The Erckmann-Chatrian Megapack: 20 Classic Novels and Short Stories

by Émile Erckmann

  I shall long remember the first boar-hunt in which I had the honour to join with the count, and especially the magnificent return home in a torchlight procession after having sat in the saddle for twelve hours together.

  I had just had supper, and was going up into Hugh Lupus’s tower completely knocked up, when, passing Sperver’s room, whose door was half open, shouts and cries of joy reached my ears. I stopped, when the most jovial spectacle burst upon me. Around the massive oaken table beamed twenty square rosy faces, bright and ruddy with health and fun.

  The hob and nobbing of the glasses gave out an incessant tinkling and clattering. There was sitting Sperver with his bossy forehead, his moustaches bedewed with Rhenish wine, his eyes sparkling, and his grey hair rather disordered; at his right was Marie Lagoutte, on his left Knapwurst. He was raising aloft the ancient silver-gilt and chased goblet dimmed with age, and on his manly chest glittered the silver plate of his shoulder-belt, for, according to his custom on a hunting day, he was still wearing the uniform of his office.

  The colour of Marie Lagoutte’s cheeks, rather redder even than usual, told of an evening of jollity, and her broad cap-frills seemed as if they were wanting to fly all abroad; she sat laughing, now with one, then with another.

  Knapwurst, squatting in his arm-chair, with his head on a level with Sperver’s elbow, looked like a big pumpkin. Then came Tobias Offenloch, so red that you would have thought he had bathed his face in the red wine, leaning back with his wig upon the chair-back and his wooden leg extended under the table. Farther on loomed the melancholy long face of Sébalt, who was peeping with a sickly smile into the bottom of his wine-glass.

  Besides these worthies there were present the waiting-people, men and women servants, comprising all that little community which springs up around the board of the great people of the land and belongs to them as the ivy, and the moss, and the wild convolvulus belong to the monarch of the forests.

  Upon the groaning board lay a vast ham, displaying its concentric circles of pink and white. Then among the gaily-patterned plates and dishes came the long-necked bottles containing the produce of the vineyards that border the broad and flowing Rhine—long German pipes with little silver chains, and long shining blades of steel.

  The light of the lamp shed over the whole scene its amber-coloured hue and left in the shade the old grey and time-stained walls, where hung in ample numbers the brazen convolutions of the hunting-horns and bugles.

  What an original picture! The vaulted roof was ringing with the joyous shouts of laughter.

  Sperver, as I have already told, was lifting high the full bumper and singing the song of Black Hatto, the Burgrave,

  “I am king on these mountains of mine,”

  while the rosy dew of Affénthal hung trembling from his long moustaches. As soon as he caught sight of me he stopped, and holding out his hand—

  “Fritz,” said he, “we only wanted you. It is a long time since I felt so comfortable as I do to-night. You are welcome, old boy!”

  As I gazed upon him with surprise—for since the death of Lieverlé I had never seen him smile—he added more seriously—

  “We are celebrating the return of monseigneur to his health, and Knapwurst is telling us stories.”

  All the guests turned my way, and I was saluted with kindly welcomes on all sides.

  I was dragged in by Sébalt, seated near Marie Lagoutte, and found a large glass of Bohemian wine in my hand before I could quite understand the meaning of it all.

  The old hall was echoing with merry peals of laughter, and Sperver, throwing his arm round my neck, holding his cup high, and with an attempt at gravity which showed plainly that the wine was up in his head, he shouted—

  “Here is my son! He and I—I and he—until death! Here’s the health of Doctor Fritz!”

  Knapwurst, standing as high as he was able upon the seat of his arm-chair, not unlike a turnip half divided in two, leaned towards me and held me out his glass. Marie Lagoutte shook out the long streamers of her cap, and Sébalt, upright before his chair, as gaunt and lean as the shade of the wild jäger amongst the heather, repeated, “Your health, Doctor Fritz!” whilst the flakes of silvery foam ran down his cup and floated gently down upon the stone-flagged floor.

  Then there was a moment’s silence. Every guest drank. Then, with a single clash, every glass was set vigorously down upon the table.

  “Bravo!” cried Sperver.

  Then turning to me—

  “Fritz, we have already drunk to the health of the count and of Mademoiselle Odile; you will do the same.”

  Twice had I to drain the cup before the vigilant eyes of the whole table. Then I too began to look grave. Could it have been drunken gravity? A luminous radiance seemed shed on every object; faces stood out brightly from the darkness, and looked more nearly upon me; in truth, there were youthful faces and aged, pretty and ugly, but all alike beamed upon me kindly, and lovingly, and tenderly; but it was the youngest, at the other end of the table, whose bright eyes attracted me, and we exchanged long and wistful glances, full of affection and sympathy!

  Sperver kept on humming and laughing. Suddenly putting his hand upon the dwarf’s misshapen back, he cried—

  “Silence! Here is Knapwurst, our historian and chronicler! He is preparing to speak. This hump holds all the history of the house of Nideck from the beginning of time!”

  The little hunchback, not at all indignant at so ambiguous a compliment, directed his benevolent eyes upon the face of the huntsman, and replied—

  “You, Sperver, you are one of the reiters whose story I have been telling you. You have the arm, and the courage, and the whiskers of a reiter of old! If that window opened wide, and a reiter was to hold out his hand at the end of his long arm to you, what would you say to him?”

  “I would say, ‘You are welcome, comrade; sit down and drink. You will find the wine just as good and the girls just as pretty as they were in the days of old Hugh Lupus.’ Look!”

  And he pointed with his glass at the jolly young faces that brightened the farther end of the table.

  Certainly the damsels of Nideck were lovely. Some were blushing with pleasure to hear their own praises; others half-veiled their rosy cheeks with their long drooping eyelashes, while one or two seemed rather to prefer to display their, sweet blue eyes by raising them to the smoky ceiling. I wondered at my own insensibility that I had never before noticed these fair roses blooming in the towers of the ancient manor.

  “Silence!” cried Sperver for the second time. “Our friend Knapwurst is going to tell us again the legend he related to us just now.”

  “Won’t you have another instead?” asked the hunchback.

  “No. I like this best.”

  “I know better ones than that.”

  “Knapwurst,” insisted the huntsman, raising his finger impressively, “I have reasons for wishing to hear the same again and no other. Cut it shorter if you like. There is a great deal in it. Now, Fritz, listen!”

  The dwarf, rather under the influence of the sparkling wine he had taken, rested his elbows on the table, and with his cheeks clutched in his bony fingers, and his eyes starting from his head with his concentrated efforts to speak with becoming seriousness, he cried as if he were publishing a proclamation—

  “Bernard Hertzog relates that the burgrave Hugh, surnamed Lupus, or the Wolf, when he was old, used to wear a cowl, which was a kind of knitted cap that covered in the crest of the knight’s helmet when engaged in fighting. When the helmet tired him he would take it off and put on the knitted cowl, and its long cape fell around his shoulders.

  “Up to his eighty-second year Hugh still wore his armour, though he could hardly breathe in it.

  “Then he sent for Otto of Burlach, his chaplain, his eldest son Hugh, his second son Berthold, and his daughter the red-haired Bertha, wife of a Saxon chief named Bluderich, and said to them—

  “‘Your mother the she-wolf has bequeathed you her claws; her blood f
lows, mingled with mine, in your veins. In you the wolf’s blood will flow from generation to generation; it shall weep and howl among the snows of the Black Forest. Some will say, “Hark! The wind howls!” others, “No, it is the owl hooting!” But not so; it is your blood, mine and the blood of the she-wolf who drove me to murder Hedwige, my wife before God and the Church. She died under my bloody hands! Cursed be the she-wolf! for it is written, “I will visit the sins of the fathers upon the children.” The crime of the father shall be visited upon the children until justice shall have been satisfied!’

  “Then old Hugh the Wolf died.

  “From that dreary day the north wind has howled across the wilds, and the owl has hooted in the dark, and travellers by night know not that it is the blood of the she-wolf weeping for the day of vengeance that will come, whose blood will be renewed from generation to generation—so says Hertzog—until the day when the first wife of Hugh, Hedwige the Fair, shall reappear at Nideck under the form of an angel to comfort and to forgive!”

  Then Sperver, rising from his seat, took a lamp and demanded of Knapwurst the keys of the library, and beckoned to me to follow him.

  We rapidly traversed the long dark gallery, then the armoury, and soon the archive-chamber appeared at the end of the great corridor.

  All noises had died away in the distance. The place seemed quite deserted.

  Once or twice I turned round, and could then see with a creeping feeling of dread our two long fantastic shadows in ghostly fashion writhing in strange distortions upon the high tapestry.

  Sperver quickly opened the old oak door, and with torch uplifted, his hair all bristling in disorder, and excited features, walked in the first. Standing before the portrait of Hedwige, whose likeness to the young countess had struck me at our first visit to the library, he addressed me in these solemn words:—

  “Here is she who was to return to comfort and pity me! She has returned! At this moment she is downstairs with the old count. Look well, Fritz; do you recognise her? Is it not Odile?”

  Then turning to the picture of Hugh’s second wife—

  “There,” he said, “is Huldine, the she-wolf. For a thousand years she has wept in the deep gorges amongst the pine forests of the Schwartzwald; she was the cause of the death of poor Lieverlé; but henceforward the lords of Nideck may rest securely, for justice is done, and the good angel of this lordly house has returned!”

  MYRTLE

  CHAPTER I

  Just at the end of the village of Dosenheim, in Alsace, about fifty yards from the gravelly road that leads into the wood, is a pretty cottage surrounded with an orchard, the flat roof loaded with boulder-stones, the gable-end looking down the valley.

  Flights of pigeons wheel around it, hens are scratching and picking up what they can under the fences, the cock takes his stand majestically on the low garden wall, and sounds the réveillée, or the retreat, for the echoes of Falberg to repeat; an outside staircase, with its wooden banisters, the linen of the little household hanging over it, leads to the first story, and a vine climbs up the front, and spreads its leafy branches from side to side.

  If you will only go up these steps you will see at the end of the narrow entry the kitchen, with its dresser and its pewter plates and dishes, its soup-tureens puffing out like balloons; open the door to the right and you are in the parlour with its dark oak furniture, a ceiling crossed by brown smoke-stained rafters, and its old Nuremberg clock click-clacking monotonously.

  Here sits a woman of five-and-thirty, spinning and dreaming, her waist encircled with a long black taffety bodice, and her head covered with a velvet headdress, with long ribbons.

  A man in broad-skirted velveteen coat, with breeches of the same, and with a fine open brow, looking calm and thoughtful, is dandling on his knee a fine stout boy, whistling the call to “boot and saddle.”

  There lies the quiet village at the end of the valley, framed, as you sit, in the little cottage window; the river is leaping over the mill-dam and crossing the winding street; the old houses, with their deep and gloomy eaves, their barns, their gabled windows, their nets drying in the sun; the young girls, kneeling by the river-side on the stones, washing linen; the cattle lazily lounging down to drink, and gravely lowing amidst the willows; the young herdsmen cracking their whips; the mountain summit, jagged like a saw by the pointed fir-tree tops—all these rural objects lie reflected in the flowing blue stream, only broken by the fleets of ducks sailing down or the occasional passage of an old tree rooted up on the mountain-side.

  Looking quietly on these things, you are impressed with a sense of the ease and comfort of which they speak, and you are moved with gratitude to the Giver of all good.

  Well, my dear friends and neighbours, such was the cottage of the Brémers in 1820, such were Brémer himself, his wife Catherine, and their son, little Fritz.

  To my own mind they come back exactly as I have described them to you.

  Christian Brémer had served in the chasseurs of the Imperial Guard. After 1815 he had married Catherine, his old sweetheart, grown a little older, but quite fresh and fair, and full of grace. With his own little property, his house, and his four or five acres of vineyard, and Catherine’s added to it, Brémer had become one of the most substantial bourgeois of Dosenheim; he might have been mayor, or adjoint, or municipal councillor, but these honours had no attractions for him; and what pleased him best was, after work was over, to take down his old gun, whistle for Friedland, and take him a turn in the woods.

  Now it fell out one day that this worthy man, coming home after a day’s shooting, brought in his bag a little gipsy girl two or three years old, as lively as a squirrel, and as brown as a hazel-nut. He had found her in the bundle of an unhappy gipsy woman who had died of fatigue or hunger, or both, at the foot of a tree.

  You may well imagine what an outcry Catherine raised against this new uninvited member of her family. But as Brémer was master in his own house, he simply announced to his wife that the child should be christened by the name of Susanna Frederica Myrtle, and that she should be brought up with little Fritz.

  As a matter of course, all the women in the place, old and young, came to pass their observations upon the little gipsy, whose serious and thoughtful expression of countenance surprised them.

  “This is not a child like others,” said they; “she is a heathen—quite a heathen! You may see by her eyes that she understands every word! She is listening now! Mind what I say, Maître Christian! Gipsies have claws at the ends of their fingers. If you will rear young ferrets and weasels you must not expect your poultry to be safe. They will have the run of all the farm-yard!”

  “Go and mind your own business!” shouted Brémer. “I have seen Russians and Spaniards, I have seen Italians, and Germans, and Jews; some were brown, and some were black, some white, and others red; some had long noses, and others had turned-down noses, but I found good fellows amongst them all.”

  “Very likely,” said the ladies, “but those people lived in houses, and gipsies live in the open air.”

  He vouchsafed no reply to this argument, but with all possible politeness he put them out by the shoulders.

  “Go away,” he cried; “I don’t want your advice. It is time to air the rooms, and then I have to go and attend to the stables.”

  But, after all, the rejected counsels were not so bad, as the event unhappily showed a dozen or fourteen years afterwards.

  Fritz was always delighted to feed the cattle, and take the horses to the pond, and follow his father and learn to plough and sow, to reap and mow, to tie up the sheaves and bring them home. But Myrtle had no wish to milk the cows, churn the butter, shell peas, or peel potatoes.

  When the maidens of Dosenheim, going out to wash clothes in the morning at the river, called her the heathen, she mirrored herself complacently in the fountain, and when she had admired her own long dark tresses, her violet lips, her white teeth, her necklace of red berries, she would smile and murmur to herself—
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br />   “Ah! they only call me a heathen because I am prettier than they are,” and she would dip the tip of her little foot in the fountain and laugh.

  But Catherine could not approve of such conduct, and said—

  “Myrtle is not the least good to us. She won’t do a single thing that is useful. It is no use for me to preach, and advise, and scold, she does everything the wrong way. The other day, when we were stowing away apples in the closet, she took bites out of the best to see if they were ripe! She has no pleasure but in gobbling up the best of everything.”

  Brémer himself could not help admitting that there was a very heathenish spirit in her when he heard his wife crying from morning till night, “Myrtle, Myrtle! where are you now? Ah, naughty, bad girl! she has run away into the woods again to gather blackberries.” But still he laughed to himself, and pitied poor Catherine, whom he compared to a hen with a brood of ducklings.

  Every year after harvest-time Fritz and Myrtle spent whole days far away from the farm, pasturing the cattle, singing, and whistling, and baking potatoes under the ashes, and coming down the rocky hill in the evening blowing the shepherd’s horn.

  These were some of Myrtle’s happiest days. Seated before the burning hemp-stalks, with her pretty brown face between her hands, she lost herself in endless reveries.

  The long strings of wild ducks and geese which traverse, about the end of autumn, the boundless heavens spread from the mountains on the east to the western hills, seemed to have a depressing effect upon her mind. She used to follow them with longing eyes, straining them as if to overtake the wild birds in the immeasurable distance; and suddenly she would rise, spread out her arms, and cry—

  “I must go! I must go! I can’t stay!”

  Then she would weep with her head bowed down, and Fritz, seeing her in tears, would cry too, asking—

  “Why do you cry, Myrtle? Has anybody hurt you? Is it any of the boys in the village?—Kasper, Wilhelm, Heinrich? Only tell me, and I will knock him down at once! Do tell!”