P G Wodehouse - Uneasy Money

by Uneasy Money

  'Well, Bill?'

  This speech in itself should have been enough to warn Lord Dawlish of impending doom. As far as love, affection, and tenderness are concerned, a girl might just as well hit a man with an axe as say 'Well, Bill?' to him when they have met unexpectedly in the moonlight after long separation. But Lord Dawlish was too shattered by surprise to be capable of observing -nuances-. If his love had ever waned or faltered, as conscience had suggested earlier in the day, it was at full blast now.

  'Claire!' he cried.

  He was moving to take her in his arms, but she drew back.

  'No, really, Bill!' she said; and this time it did filter through into his disordered mind that all was not well. A man who is a good deal dazed at the moment may fail to appreciate a remark like 'Well, Bill?' but for a girl to draw back and say, 'No, really, Bill!' in a tone not exactly of loathing, but certainly of pained aversion, is a deliberately unfriendly act. The three short words, taken in conjunction with the movement, brought him up with as sharp a turn as if she had punched him in the eye.

  'Claire! What's the matter?'

  She looked at him steadily. She looked at him with a sort of queenly woodenness, as if he were behind a camera with a velvet bag over his head and had just told her to moisten the lips with the tip of the tongue. Her aspect staggered Lord Dawlish. A cursory inspection of his conscience showed nothing but purity and whiteness, but he must have done something, or she would not be staring at him like this.

  'I don't understand!' was the only remark that occurred to him.

  'Are you sure?'

  'What do you mean?'

  'I was at Reigelheimer's Restaurant--Ah!'

  The sudden start which Lord Dawlish had given at the opening words of her sentence justified the concluding word. Innocent as his behaviour had been that night at Reigelheimer's, he had been glad at the time that he had not been observed. It now appeared that he had been observed, and it seemed to him that Long Island suddenly flung itself into a whirling dance. He heard Claire speaking a long way off: 'I was there with Lady Wetherby. It was she who invited me to come to America. I went to the restaurant to see her dance--and I saw you!'

  With a supreme effort Bill succeeded in calming down the excited landscape. He willed the trees to stop dancing, and they came reluctantly to a standstill. The world ceased to swim and flicker.

  'Let me explain,' he said.

  The moment he had said the words he wished he could recall them. Their substance was right enough; it was the sound of them that was wrong. They sounded like a line from a farce, where the erring husband has been caught by the masterful wife. They were ridiculous. Worse than being merely ridiculous, they created an atmosphere of guilt and evasion.

  'Explain! How can you explain? It is impossible to explain. I saw you with my own eyes making an exhibition of yourself with a horrible creature in salmon-pink. I'm not asking you who she is. I'm not questioning you about your relations with her at all. I don't care who she was. The mere fact that you were at a public restaurant with a person of that kind is enough. No doubt you think I am making a great deal of fuss about a very ordinary thing. You consider that it is a man's privilege to do these things, if he can do them without being found out. But it ended everything so far as I am concerned. Am I unreasonable? I don't think so. You steal off to America, thinking I am in England, and behave like this. How could you do that if you really loved me? It's the deceit of it that hurts me.'

  Lord Dawlish drew in a few breaths of pure Long Island air, but he did not speak. He felt helpless. If he were to be allowed to withdraw into the privacy of the study and wrap a cold, wet towel about his forehead and buckle down to it, he knew that he could draft an excellent and satisfactory explanation of his presence at Reigelheimer's with the Good Sport. But to do it on the spur of the moment like this was beyond him.

  Claire was speaking again. She had paused for a while after her recent speech, in order to think of something else to say; and during this pause had come to her mind certain excerpts from one of those admirable articles on love, by Luella Delia Philpotts, which do so much to boost the reading public of the United States into the higher planes. She had read it that afternoon in the Sunday paper, and it came back to her now.

  'I may be hypersensitive,' she said, dropping her voice from the accusatory register to the lower tones of pathos, 'but I have such high ideals of love. There can be no true love where there is not perfect trust. Trust is to love what--'

  She paused again. She could not remember just what Luella Delia Philpotts had said trust was to love. It was something extremely neat, but it had slipped her memory.

  'A woman has the right to expect the man she is about to marry to regard their troth as a sacred obligation that shall keep him as pure as a young knight who has dedicated himself to the quest of the Holy Grail. And I find you in a public restaurant, dancing with a creature with yellow hair, upsetting waiters, and staggering about with pats of butter all over you.'

  Here a sense of injustice stung Lord Dawlish. It was true that after his regrettable collision with Heinrich, the waiter, he had discovered butter upon his person, but it was only one pat. Claire had spoken as if he had been festooned with butter.

  'I am not angry with you, only disappointed. What has happened has shown me that you do not really love me, not as I think of love. Oh, I know that when we are together you think you do, but absence is the test. Absence is the acid-test of love that separates the base metal from the true. After what has happened, we can't go on with our engagement. It would be farcical. I could never feel that way toward you again. We shall always be friends, I hope. But as for love--love is not a machine. It cannot be shattered and put together again.'

  She turned and began to walk up the drive. Hanging over the top of the gate like a wet sock, Lord Dawlish watched her go. The interview was over, and he could not think of one single thing to say. Her white dress made a patch of light in the shadows. She moved slowly, as if weighed down by sad thoughts, like one who, as Luella Delia Philpotts beautifully puts it, paces with measured step behind the coffin of a murdered heart. The bend of the drive hid her from his sight.

  About twenty minutes later Dudley Pickering, smoking sentimentally in the darkness hard by the porch, received a shock. He was musing tenderly on his Claire, who was assisting him in the process by singing in the drawing-room, when he was aware of a figure, the sinister figure of a man who, pressed against the netting of the porch, stared into the lighted room beyond.

  Dudley Pickering's first impulse was to stride briskly up to the intruder, tap him on the shoulder, and ask him what the devil he wanted; but a second look showed him that the other was built on too ample a scale to make this advisable. He was a large, fit-looking intruder.

  Mr Pickering was alarmed. There had been the usual epidemic of burglaries that season. Houses had been broken into, valuable possessions removed. In one case a negro butler had been struck over the head with a gas-pipe and given a headache. In these circumstances, it was unpleasant to find burly strangers looking in at windows.

  'Hi!' cried Mr Pickering.

  The intruder leaped a foot. It had not occurred to Lord Dawlish, when in an access of wistful yearning he had decided to sneak up to the house in order to increase his anguish by one last glimpse of Claire, that other members of the household might be out in the grounds. He was just thinking sorrowfully, as he listened to the music, how like his own position was to that of the hero of Tennyson's -Maud---a poem to which he was greatly addicted, when Mr Pickering's 'Hi!' came out of nowhere and hit him like a torpedo.

  He turned in agitation. Mr Pickering having prudently elected to stay in the shadows, there was no one to be seen. It was as if the voice of conscience had shouted 'Hi!' at him. He was just wondering if he had imagined the whole thing, when he perceived the red glow of a cigar and beyond it a shadowy form.

  It was not the fact that he was in an equivocal position, staring into a house which did not belong to h
im, with his feet on somebody else's private soil, that caused Bill to act as he did. It was the fact that at that moment he was not feeling equal to conversation with anybody on any subject whatsoever. It did not occur to him that his behaviour might strike a nervous stranger as suspicious. All he aimed at was the swift removal of himself from a spot infested by others of his species. He ran, and Mr Pickering, having followed him with the eye of fear, went rather shakily into the house, his brain whirling with professional cracksmen and gas pipes and assaulted butlers, to relate his adventure.

  'A great, hulking, ruffianly sort of fellow glaring in at the window,' said Mr Pickering. 'I shouted at him and he ran like a rabbit.'

  'Gee! Must have been one of the gang that's been working down here,' said Roscoe Sherriff. 'There might be a quarter of a column in that, properly worked, but I guess I'd better wait until he actually does bust the place.'

  'We must notify the police!'

  'Notify the police, and have them butt in and stop the thing and kill a good story!' There was honest amazement in the Press-agent's voice. 'Let me tell you, it isn't so easy to get publicity these days that you want to go out of your way to stop it!'

  Mr Pickering was appalled. A dislike of this man, which had grown less vivid since his scene with Claire, returned to him with redoubled force.

  'Why, we may all be murdered in our beds!' he cried.

  'Front-page stuff!' said Roscoe Sherriff, with gleaming eyes. 'And three columns at least. Fine!'

  It might have consoled Lord Dawlish somewhat, as he lay awake that night, to have known that the man who had taken Claire from him--though at present he was not aware of such a man's existence--also slept ill.

  13

  Lady Wetherby sat in her room, writing letters. The rest of the household were variously employed. Roscoe Sherriff was prowling about the house, brooding on campaigns of publicity. Dudley Pickering was walking in the grounds with Claire. In a little shack in the woods that adjoined the high-road, which he had converted into a temporary studio, Lord Wetherby was working on a picture which he proposed to call 'Innocence', a study of a small Italian child he had discovered in Washington Square. Lady Wetherby, who had been taken to see the picture, had suggested 'The Black Hand's Newest Recruit' as a better title than the one selected by the artist.

  It is a fact to be noted that of the entire household only Lady Wetherby could fairly be described as happy. It took very little to make Lady Wetherby happy. Fine weather, good food, and a complete abstention from classical dancing--give her these and she asked no more. She was, moreover, delighted at Claire's engagement. It seemed to her, for she had no knowledge of the existence of Lord Dawlish, a genuine manifestation of Love's Young Dream. She liked Dudley Pickering and she was devoted to Claire. It made her happy to think that it was she who had brought them together.

  But of the other members of the party, Dudley Pickering was unhappy because he feared that burglars were about to raid the house; Roscoe Sherriff because he feared they were not; Claire because, now that the news of the engagement was out, it seemed to be everybody's aim to leave her alone with Mr Pickering, whose undiluted society tended to pall. And Lord Wetherby was unhappy because he found Eustace, the monkey, a perpetual strain upon his artistic nerves. It was Eustace who had driven him to his shack in the woods. He could have painted far more comfortably in the house, but Eustace had developed a habit of stealing up to him and plucking the leg of his trousers; and an artist simply cannot give of his best with that sort of thing going on.

  Lady Wetherby wrote on. She was not fond of letter-writing and she had allowed her correspondence to accumulate; but she was disposing of it in an energetic and conscientious way, when the entrance of Wrench, the butler, interrupted her.

  Wrench had been imported from England at the request of Lord Wetherby, who had said that it soothed him and kept him from feeling home-sick to see a butler about the place. Since then he had been hanging to the establishment as it were by a hair. He gave the impression of being always on the point of giving notice. There were so many things connected with his position of which he disapproved. He had made no official pronouncement of the matter, but Lady Wetherby knew that he disapproved of her classical dancing. His last position had been with the Dowager Duchess of Waveney, the well-known political hostess, who--even had the somewhat generous lines on which she was built not prevented the possibility of such a thing--would have perished rather than dance barefooted in a public restaurant. Wrench also disapproved of America. That fact had been made plain immediately upon his arrival in the country. He had given America one look, and then his mind was made up--he disapproved of it.

  'If you please, m'lady!'

  Lady Wetherby turned. The butler was looking even more than usually disapproving, and his disapproval had, so to speak, crystallized, as if it had found some more concrete and definite objective than either barefoot dancing or the United States.

  'If you please, m'lady--the hape!'

  It was Wrench's custom to speak of Eustace in a tone of restrained disgust. He disapproved of Eustace. The Dowager Duchess of Waveney, though she kept open house for members of Parliament, would have drawn the line at monkeys.

  'The hape is behaving very strange, m'lady,' said Wrench, frostily.

  It has been well said that in this world there is always something. A moment before, Lady Wetherby had been feeling completely contented, without a care on her horizon. It was foolish of her to have expected such a state of things to last, for what is life but a series of sharp corners, round each of which Fate lies in wait for us with a stuffed eel-skin? Something in the butler's manner, a sort of gloating gloom which he radiated, told her that she had arrived at one of these corners now.

  'The hape is seated on the kitchen-sink, m'lady, throwing new-laid eggs at the scullery-maid, and cook desired me to step up and ask for instructions.'

  'What!' Lady Wetherby rose in agitation. 'What's he doing that for?' she asked, weakly.

  A slight, dignified gesture was Wrench's only reply. It was not his place to analyse the motives of monkeys.

  'Throwing eggs!'

  The sight of Lady Wetherby's distress melted the butler's stern reserve. He unbent so far as to supply a clue.

  'As I understand from cook, m'lady, the animal appears to have taken umbrage at a lack of cordiality on the part of the cat. It seems that the hape attempted to fondle the cat, but the latter scratched him; being suspicious,' said Wrench, 'of his -bona fides-.' He scrutinized the ceiling with a dull eye. 'Whereupon,' he continued, 'he seized her tail and threw her with considerable force. He then removed himself to the sink and began to hurl eggs at the scullery-maid.'

  Lady Wetherby's mental eye attempted to produce a picture of the scene, but failed.

  'I suppose I had better go down and see about it,' she said.

  Wrench withdrew his gaze from the ceiling.

  'I think it would be advisable, m'lady. The scullery-maid is already in hysterics.'

  Lady Wetherby led the way to the kitchen. She was wroth with Eustace. This was just the sort of thing out of which Algie would be able to make unlimited capital. It weakened her position with Algie. There was only one thing to do--she must hush it up.

  Her first glance, however, at the actual theatre of war gave her the impression that matters had advanced beyond the hushing-up stage. A yellow desolation brooded over the kitchen. It was not so much a kitchen as an omelette. There were eggs everywhere, from floor to ceiling. She crunched her way in on a carpet of oozing shells.

  Her entry was a signal for a renewal on a more impressive scale of the uproar that she had heard while opening the door. The air was full of voices. The cook was expressing herself in Norwegian, the parlour-maid in what appeared to be Erse. On a chair in a corner the scullery-maid sobbed and whooped. The odd-job man, who was a baseball enthusiast, was speaking in terms of high praise of Eustace's combined speed and control.

  The only calm occupant of the room was Eustace himsel
f, who, either through a shortage of ammunition or through weariness of the pitching-arm, had suspended active hostilities, and was now looking down on the scene from a high shelf. There was a brooding expression in his deep-set eyes. He massaged his right ear with the sole of his left foot in a somewhat -distrait- manner.

  'Eustace!' cried Lady Wetherby, severely.

  Eustace lowered his foot and gazed at her meditatively, then at the odd-job man, then at the scullery-maid, whose voice rose high above the din.

  'I rather fancy, m'lady,' said Wrench, dispassionately, 'that the animal is about to hurl a plate.'

  It had escaped the notice of those present that the shelf on which the rioter had taken refuge was within comfortable reach of the dresser, but Eustace himself had not overlooked this important strategic point. As the butler spoke, Eustace picked up a plate and threw it at the scullery-maid, whom he seemed definitely to have picked out as the most hostile of the allies. It was a fast inshoot, and hit the wall just above her head.

  ''At-a-boy!' said the odd-job man, reverently.

  Lady Wetherby turned on him with some violence. His detached attitude was the most irritating of the many irritating aspects of the situation. She paid this man a weekly wage to do odd jobs. The capture of Eustace was essentially an odd job. Yet, instead of doing it, he hung about with the air of one who has paid his half-dollar and bought his bag of peanuts and has now nothing to do but look on and enjoy himself.

  'Why don't you catch him?' she cried.

  The odd-job man came out of his trance. A sudden realization came upon him that life was real and life was earnest, and that if he did not wish to jeopardize a good situation he must bestir himself. Everybody was looking at him expectantly. It seemed to be definitely up to him. It was imperative that, whatever he did, he should do it quickly. There was an apron hanging over the back of a chair. More with the idea of doing something than because he thought he would achieve anything definite thereby, he picked up the apron and flung it at Eustace. Luck was with him. The apron enveloped Eustace just as he was winding up for another inshoot and was off his balance. He tripped and fell, clutched at the apron to save himself, and came to the ground swathed in it, giving the effect of an apron mysteriously endowed with life. The triumphant odd-job man, pressing his advantage like a good general, gathered up the ends, converted it into a rude bag, and one more was added to the long list of the victories of the human over the brute intelligence.