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The Arden Shakespeare Complete Works

Page 576

by William Shakespeare


  the princes, our kindred, are going to see the queen’s

  picture. Come, follow us: we’ll be thy good masters.

  Exeunt.

  5.3 Enter LEONTES, POLIXENES, FLORIZEL, PERDITA, CAMILLO, PAULINA, lords and attendants.

  LEONTES

  O grave and good Paulina, the great comfort

  That I have had of thee!

  PAULINA What, sovereign sir,

  I did not well, I meant well. All my services

  You have paid home: but that you have vouchsaf’d,

  With your crown’d brother and these your contracted

  5

  Heirs of your kingdoms, my poor house to visit,

  It is a surplus of your grace, which never

  My life may last to answer.

  LEONTES O Paulina,

  We honour you with trouble: but we came

  To see the statue of our queen: your gallery

  10

  Have we pass’d through, not without much content

  In many singularities; but we saw not

  That which my daughter came to look upon,

  The statue of her mother.

  PAULINA As she liv’d peerless,

  So her dead likeness, I do well believe,

  15

  Excels whatever yet you look’d upon,

  Or hand of man hath done; therefore I keep it

  Lonely, apart. But here it is: prepare

  To see the life as lively mock’d as ever

  Still sleep mock’d death: behold, and say ’tis well.

  20

  [Paulina draws a curtain, and discovers Hermione

  standing like a statue.]

  I like your silence, it the more shows off

  Your wonder: but yet speak; first you, my liege.

  Comes it not something near?

  LEONTES Her natural posture!

  Chide me, dear stone, that I may say indeed

  Thou art Hermione; or rather, thou art she

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  In thy not chiding; for she was as tender

  As infancy and grace. But yet, Paulina,

  HERMIONE was not so much wrinkled, nothing

  So aged as this seems.

  POLIXENES O, not by much.

  PAULINA So much the more our carver’s excellence,

  30

  Which lets go by some sixteen years and makes her

  As she liv’d now.

  LEONTES As now she might have done,

  So much to my good comfort as it is

  Now piercing to my soul. O, thus she stood,

  Even with such life of majesty, warm life,

  35

  As now it coldly stands, when first I woo’d her!

  I am asham’d: does not the stone rebuke me

  For being more stone than it? O royal piece!

  There’s magic in thy majesty, which has

  My evils conjur’d to remembrance, and

  40

  From thy admiring daughter took the spirits,

  Standing like stone with thee.

  PERDITA And give me leave,

  And do not say ’tis superstition, that

  I kneel, and then implore her blessing. Lady,

  Dear queen, that ended when I but began,

  45

  Give me that hand of yours to kiss.

  PAULINA O patience!

  The statue is but newly fix’d, the colour’s

  Not dry.

  CAMILLO My lord, your sorrow was too sore laid on,

  Which sixteen winters cannot blow away,

  50

  So many summers dry: scarce any joy

  Did ever so long live; no sorrow

  But kill’d itself much sooner.

  POLIXENES Dear my brother,

  Let him that was the cause of this have power

  To take off so much grief from you as he

  55

  Will piece up in himself.

  PAULINA Indeed, my lord,

  If I had thought the sight of my poor image

  Would thus have wrought you – for the stone is mine –

  I’d not have show’d it.

  LEONTES Do not draw the curtain.

  PAULINA

  No longer shall you gaze on’t, lest your fancy

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  May think anon it moves.

  LEONTES Let be, let be!

  Would I were dead, but that methinks already –

  What was he that did make it? – See, my lord,

  Would you not deem it breath’d? and that those veins

  Did verily bear blood?

  POLIXENES Masterly done:

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  The very life seems warm upon her lip.

  LEONTES The fixure of her eye has motion in’t,

  As we are mock’d with art.

  PAULINA I’ll draw the curtain:

  My lord’s almost so far transported that

  He’ll think anon it lives.

  LEONTES O sweet Paulina,

  70

  Make me to think so twenty years together!

  No settled senses of the world can match

  The pleasure of that madness. Let’t alone.

  PAULINA I am sorry, sir, I have thus far stirr’d you: but

  I could afflict you farther.

  LEONTES Do, Paulina;

  75

  For this affliction has a taste as sweet

  As any cordial comfort. Still methinks

  There is an air comes from her. What fine chisel

  Could ever yet cut breath? Let no man mock me,

  For I will kiss her.

  PAULINA Good my lord, forbear:

  80

  The ruddiness upon her lip is wet;

  You’ll mar it if you kiss it, stain your own

  With oily painting. Shall I draw the curtain?

  LEONTES No: not these twenty years.

  PERDITA So long could I

  Stand by, a looker on.

  PAULINA Either forbear,

  85

  Quit presently the chapel, or resolve you

  For more amazement. If you can behold it,

  I’ll make the statue move indeed; descend,

  And take you by the hand: but then you’ll think

  (Which I protest against) I am assisted

  90

  By wicked powers.

  LEONTES What you can make her do,

  I am content to look on: what to speak,

  I am content to hear; for ’tis as easy

  To make her speak as move.

  PAULINA It is requir’d

  You do awake your faith. Then all stand still:

  95

  Or – those that think it is unlawful business

  I am about, let them depart.

  LEONTES Proceed:

  No foot shall stir.

  PAULINA Music, awake her; strike! [Music.]

  ’Tis time; descend; be stone no more; approach;

  Strike all that look upon with marvel. Come!

  100

  I’ll fill your grave up: stir, nay, come away:

  Bequeath to death your numbness; for from him

  Dear life redeems you. You perceive she stirs:

  [Hermione comes down.]

  Start not; her actions shall be holy as

  You hear my spell is lawful.

  [to Leontes] Do not shun her

  105

  Until you see her die again; for then

  You kill her double. Nay, present your hand:

  When she was young you woo’d her; now, in age,

  Is she become the suitor?

  LEONTES O, she’s warm!

  If this be magic, let it be an art

  110

  Lawful as eating.

  POLIXENES She embraces him!

  CAMILLO She hangs about his neck!

  If she pertain to life, let her speak too!

  POLIXENES

  Ay, and make it manifest where she has liv’d,

  Or how stolen from the de
ad!

  PAULINA That she is living,

  115

  Were it but told you, should be hooted at

  Like an old tale: but it appears she lives,

  Though yet she speak not. Mark a little while.

  [to Perdita] Please you to interpose, fair madam, kneel

  And pray your mother’s blessing.

  [to Hermione] Turn, good lady,

  120

  Our Perdita is found.

  HERMIONE You gods, look down,

  And from your sacred vials pour your graces

  Upon my daughter’s head! Tell me, mine own,

  Where hast thou been preserv’d? where liv’d? how found

  Thy father’s court? for thou shalt hear that I,

  125

  Knowing by Paulina that the Oracle

  Gave hope thou wast in being, have preserv’d

  Myself to see the issue.

  PAULINA There’s time enough for that;

  Lest they desire (upon this push) to trouble

  Your joys with like relation. Go together,

  130

  You precious winners all; your exultation

  Partake to every one. I, an old turtle,

  Will wing me to some wither’d bough, and there

  My mate (that’s never to be found again)

  Lament, till I am lost.

  LEONTES O, peace, Paulina!

  135

  Thou shouldst a husband take by my consent,

  As I by thine a wife: this is a match,

  And made between’s by vows. Thou hast found mine;

  But how, is to be question’d; for I saw her,

  As I thought, dead; and have in vain said many

  140

  A prayer upon her grave. I’ll not seek far –

  For him, I partly know his mind – to find thee

  An honourable husband. Come, Camillo,

  And take her by the hand; whose worth and honesty

  Is richly noted; and here justified

  145

  By us, a pair of kings. Let’s from this place.

  [to Hermione] What! look upon my brother: both your pardons,

  That e’er I put between your holy looks

  My ill suspicion. This your son-in-law,

  And son unto the king, whom, heavens directing,

  150

  Is troth-plight to your daughter. Good Paulina,

  Lead us from hence, where we may leisurely

  Each one demand, and answer to his part

  Perform’d in this wide gap of time, since first

  We were dissever’d: hastily lead away. Exeunt.

  155

  Bibliography

  SHAKESPEARE’S LIFE

  Bentley, G.E., Shakespeare: A Biographical Handbook, New Haven: Yale University Press, 1961.

  Chambers, E.K., William Shakespeare: A Study of Facts and Problems, 2 vols, Oxford: Clarendon Press, 1930.

  Duncan-Jones, Katherine, Ungentle Shakespeare: A Life, London: Thomson Learning, 2001.

  Dutton, Richard, William Shakespeare: A Literary Life, Basingstoke, Hants: Macmillan, 1989.

  Eccles, Mark, Shakespeare in Warwickshire, Madison: University of Wisconsin Press, 1961.

  Fraser, Russell, Shakespeare, the Later Years, New York: Columbia University Press, 1992.

  Fraser, Russell, Young Shakespeare, New York: Columbia University Press, 1988.

  Honan, Park, Shakespeare: A Life, Oxford: Oxford University Press, 1999.

  Schoenbaum, Samuel, Shakespeare’s Lives, new edn, Oxford: Clarendon Press, 1991.

  Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life, rev. edn, Oxford: Oxford University Press, 1987.

  Schoenbaum, Samuel, William Shakespeare: A Documentary Life, Oxford: Oxford University Press 1975.

  Schoenbaum, Samuel, William Shakespeare: Records and Images, Oxford: Oxford University Press, 1981.

  SHAKESPEARE IN PERFORMANCE

  Bate, Jonathan, Shakespeare: An Illustrated Stage History, Oxford: Oxford University Press, 1996.

  Beckerman, Bernard, Shakespeare at the Globe, 1599–1609, New York: Macmillan, 1962.

  Berry, Herbert, Shakespeare’s Playhouses, New York: AMS Press, 1987.

  Berry, Ralph, ed., On Directing Shakespeare: Interviews with Contemporary Directors, London and New York: Hamish Hamilton, 1989.

  Bevington, David, Action Is Eloquence: Shakespeare’s Language of Gesture, Cambridge, Mass.: Harvard University Press, 1984.

  Bulman, J.C., and H.R. Coursen, eds, Shakespeare on Television, Hanover, N.H.: University Press of New England, 1988.

  Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576–1642, Princeton, N.J.: Princeton University Press, 1981.

  Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary, Cambridge: Cambridge University Press, 1995.

  Gurr, Andrew, Playgoing in Shakespeare’s London, Cambridge: Cambridge University Press, 1989.

  Gurr, Andrew, Shakespearian Playing Companies, Oxford: Clarendon Press, 1996.

  Gurr, Andrew, The Shakespearean Stage, 1574–1642, 3rd edn, Cambridge: Cambridge University Press, 1992.

  Gurr, Andrew, and John Orrell, Rebuilding Shakespeare’s Globe, London: Weidenfeld and Nicolson, 1989.

  Hodges, C. Walter, Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576–1616, Cambridge: Cambridge University Press, 1999.

  Hogan, Charles B. Shakespeare in the Theater, 1701–1800, 2 vols, Oxford: Clarendon Press, 1952–7.

 

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