n66, (xiii), (xiv), (xv), (xvi), (xvii) n128, (xviii) n6, (xix) n36

  Comden, Betty (i), (ii) n43, (iii) n54, (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii) n21, (xiv) n131, (xv), (xvi), (xvii), (xviii) n2, (xix), (xx), (xxi) n6, (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii) n29, (xxxiv) n58, (xxxv), (xxxvi), (xxxvii), (xxxviii) n103, (xxxix), (xl), (xli), (xlii) n37, (xliii), (xliv), (xlv) n77, (xlvi) n83, (xlvii) n128, (xlviii), (xlix), (l)

  Communist Party (i), (ii) n98, (iii) n49, (iv) n106, (v) n42, (vi), (vii), (viii), (ix), (x)

  Cone, Edward T. (i) n28, (ii)

  Converse, Frederick (i)

  Copland, Aaron (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix) n66, (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii), (lxiii), (lxiv), (lxv), (lxvi), (lxvii), (lxviii), (lxix), (lxx), (lxxi), (lxxii), (lxxiii), (lxxiv), (lxxv), (lxxvi), (lxxvii), (lxxviii), (lxxix) n11, (lxxx), (lxxxi), (lxxxii) n28, (lxxxiii), (lxxxiv) n37, (lxxxv), (lxxxvi) n78, (lxxxvii), (lxxxviii), (lxxxix), (xc) n104, (xci), (xcii), (xciii), (xciv) n133, (xcv), (xcvi), (xcvii), (xcviii), (xcix), (c) nn35–6, (ci), (cii), (ciii), (civ), (cv) n64, (cvi) n65, (cvii), (cviii), (cix), (cx), (cxi), (cxii), (cxiii), (cxiv), (cxv), (cxvi), (cxvii), (cxviii), (cix), (cxx), (cxxi), (cxxii), (cxxiii), (cxxiv), (cxxv), (cxxvi), (cxxvii) n36, (cxxviii), (cxxiv), (cxxx)

  Appalachian Spring (i) n118, (ii) n151, (iii) n170, (iv) n35, (v), (vi), (vii), (viii)

  Billy the Kid (i) n30, (ii) n82, (iii), (iv), (v), (vi), (vii), (viii), (ix) n1, (x), (xi)

  Canticle of Freedom (i), (ii)

  City, The (i)

  Clarinet Concerto (i), (ii), (iii), (iv)

  Dance Symphony (i)

  Danzón cubano (i) n46, (ii), (iii)

  El Salón México (sometimes “El Saloon”) (i), (ii), (iii) nn26–7, (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii) n107, (xiv), (xv), (xvi), (xvii) n160, (xviii), (xix), (xx)

  Hear Ye, Hear Ye (i)

  In the Beginning (i) n101

  Lincoln Portrait (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Music for the Movies (i) n63, (ii)

  Music for the Theatre (i), (ii), (iii) n63, (iv), (v), (vi)

  North Star, The (i) n62, (ii), (iii) n133, (iv), (v) n78

  Ode (i)

  Old American Songs (i) n52, (ii), (iii)

  Our Town (i) n50, (ii), (iii), (iv), (v)

  Outdoor Overture (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Piano Concerto (i)

  Piano Quartet (i), (ii), (iii), (iv)

  Piano Sonata (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  Piano Variations (i), (ii), (iii), (iv), (v), (vi), (vii) (orchestral version)

  Quiet City (i), (ii), (iii), (iv), (v)

  Rodeo (i), (ii), (iii), (iv) n150, (v), (vi)

  Second Hurricane, The (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x) n73

  Short Symphony (i), (ii)

  Statements (i)

  Tender Land, The (i) n21, (ii), (iii), (iv)

  Third Symphony (i), (ii) n37, (iii), (iv), (v), (vi), (vii)

  Violin Sonata (i)

  Coppola, Francis Ford (i)

  Corwin, Norman (i) n62

  Cott, Jonathan (i), (ii), (iii) n46

  Council on African Affairs (i)

  Courtnay, Alex (i)

  Cowan, Lester (i) n59, (ii), (iii)

  Cowell, Henry (i) n74, (ii), (iii), (iv), (v) n28

  Craft, Robert (i) n90, (ii) n93

  Crawford, Cheryl (i), (ii), (iii), (iv) n65

  Creston, Paul (i) n74, (ii)

  Culshaw, John (i)

  Cunningham, Merce (i) n88

  Cuomo, Ciro (i), (ii), (iii), (iv), (v), (vi)

  Curtin, Phyllis (i) n57

  Curtis Institute of Music (i), (ii), (iii) n21, (iv) n32, (v), (vi), (vii), (viii), (ix), (x) n66, (xi) n72, (xii), (xiii), (xiv), (xv), (xvi), (xvii) n3, (xviii) n37, (xix), (xx), (xxi) n137, (xxii), (xxiii) n160, (xxiv)

  Curtiss, Mina Kirstein (i), (ii)

  Czech Phiharmonic Orchestra (i) n98

  Dale, Grover (i)

  Dalgliesh, James (i)

  Daniel, Oliver (i), (ii)

  Davies, Joseph P. (i)

  Davis, Bette (i), (ii), (iii), (iv), (v) n63

  Davis, George (i)

  Davis, Miles (i), (ii) n41, (iii) n43

  Debussy, Claude (i), (ii), (iii) n28, (iv)

  La Mer (i)

  DeLange, Eddie (i)

  Del Tredici, David (i), (ii)

  Tattoo (i) n50, (ii)

  Dello Joio, Norman (i)

  DeMain, John (i) n4

  De Mille, Agnes (i), (ii), (iii)

  Demuth, Charles (i)

  Denby, Edwin (i), (ii), (iii), (iv) n73

  De Sio, Al (i)

  De Spirito, Romolo (i), (ii) n102, (iii) n103

  Dessau, Paul (i)

  Detroit Symphony Orchestra (i), (ii) n129, (iii), (iv)

  Diamond, David (i), (ii), (iii), (iv), (v) n74, (vi), (vii), (viii), (ix), (x), (xi) n28, (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix) n102, (xxx), (xxxi), (xxxii), (xxxiii) n64, (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv) n27, (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi) n47, (lvii)

  Piano Concerto (i)

  Prelude and Fugue No. 3 (i), (ii), (iii)

  Rounds (i), (ii)

  Symphony No. 1 (i) n66, (ii) n40

  Symphony No. 2 (i)

  Symphony No. 4 (i) n66, (ii), (iii), (iv)

  Symphony No. 5 (i)

  Symphony No. 9 (i)

  World of Paul Klee, The (i), (ii), (iii)

  Diamond, Irene Lee (i)

  Dimitryk, Edward (i)

  Donen, Stanley (i), (ii) n28

  Downes, Olin (i) n28, (ii), (iii) n28, (iv) n33, (v) n69, (vi) n94, (vii) n159, (viii) n65

  Du Pont, Paul (i)

  Duffy, Monsignor (i)

  Duffy's Tavern (radio show) (i)

  Dufresne, Gaston (i)

  Duke, Vernon (i)

  Dulles, John Foster (i)

  Dunham, Katherine (i)

  Dvořák, Antonín (i) n26, (ii), (iii), (iv), (v), (vi)

  Dwyer, Doriot Anthony (i), (ii)

  Easter Holiday (provisional title for Easter Parade) (i)

  Easter Parade (film) (i) n89

  Eastman School of Music (i), (ii) n37, (iii) n49, (iv), (v) n71, (vi), (vii) n51, (viii) n58

  Eddy, Nelson (i)

  Edens, Roger (i)

  Ehrlich, Jesse (i) n18, (ii), (iii), (iv), (v)

  Ehrma
n, Kenneth (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)

  Eisenhower, Dwight D. (i), (ii) n53, (iii) n141

  Eisner, Alfred (i), (ii), (iii), (iv), (v), (vi), (vii) n97, (viii), (ix), (x)

  Elgar, Edward (i), (ii), (iii)

  Eliot, T.S. (i)

  Ellington, Duke (i), (ii)

  Ellis, Havelock (i) n104, (ii)

  Elman, Mischa (i)

  Elwes, Mr. and Mrs. Robert (i)

  Englander, Lester (i)

  Englander, Roger (i), (ii) n93

  Essen, Viola (i)

  European Friends of ORT (i)

  Evans, Ross (i)

  Farbman, Harry (i)

  Fassett, James (i)

  Fauré, Gabriel (i)

  Requiem (i) n94, (ii) n167

  Faye, Alice (i)

  Federal Bureau of Investigation (FBI) (i) n85, (ii) n105, (iii) n106, (iv), (v) n68, (vi)

  Feigay, Paul (i), (ii), (iii)

  Feldman, Charlie (i)

  Feldman, Morton (i), (ii), (iii), (iv), (v), (vi), (vii) n112

  Fennell, Frederick (i)

  Fiedler, Arthur (i), (ii), (iii), (iv) n59

  Fine, Irving (i), (ii), (iii) n101

  Fine, Verna (i)

  First Impressions (musical) (i) n43

  Fischer-Dieskau, Dietrich (i), (ii)

  Fishburg, Jack (Joachin) (i)

  Fizdale, Robert (i) n62

  Flagg, James Montgomery (i)

  Fluck, Alan (i), (ii)

  Fonteyn (de Arias), Margot (i)

  Ford Foundation (i)

  Foss, Lukas (i) n58, (ii), (iii), (iv), (v) n89, (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii) n101, (xix), (xx) n106, (xxi), (xxii), (xxiii), (xxiv) n154, (xxv), (xxvi) n46, (xxvii), (xxviii)

  Phorion (i)

  Psalms (i)

  Song of Anguish (i)

  Symphony of Chorales (i)

  Time Cycle (i) n64

  Variations (i) n154

  Françaix, Jean (i)

  Fray, Jacques (i)

  Freed, Arthur (i)

  Frings, Kurt (i)

  Fry, Christopher (i)

  Frye, Peter (i)

  Fryer, Robert (i)

  Fuleihan, Anis (i) n28

  Fuller, Donald (i)

  Furtwängler, Wilhelm (i), (ii), (iii)

  Gabis [Rhoads Perle], Shirley (i), (ii), (iii), (iv), (v), (vi), (vii)

  Gaburo, Kenneth (i), (ii)

  Galway, James (i)

  Garbo, Greta (i) n15, (ii) n74

  Garfield, John (i) n59, (ii)

  Garland, Judy (i), (ii) n89, (iii) n93, (iv)

  Gebhard, Heinrich (i), (ii), (iii) n18, (iv)

  Geer, Will (i), (ii)

  Gellhorn, Martha (i), (ii), (iii), (iv) n22, (v) n24, (vi), (vii), (viii)

  Gershwin, George (i) n6, (ii) n51, (iii) n8, (iv) n60, (v), (vi) n150, (vii)

  Porgy and Bess (i) n40, (ii), (iii), (iv), (v)

  Rhapsody in Blue (i), (ii)

  Gershwin, Ira (i), (ii), (iii) n63, (iv) n56

  Ghiringhelli, Antonio (i), (ii), (iii), (iv), (v)

  Ghostley, Alice (i), (ii), (iii)

  Gide, André (i), (ii)

  Gieseking, Walter (i), (ii)

  Gilbert, Helen (i)

  Ginzler, Robert (i) n4

  Girl with the Two Left Feet, The (Revuers sketch with improvised score by LB) (i), (ii), (iii) n65

  Glazer, David (i), (ii), (iii)

  Glickstein, Izso (Isadore) (i), (ii)

  Gluck, Christoph Willibald von (i)

  Goberman, Max (i), (ii), (iii), (iv) n5, (v) n173, (vi) n63

  Gold, Arthur (i) n62

  Goldman Band (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Goldman, Edwin Franko (i)

  Goldman, Milton (i)

  Goldstein, Leonore (i), (ii)

  Goldwyn, Samuel (i), (ii), (iii), (iv), (v), (vi)

  Golschmann, Vladimir (i), (ii), (iii), (iv) n77

  Goodman, Benny (i) n153, (ii), (iii) n62

  Goodman, Zelda (i)

  Gordon, Beatrice (i), (ii), (iii), (iv), (v), (vi), (vii)

  Gottlieb, Jack (i), (ii) n24, (iii), (iv)

  Gould, Glenn (i), (ii)

  Gould, Morton (i), (ii) n6, (iii), (iv), (v) n32

  Grace Congregational Church (i)

  Gradenwitz, Peter (i), (ii) n152

  The Music of Israel: Its Rise and Growth Through 5000 Years (i)

  Graham, Martha (i), (ii), (iii) n6, (iv) n13

  Granger, Farley (i) n62, (ii), (iii), (iv), (v), (vi)

  Grant, Cary (i)

  Grayson, Kathryn (i)

  Green, Adolph (i) n17, (ii), (iii) n60, (iv), (v), (vi), (vii) n21, (viii), (ix), (x) n23, (xi), (xii) n76, (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix) n47, (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii) n58, (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv) n77, (xlv) n83, (xlvi), (xlvii) n128, (xlviii), (xlix) n172, (l), (li), (lii)

  Green, Frank (i)

  Green, Johnny (i)

  Greene, Milton (i)

  Greenwich House, The (i)

  Greenwich Village (film) (i) nn130–1

  Gretchaninoff, Alexander (i)

  Grieg, Edvard (i), (ii)

  Gruen, John (i), (ii)

  Guthrie, Tyrone (i), (ii)

  Guys and Dolls (musical) (i), (ii) n43,

  Haftel, Zvi (i)

  Haieff, Alexei (i) n28, (ii)

  Halasz, Laszlo (i), (ii)

  Hall, Radclyffe (i) n20

  Well of Loneliness, The (i)

  Hammer, Alvin (i) n131, (ii)

  Hammerstein, Oscar (i), (ii) n115, (iii), (iv), (v), (vi) n37, (vii) n60, (viii) n74

  Handel, George Frideric (i) n6, (ii)

  Water Music (i), (ii)

  Hanson, Howard (i), (ii), (iii)

  Harburg, E.Y. (Yip) (i)

  Hargail Music Co. (Hargail Records) (i), (ii), (iii), (iv), (v), (vi), (vii)

  Harmon, Charles (Charlie) (i), (ii) n38, (iii)

  Harris, Roy (i), (ii) n74, (iii), (iv), (v), (vi), (vii)

  Ode to Truth (i)

  Symphony No. 3 (i), (ii), (iii), (iv), (v)

  Symphony No. 5 (i)

  Harvard Advocate (i), (ii)

  Harvard Scholarship Fund (i)

  Harvard University (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv) n41, (xv), (xvi) n59, (xvii) n73, (xviii), (xix), (xx) n77, (xxi) n149, (xxii), (xxiii) n3, (xxiv), (xxv), (xxvi), (xxvii) n39, (xxviii), (xxix), (xxx)

  Haydn, Joseph (i), (ii), (iii), (iv), (v), (vi), (vii) n13

  Creation, The (i)

  Mass in B flat (i)

  Hayes, Helen (i)

  Hayton, Lenny (i), (ii)

  Hayward, Leland (i), (ii) n156

  Hazel Flagg (musical) (i)

  Hebrew Sheltering and Immigrant Aid Society (i)

  Hebrew Union College (i)

  Heifetz, Jascha (i)

  Heinsheimer, Hans (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  Hellman, Lillian (i), (ii), (iii) n65, (iv), (v), (vi) n104, (vii), (viii) n23, (ix) n31, (x) n74

  Hemingway, Ernest (i), (ii) n87, (iii) n21, (iv), (v)

  For Whom the Bell Tolls (i) n77

  Hendl, Walter (i), (ii) n89, (iii)

  Henried, Paul (i) n18

  Herbert, F. Hugh (i) n4

  Kiss and Tell (i)

  Herbert, June (i)

  Hérold, Ferdinand (i)

  Heusen, Jimmy Van (i) n71

  Hiller, Wendy (i)

  Hillyer, Raphael (i) n18, (ii) n73, (iii). See also Silverman, Raphael

  Hindemith, Paul (i), (ii), (iii) n9, (iv), (v), (vi), (vii), (viii), (ix) n68, (x), (xi), (xii), (xiii)

  Mathis der Maler Symphony (i)

  Violin Concerto (i)

  Hitchcock, Alfred (i) n73, (ii) n78

  Rope (i) n78


  Shadow of a Doubt (i)

  Strangers on a Train (i) n78, (ii) n154

  Hocker, David (i)

  Holliday, Judy (i), (ii) n54, (iii), (iv), (v), (vi) n38, (vii), (viii) n131, (ix), (x), (xi) n104, (xii), (xiii), (xiv) n65

  Holm, Hanya (i)

  Honegger, Arthur (i)

  Jeanne d'Arc au bûcher (i), (ii) n57, (iii) n12

  Hoover, J. Edgar (i)

  Horne, Lena (i), (ii) n65, (iii), (iv)

  Horney, Karen (i), (ii), (iii)

  Horowitz, Richard (i)

  House Un-American Activities Committee (HUAC) (i) n70, (ii) n98, (iii) n105, (iv), (v), (vi) n60, (vii), (viii), (ix) n79, (x) n27, (xi) n28, (xii) n31

  Hoyt, Howard (i), (ii) n131

  Hughes, Langston (i) n104

  Hunt, Marsha (Mrs. Robert Presnell) (i) n46

  Hurok, Sol (i), (ii)

  Hussey, Walter (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Huston, Walter (i) n62

  Hutcheson, Ernest (i)

  Huxley, Aldous (i)

  Hyatt, Dick (i)

  Ian, Janis (i) n38, (ii), (iii)

  “Society's Child” (i) n38, (ii)

  If the Shoe Fits (musical) (i)

  Imbrie, Andrew (i)

  Irvington House, The (i)

  Isaacs, Stanley M. (i)

  Isherwood, Christopher (i) n107

  Israel, Bob (i)

  Israel Philharmonic Orchestra (i), (ii), (iii), (iv) n150, (v), (vi), (vii), (viii), (ix), (x)

  Istomin, Eugene (i)

  It's Always Fair Weather (film) (i) n81, (ii) n28, (iii)

  Iturbi, Jose (i), (ii)

  Ives, Burl (i) n98, (ii) n104

  Ives, Charles (i) n74, (ii), (iii), (iv), (v), (vi)

  Jackson, Helen Hunt (i) n30

  Jacobi, Frederick (i) n28

  Jacoby, Herbert (i) n111

  James, Henry (i)

  Jefferson School of Social Science (i)

  Johns, Erik (i), (ii), (iii)

  Johnson, Lyndon B. (i)

  Johnson, Thor 215, 216m (i)

  Johnson, Van (i)

  Joint Anti-Fascist Refugee Committee (i)

  Jones, Sandy (i)

  Joyce, Eileen (i)

  Joyce, James (i) n87

  Judson, Arthur (i), (ii), (iii), (iv)

  Judd, George (i), (ii), (iii), (iv)

  Juilliard School (i), (ii), (iii) n51, (iv) n73, (v) n90, (vi), (vii), (viii), (ix)

  Kahn, Louis (i) n162

  Kaltenborn, Rolf (i), (ii)

  Karajan, Herbert von (i), (ii), (iii), (iv)

  Karp, Frieda (i)

  Kates, Helen (i.e. Helen Coates?) (i)

  Kay, Hershy (i) n4, (ii), (iii) n54

  Kaye, Nora (i)

  Kazan, Elia (“Gadg”) (i), (ii), (iii), (iv) n80, (v)

  Keiser, David (i)

  Kell, Reginald (i)

  Kelly, Ellsworth (i) n107

 

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