The Arden Shakespeare Complete Works

by William Shakespeare

  Howard, Jean E., Shakespeare’s Art of Orchestration: Stage Technique and Audience Response, Urbana: University of Illinois Press, 1984.

  Jorgens, Jack J., Shakespeare on Film, Bloomington: Indiana University Press, 1976.

  Joseph, Bertram, Acting Shakespeare, rev. edn, New York: Theatre Arts Books, 1969.

  Kiernan, Pauline, Staging Shakespeare at the New Globe, London: Macmillan, 1999.

  King, T.J., Shakespearean Staging, 1599–1642, Cambridge, Mass.: Harvard University Press, 1971.

  King, T.J., Casting Shakespeare’s Plays: London Actors and Their Roles, 1590–1642, Cambridge: Cambridge University Press, 1992.

  Knutson, Roslyn L., The Repertory of Shakespeare’s Company, 1594–1613, Fayetteville: University of Arkansas Press, 1991.

  Mulryne, J.R., and Margaret Shewing, eds, Shakespeare’s Globe Rebuilt, Cambridge: Cambridge University Press, 1997.

  Nungezer, Edwin, A Dictionary of Actors and Other Persons Associated with Public Representation of Plays in England before 1642, New Haven: Yale University Press, 1929.

  Odell, George C., Shakespeare: From Betterton to Irving, 2 vols, 2nd edn, New York: B. Blom, 1963.

  Orrell, John, The Quest for Shakespeare’s Globe, Cambridge: Cambridge University Press, 1983.

  Shattuck, Charles H., Shakespeare on the American Stage: From the Hallams to Edwin Booth, Washington: Folger Shakespeare Library, 1976.

  Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearean Performance, Boston: Little, Brown, 1973.

  Sprague, Arthur Colby, Shakespeare and the Actors: The Stage Business in His Plays, 1660–1905, Cambridge, Mass.: Harvard University Press, 1944.

  Styan, J.L., Shakespeare’s Stagecraft, Cambridge: Cambridge University Press, 1967.

  Thomson, Peter, Shakespeare’s Theatre, 2nd edn, London: Routledge, 1992.

  Trewin, J.C., Shakespeare on the English Stage, 1900–1964, London: Barrie and Rockliff, 1964.

  Wiles, David, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse, Cambridge: Cambridge University Press, 1987.

  Worthen, W.B., Shakespeare and the Authority of Performance, Cambridge: Cambridge University Press, 1997.

  THE EARLY TEXTS

  Allen, Michael J.B., and Kenneth Muir, Shakespeare’s Plays in Quarto: A Facsimile Edition of Copies Primarily in the Henry E. Huntington Library, Berkeley and Los Angeles: University of California Press, 1981.

  Hinman, Charlton, ed., Norton Facsimile: The First Folio of Shakespeare, 2nd edn, New York: Norton, 1996.

  TEXTUAL STUDIES

  Blayney, Peter W.M., The First Folio of Shakespeare, Washington: Folger Library Publications, 1991.

  Blayney, Peter W.M., The Texts of King Lear and Their Origins, Vol. 1: Nicholas Okes and the First Quarto, Cambridge: Cambridge University Press, 1982.

  Bowers, Fredson, On Editing Shakespeare, Charlottesville: University of Virginia Press, 1966.

  Brooks, Douglas A., From Playhouse to Printing House: Drama and Authorship in Early Modern England, Cambridge: Cambridge University Press, 2000.

  De Grazia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus, Oxford: Clarendon Press, 1991.

  Greg, W.W., The Editorial Problem in Shakespeare, 3rd edn, Oxford: Clarendon Press, 1954.

  Greg, W.W., The Shakespeare First Folio: Its Bibliographical and Textual History, Oxford: Clarendon Press, 1955.

  Hinman, Charlton, The Printing and Proof-reading of First Folio Shakespeare, 2 vols, Oxford: Clarendon Press, 1963.

  Honigmann, E.A.J., The Stability of Shakespeare’s Text, Lincoln: University of Nebraska Press, 1965.

  Honigmann, E.A.J., The Texts of ‘Othello’ and Shakespearian Revision, London; New York: Routledge, 1996.

  Ioppolo, Grace, Revising Shakespeare, Cambridge, Mass.: Harvard University Press, 1991.

  Kastan, David Scott, Shakespeare and the Book, Cambridge: Cambridge University Press, 2001.

  Maguire, Laurie, Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts, Cambridge: Cambridge University Press, 1996.

  Pollard, Alfred W., Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685, London: Methuen, 1909.

  Taylor, Gary, and John Jowett, Shakespeare Reshaped 1606–1623, Oxford: Clarendon Press, 1993.

  Walker, Alice, Textual Problems of the First Folio, Cambridge: Cambridge University Press, 1953.

  Wells, Stanley, and Gary Taylor, eds, Modernizing Shakespeare’s Spelling: With Three Studies in the Text of ‘Henry V’, Oxford: Clarendon Press, 1979.

  Wells, Stanley, and Gary Taylor, eds, Re-editing Shakespeare for the Modern Reader, Oxford: Clarendon Press, 1984.

  Wells, Stanley, and Gary Taylor, eds, William Shakespeare: A Textual Companion, Oxford: Clarendon Press, 1987.

  Wilson, F.P., Shakespeare and the New Bibliography, ed. Helen Gardner, Oxford: Clarendon Press, 1970.

  LANGUAGE AND STYLE

  Dictionaries and concordances

  Dent, R.W., Shakespeare’s Proverbial Language: An Index, Berkeley and Los Angeles: University of California Press, 1981.

  Onions, Charles T., Shakespeare Glossary, 3rd edn, ed. Robert D. Eagleson, Oxford: Clarendon Press, 1986.

  Partridge, Eric, Shakespeare’s Bawdy: A Literary and Psychological Essay and a Comprehensive Glossary, 3rd edn, London and New York: Routledge, 1991.

  Schmidt, Alexander, Shakespeare Lexicon: A Complete Dictionary of All the English Words, Phrases and Constructions in the Work of the Poet, 2 vols, 3rd edn, rev. and enl. by Gregor Sarrazin, New York: Dover, 1971.

  Spevack, Marvin, ed., A Complete and Systematic Concordance to the Works of Shakespeare, 9 vols, Hildesheim, Germany: George Olms, 1968–80.

  Spevack, Martin, The Harvard Concordance to Shakespeare, Cambridge, Mass.: Belknap Press, 1974.

  Williams, Gordon, The Dictionary of Sexual Language and Imagery in Shakespeare and Stuart Literature, 3 vols, London: Athlone Press, 1994.

  Studies

  Abbott, E.A., A Shakespearian Grammar, New York: Dover, 1966.

  Adamson, Sylvia, Lynette Hunter, Lynne Magnusson, Ann Thompson and Katie Wales, eds, Reading Shakespeare’s Dramatic Language: A Guide, London: Thomson Learning, 2000.

  Blake, N.F., Shakespeare’s Language: An Introduction, New York: St Martin’s Press, 1983.

  Cercignani, Fausto, Shakespeare’s Works and Elizabethan Pronunciation, Oxford: Clarendon Press, 1981.

  Clemen, Wolfgang H., The Development of Shakespeare’s Imagery, 2nd edn, London: Methuen, 1977.

  Donawerth, Jane, Shakespeare and the Sixteenth-Century Study of Language, Urbana: University of Illinois Press, 1984.

  Doran, Madeleine, Shakespeare’s Dramatic Language, Madison: University of Wisconsin Press, 1976.

  Edwards, Philip, Inga-Stina Ewbank, and G.K. Hunter, Shakespeare’s Styles: Essays in Honor of Kenneth Muir, Cambridge: Cambridge University Press, 1980.

  Hulme, Hilda H., Explorations in Shakespeare’s Language, London: Longman, 1962.

  Hussey, S.S., The Literary Language of Shakespeare, 2nd edn, London and New York: Longman, 1992.

  Kermode, Frank, Shakespeare’s Language, London: Allen Lane, 2000.

  Kökeritz, Helge, Shakespeare’s Names: A Pronouncing Dictionary, New Haven: Yale University Press, 1959.

  Kökeritz, Helge, Shakespeare’s Pronunciation, New Haven: Yale University Press, 1953.

  Mahood, M.M., Shakespeare’s Wordplay, London: Methuen, 1957.

  Miriam Joseph, Sister, Shakespeare’s Use of the Arts of Language, New York: Columbia University Press, 1947.

  Thompson, Ann, and John O. Thompson, Shakespeare: Meaning and Metaphor, Iowa City: University of Iowa Press, 1987.

  Vickers, Brian, The Artistry of Shakespeare’s Prose, London: Methuen, 1968.

  Wright, George T., Shakespeare’s Metrical Art, Berkeley and Los Angeles: University of California Press, 1988.

  SHAKESPEARE’S SOURCESr />
  Bullough, Geoffrey, ed., Narrative and Dramatic Sources of Shakespeare, 8 vols, New York: Columbia University Press, 1957–75.

  Donaldson, E. Talbot, The Swan at the Well: Shakespeare Reading Chaucer, New Haven: Yale University Press, 1985.

  Hart, Alfred, Shakespeare and the Homilies, 1934, New York: Octagon Books, 1970.

  Martindale, Charles, and Michelle Martindale, Shakespeare and the Uses of Antiquity: An Introductory Essay on Shakespeare and English Renaissance Classicism, London and New York: Routledge, 1990.

  Milward, Peter, Shakespeare’s Religious Background, Bloomington: Indiana University Press, 1973.

  Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca, Oxford: Clarendon Press, 1992.

  Miola, Robert S., Shakespeare’s Reading, Oxford: Oxford University Press, 2000.

  Muir, Kenneth, The Sources of Shakespeare’s Plays, New Haven: Yale University Press, 1978.

  Noble, Richmond S., Shakespeare’s Biblical Knowledge and Use of the Book of Common Prayer, 1935, New York: Octagon Books, 1970.

  Pinciss, Gerald M., and Roger Lockyer, eds, Shakespeare’s World: Background Readings in the English Renaissance, New York: Continuum, 1989.

  Shaheen, Naseeb, Biblical References in Shakespeare’s Comedies, Newark: University of Delaware Press, 1993.

  Shaheen, Naseeb, Biblical References in Shakespeare’s History Plays, Newark: University of Delaware Press, 1989.

  Shaheen, Naseeb, Biblical References in Shakespeare’s Tragedies, Newark: University of Delaware Press, 1987.

  Spencer, T.J., ed., Shakespeare’s Plutarch, Baltimore: Penguin Books, 1964.

  Thompson, Ann, Shakespeare’s Chaucer: A Study in Literary Origins, Liverpool: Liverpool University Press, 1978.

  Thomson, J.A.K., Shakespeare and the Classics, London: Allen and Unwin, 1952.

  GENERAL CRITICISM

  Anthologies of criticism

  Calderwood, James L., and Harold E. Toliver, eds, Essays in Shakespearean Criticism, Englewood Cliffs, N.J.: Prentice-Hall, 1970.

  Desmet, Christy, and Robert Sawyer, eds, Shakespeare and Appropriation, London: Routledge, 2000.

  Dollimore, Jonathan, and Alan Sinfield, eds, Political Shakespeare: New Essays in Cultural Materialism, Ithaca, N.Y.: Cornell University Press, 1985.

  Drakikis, John, ed., Alternative Shakespeares, London and New York: Methuen, 1985.

  Hawkes, Terence, ed., Alternative Shakespeares, Vol. 2, London and New York: Methuen, 1996.

  Howard, Jean E., and Marion O’Connor, eds, Shakespeare Reproduced: The Text in History and Ideology, London and New York: Methuen, 1987.

  Joughin, John, ed., Shakespeare and National Culture, Manchester: Manchester University Press, 1997.

  Lenz, Carolyn, Ruth Swift, Gayle Greene and Carol Thomas Neely, eds, The Woman’s Part: Feminist Criticism of Shakespeare, Urbana: University of Illinois Press, 1980.

  Parker, Patricia, and Geoffrey Hartman, eds, Shakespeare and the Question of Theory, London and New York: Methuen, 1985.

  Schwartz, Murray M., and Coppélia Kahn, eds, Representing Shakespeare: New Psychoanalytic Essays, Baltimore, Md.: Johns Hopkins University Press, 1980.

  Individual critical studies

  Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, ‘Hamlet’ to ‘The Tempest’, New York: Routledge, 1992.

  Barroll, Leeds, Politics, Plague, and Shakespeare’s Theater: The Stuart Years, Ithaca, N.Y.: Cornell University Press, 1991.

  Berger, Harry, Jr, Making Trifles of Terrors: Redistributing Complicities in Shakespeare, ed. Peter Erickson, Stanford, Calif.: Stanford University Press, 1977.

  Bristol, Michael D., Big-time Shakespeare, London and New York: Routledge, 1996.

  Burckhardt, Sigurd, Shakespearean Meanings, Princeton, N.J.: Princeton University Press, 1968.

  Chedzgoy, Kate, Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture, Manchester: Manchester University Press, 1995.

  Coleridge, Samuel Taylor, Samuel Taylor Coleridge: Shakespearean Criticism, 2 vols, ed. T.M. Raysor, Totowa, N.J.: Biblio Distribution Center, 1974, 1980.

  Dusinberre, Juliet, Shakespeare and the Nature of Women, 2nd edn, New York: St Martin’s Press, 1996.

  Eagleton, Terry, William Shakespeare, Oxford: Basil Blackwell, 1986.

  Frye, Northrop, Northrop Frye on Shakespeare, New Haven: Yale University Press, 1988.

  Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality, New York: Methuen, 1987.

  Goldman, Michael, Shakespeare and the Enemies of Drama, Princeton, N.J.: Princeton University Press, 1972.

  Greenblatt, Stephen, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Berkeley and Los Angeles: University of California Press, 1988.

  Hawkes, Terence, That Shakespeherian Rag: Essays on a Critical Practice, London and New York: Methuen, 1986.

  Jardine, Lisa, Reading Shakespeare Historically, London and New York: Routledge, 1996.

  Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare, New York: Columbia University Press, 1989.

  Johnson, Samuel, Samuel Johnson on Shakespeare, ed. H.R. Woudhuysen, New York: Penguin, 1989.

  Kahn, Coppélia, Man’s Estate: Masculine Identity in Shakespeare, Berkeley and Los Angeles: University of California Press, 1981.

  Kastan, David Scott, Shakespeare and the Shapes of Time, Hanover, N.H.: University Press of New England, 1982.

  Kastan, David Scott, Shakespeare After Theory, New York: Routledge, 1999.

  Kernan, Alvin B., The Playwright as Magician: Shakespeare’s Image of the Poet in the English Public Theater, New Haven: Yale University Press, 1979.

  Kernan, Alvin B., Shakespeare, the King’s Playwright: Theater in the Stuart Court, New Haven: Yale University Press, 1995.

  Kott, Jan, Shakespeare Our Contemporary, trans. Boleslaw Taborski, Garden City, N.Y.: Anchor Doubleday, 1966.

  Marcus, Leah, Puzzling Shakespeare: Local Reading and Its Discontents, Berkeley and Los Angeles: University of California Press, 1988.

  Mullaney, Steven, The Place of the Stage: License, Play, and Power in Renaissance England, Chicago: University of Chicago Press, 1988.

  Neely, Carol Thomas, Broken Nuptials in Shakespeare’s Plays, New Haven: Yale University Press, 1985.

  Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England, Cambridge: Cambridge University Press, 1996.

  Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context, Chicago: Chicago University Press, 1996.

  Patterson, Annabel, Shakespeare and the Popular Voice, Oxford: Basil Blackwell, 1989.

  Rossiter, A.P., Angel with Horns, ed. Graham Storey, 1961, New York: Theatre Arts Books, 1974.

  Shapiro, James, Shakespeare and the Jews, New York: Columbia University Press, 1996.

  Shaw, George Bernard, Shaw on Shakespeare, ed. Edwin Wilson, New York: Dutton, 1961.

  Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama, London; New York: Routledge, 1992.

  Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, trans. Robert

  Schwartz, Baltimore, Md.: Johns Hopkins University Press, 1978.

  Weimann, Robert, Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre, ed. Helen Higbee and William West, Cambridge: Cambridge University Press, 2000.

  Criticism of the comedies and romances

  Barber, C.L., Shakespeare’s Festive Comedy, Princeton, N.J.: Princeton University Press, 1957.

  Bradbrook, M.C., The Growth and Structure of Elizabethan Comedy, new edn, Cambridge: Cambridge University Press, 1973.

  Carroll, William, The Metamorphoses of Shakespeare’s Comedy, Princeton, N.J.: Princeton University Press, 1985.

  Gay, Penny, As She Likes It: Shakespeare’s Unruly Women,
London: Routledge, 1994.

  Frye, Northrop, The Myth of Deliverance: Reflections on Shakespeare’s Problem Comedies, Toronto: University of Toronto Press, 1983.

  Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance, New York: Columbia University Press, 1965.

  Hunter, Robert Grams, Shakespeare and the Comedy of Forgiveness, New York: Columbia University Press, 1965.

  Leggatt, Alexander, Shakespeare’s Comedy of Love, London: Methuen, 1974.

  Mowat, Barbara, The Dramaturgy of Shakespeare’s Romances, Athens, Ga.: University of Georgia Press, 1976.

  Newman, Karen, Shakespeare’s Rhetoric of Comic Character, New York: Methuen, 1985.

  Palfrey, Simon, Late Shakespeare: A New World of Words, Oxford: Clarendon Press, 1997.

  Richards, Jennifer, and James Knowles, eds, Shakespeare’s Late Plays, Edinburgh: University of Edinburgh Press, 1999.

  Rutter, Carol, Clamorous Voices: Shakespeare’s Women Today, London: Women’s Press, 1988.

  Salinger, Leo, Shakespeare and the Traditions of Comedy, Cambridge: Cambridge University Press, 1974.

  Wheeler, Richard P., Shakespeare’s Development and the Problem Comedies: Turn and Counter-Turn, Berkeley and Los Angeles: University of California Press, 1981.

  Williamson, Marilyn, The Patriarchy of Shakespeare’s Comedies, Detroit: Wayne State University Press, 1986.

  Criticism of the history plays

  Berry, Edward I., Patterns of Decay: Shakespeare’s Early Histories, Cambridge: Cambridge University Press, 1975.

  Calderwood, James L., Metadrama in Shakespeare’s Henriad: ‘Richard II’ to ‘Henry V’, Berkeley and Los Angeles: University of California Press, 1979.

  Campbell, Lily B., Shakespeare’s Histories: Mirrors of Elizabethan Policy, San Marino, Calif.: Huntington Library, 1947.

  Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History, Princeton, N.J.: Princeton University Press, 1991.