The Makeup Artist Handbook
Page 39
J
Jawbone
279
Jaw muscles
280
Jusko, Don
291–292
K
Keene, Devon
292
Kit fees
seeTime cards
Knee cap
279
Kupitz, Erwin H
292
L
Lace facial pieces
147
Latex foam appliances
description
216
painting steps
216–217
Lift off
123–124
Light
2–4
Lighting
additive color mixing
45–46, 45f
ANTIQUE photograph
54f
black
44
black-and-white photography
52–53
BLEACH photograph
54f
brightness
44
camera filters
51–52
COOL photograph
54f
correction filters
46
DAY FOR NIGHT photograph
54f
dominant wavelength (DWL)
44
fluorescent light
46
gel filters
49–51, 50f
HALO photograph
54f
INGRY photography
55f
photography
47
polarizing filters
53, 54f, 55f
purity
44
stage lighting
46
still photography lighting
47–49
subtractive color mixing
45–46, 45f
texture
44
video lights
46
white
44
Lip shapes
13–14, 13f, 14f
Lipstick
77
Liquid crystal display (LCD)
62
Look, Bradley M
293
M
Madonna theme shoot
261
Makeup design
106–107
Makeup kits
Daniela's makeup kit
253
makeup bag
251–253
set bag
250, 251
set chair
253
skills
248–249
treatment bag
249–250
Makeup safety
101
Mascara
76
Mass tone
37
Mentalis
28
Metacarpals
28
Metatarsals
28
Mixing color
34, 39–40
Mocap
108–109
Molding effects
blood
description
233
FX palette
236
lighting conditions
235
medical descriptions
234
mouth blood
236–237
products
232
selection
233–234
skin illustrators
236
tone
236
usage
234–236
viscosity
235–236
foam appliances
description
216
painting steps
216–217
gelatin prosthetics
appliance prepping
209
description
206–207
heating
208
making of
207–210
molding
208–209
painting
210
utilization
209–210
gypsum mold-making
filling molds
216
foam molds
212–214
GM Foam
211
latex systems
214–215
prepping ultracal 30
215–216
safety
215
steadfast rule
211
steps for
212
mold-making
problems
191
procedure
191–193
rubber products
190
safety tip
190–191
terms
195
painting prosthetics
198
prosthetics
190
prosthetic transfers
application
204, 205
attributes
203
on-set
205–206
preparation
204–205
to remove
206
skin prepping
204
silicone mold-making
components of
195
description
195
steps to
196
silicone prosthetics
application
202–203
materials
198–202
procedure
198–202
temporary tattoos
adhesives
240–241
applying sealer
239
applying tattoo
238–239
ink colors
239–240
maintaining tattoos on-set
240
palette colors
239–240
removal
240, 241
skin prepping
238
skin primers
241
themes
237
thinners
241
theatrical casting and mold making
beard stubble
232
coloring
229–230
face sculpting
224–225
flocking
232
mold cleaning
228
mold preparation
218–219
painting
231–232
pieces out of the mold
230–231
PlatSil Gel 10 prosthetic painting
231
silicone theatre piece
228–229
urethane mold
220–223, 225–227
theatrical prosthetics
degree of difficulty
217
on the job
218
luxury of time
217
quick change
217
up-close experience
217
Monochromatic colors
37, 37f
Mosko, Gil
293
Motion capture and 3D
108
Motion pictures in digital
59
Mouth muscles
280
Mulkey, Michele
293
Mungle, Matthew
293–294
Muscles
eye
280
face
280
facial
280
jaw
280
mouth
280
Myers, Kenny
294
N
Nasal bones
27,
279
Nasal labial fold stretch
130, 130f
Natural-density filters
51
Natural makeup
85–87, 87f, 95
Neck stretch
131, 131f
Net filters
51
Net lace method
161
No-color blue, gel filters
50
O
Occipital bone
27, 279
Old age
124–125
Opaque
37, 39f
Orange gels
50
Orbicularis oculi
28
Orbicularis oris
28
Ousley, Dina
294
P
Patella
28
Patterson, Cristina
294
PAX paint
283
Peach gel
50
Pelvic bone
28, 279
Period makeups
description
258–259
1950s
259, 259f
1960s
259, 259f
1970s
259, 259f
1980s
259–260, 260f
Phalanges
28
Photographic film
60
Plasma screen
62
Polar screens
52
Polymer SD40-alcohol-based airbrush makeup
173
Polymer-water-based airbrush makeup
173
Port-wine stain concealment
84, 85, 88
Primary colors
34, 36, 37f
Print film
60
Procerus
28
Professional library
books
285
magazines
285
web sites
285–287
Pro mist filters
51
Prosthetics
adhesive removal
241
adhesive skin primers
241
adhesive thinner
241
description
190
gelatin
see(Gelatin prosthetics)
painting
198
theatrical
see(Theatrical prosthetics)
transfers
application
204, 205
attributes
203
on-set
205–206
preparation
204–205
to remove
206
skin prepping
204
Purity
44
R
Radius
27
Real color wheel
35
Red gels
50–51
Reel color palette
99, 99f
Resolution in digital
59–60
Revels, Robert
295
Ribs
27
Risorius
28
S
Script breakdown
62–63
Secondary colors
36, 37f, 40
Shadows
2–4
Shapes
deep-set eyes
12, 12f
diamond face shape
11, 11f
even/balanced eye
12, 12f
face, proportions of
2, 4–7
heart face shape
11, 11f
large eye
12, 12f
light
2–4
natural lip line
13, 13f
oval face shape
11, 11f
reflected light
3
round eye
12, 13f
round face shape
11, 11f
shadow
2–4
small eyes
13, 13f
square face shape
10, 10f
thin bottom lip
13, 14f
thin lips
13, 13f
thin upper lip
13, 13f
value
2–4
wide-set eyes
12, 12f
Shoulder bones
279
Silicone-based airbrush makeup
173
Silicone mold-making
components of
195
description
195
steps to
196
Silicone prosthetics
application
202–203
materials
198–202
procedure
198–202
Skeletal system
19f, 27–28, 29–30anatomy
279
Skin
care
81–83
composition
24
disorders
20–23
-tone warmers
51
Skull anatomy
279
Soft box
283
Spinal column anatomy
279
Spot painting
87–88
Stacolor palette
99, 99f
Stage lighting
46
Sternum
27
Still photography lighting
47–49
Stippling beard growth
98
Stretch and stipple aging technique
128
Subtractive color mixing
45–46
Sun protection
100–101
T
Tarsals
28
Tattoo ink type products
264
Tattoos
96
Tawil, Joseph N
295
Tear products
264
Teeth
135–138braces veeners
136f
broken teeth
136f
vampire teeth
136f
Template (face cast)
147–154, 151f
Temporary tattoo effects
adhesives
240–241
applying sealer
239
applying tattoo
238–239
ink colors
239–240
maintaining tattoos on-set
240
palette colors
239–240
removal
240, 241
skin prepping
238
skin primers
241
themes
237
thinners
241
Texture
44, 52
Textured stipple sponge
100, 100f
Theatrical casting and mold making
beard stubble
232
coloring
229–230
face sculpting
224–225
flocking
232
mold cleaning
228
mold preparation
218–219
painting
231–232
pieces out of the mold
230–231
PlatSil Gel 10 prosthetic painting
231
silicone theatre piece
228–229
urethane mold
220–223, 225–227
Theatrical prosthetics
degree of difficulty
; 217
on the job
218
luxury of time
217
quick change
217
up-close experience
217
Thigh bone
279
Tibia
28
Time cards
box rental
254
documentation
254
expendables
254
makeup trailer
east coast
254, 254f
west coast
254–255, 255f
Tinsley, Christien
295
Tint
36, 37f
Toes
279
Top tone
37
Tozier, Nancy
295
Translucent
37
Transparent
37, 39f
Triadic colors
37
Triangularis
28
Tsuji, Kazuhiro
296
U
Ulna
28
Ultracal 30
215–216
Under-eye area stretch
130, 130f
Upper lip stretch
130, 130f
Urethane mold-making
beard stubble
232
cleaning
228
coloring
229–230
fiberglass lamination types
220
flocking
232
fnal stage
227
initial stage
225–227
painting
231–232
pieces out of the mold
230–231
PlatSil Gel 10 prosthetic
231
property
220
silicone theatre piece
228–229
Uxndertone
37
V
Values
2
Vascular system
20, 22f
Veins
29, 280–281
Veneers
106–107
Ventilated beard
154–158
Video lights
46
W
Warm skin tones
68
Water-activated makeup
265
Water-based airbrush makeup
174
West coast makeup trailer
254–255, 255f
Wheeler, Paul
296
White
44
Whitescreen
61
Wig lace
154, 163
Working out of kit
appearance
drug addict
257f, 258
homeless
257–258, 257f
illness
257f, 258
news reporter and anchors
258
police officers
258
color mixing
257
description
256–257
industry standards
adhesives
263–264
anti-shines
263
brush cleaners
264
effects products
264
fixers
265
foundation colors
264
makeup palettes
265
makeup products
264–265
old-age stipple
264
PAX paint