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When We Make It

Page 2

by Elisabet Velasquez


  When we walk down Knickerbocker Ave.,

  the men hiss like they are deflating at the sight of us.

  They call Mami suegra. Mami can’t stand it.

  Qué ridículo, she says.

  She ain’t old enough to be nobody’s mother-in-law.

  She shifts her body in front of Estrella’s,

  to protect her

  or maybe so she can be seen first.

  PAPI

  Estrella races to the window

  and pulls back the curtain,

  which is really just a fuzzy blanket

  with a lion print that Mami ordered from Fingerhut,

  a magazine that lets Mami own nice things

  and pay for them slowly.

  Papi parks outside and makes his station wagon cry

  until it guilts Mami into letting us go downstairs.

  I examine my father until he is human again.

  When he hugs me, I want no parts of his hands.

  I become Mami the last time he hit her.

  Leave me alone. Don’t touch me.

  Estrella laughs at my fear & tells Papi

  Mami is brainwashing me into hating him.

  Papi says he hopes

  I’m not becoming an angry bitch like Mami.

  Men don’t like angry bitches.

  Men leave angry bitches.

  All Mami was ever good for was kicking him out.

  He can’t remember the last time

  her mouth made a home for him.

  That’s why he left

  and didn’t come around for a few years.

  Now Papi comes by every weekend

  & gives us five dollars to split.

  Estrella & me argue over how to spend it.

  Five dollars

  can buy us mad chips,

  quarter juices,

  Now and Laters, Devil Dogs.

  Or we can use it to share one ham & cheese hero

  and a two-liter.

  When I look up at the window

  you can’t see Mami peeking but

  the lion’s mouth is open

  and roaring for me to come upstairs.

  LUCKY

  In Bushwick, the reporters double park

  to shoot the latest crime scene & then bounce

  quick before their news vans get tagged up.

  The teachers find their car radios missing

  and blame the worst student they have.

  Pero, the teachers and the reporters, they get to leave.

  Back to their “good” neighborhoods

  with boring-ass walls and vehicles

  they don’t have to piece back together like a puzzle.

  They’ll have a nice dinner with their predictable family

  and talk about their wack-ass day in Bushwick

  & somebody will say: You’re lucky you don’t live there.

  Someone else will echo: Imagine?!

  & they think they can imagine because fear

  got them believing they know what it means to be safe.

  I mean, it’s one thing to feel danger.

  & maybe it’s another thing

  to work in it.

  & maybe it’s another thing altogether

  to live with it.

  But it’s something else completely

  to be the thing everyone is afraid of.

  WE AIN’T AFRAID

  Estrella says:

  We ain’t afraid of nothing.

  We ain’t afraid of nothing.

  We ain’t afraid of nothing.

  I say:

  Some days though,

  shit is scary.

  Not gonna front

  like shit ain’t scary.

  Estrella says:

  Damn, yo, what’s so scary?

  That’s just Corner Boy Jesus and his friends.

  I say:

  Shit. That’s 5-0. Ayo!

  They’re creeping around the corner.

  I tell Estrella & the corner boys to run. Run!

  Estrella & the corner boys say:

  Run? We ain’t running.

  Snitch? We ain’t snitching.

  Estrella says:

  Yo, chill, we’ll be aight.

  Yo, chill, we’ll be okay.

  & even when we not

  we are. You know what I mean?

  & I know exactly what she means

  ’cause it’s just like being afraid.

  Even when we not we are.

  Even when we not we are.

  But I don’t say that.

  Nah.

  I don’t say that.

  NEIGHBORS

  Bushwick is full of hip-hop & salsa.

  Cuchifritos & soul food.

  Nail & hair salons.

  Bootleg CD vendors & tamale ladies on the corner.

  We are all the same in our difference.

  No matter how we got to be neighbors here

  We all know we lived somewhere else first.

  I know this because on the occasion that

  Our eyes lock for more than a moment

  Our mouths ask each other the same question.

  Where you from? Like nice to meet you.

  Where you from? Like what block?

  Where you from? Like what country?

  Where you from? Like what God?

  Where you from? Like where you been?

  Where you from? Like where you going?

  Where you from? Like who you missing?

  Where you from? Like why you here?

  Where you from? Like have you gone back?

  Where you from? Like what did you leave behind?

  CURIOSITY KILLED THE CAT

  SATISFACTION BROUGHT IT BACK

  Mami says ¡que soy entrometida!

  & she’s right,

  I’m always asking

  about things I shouldn’t be.

  Estrella thinks I ask a lot of questions ’cause I’m dumb.

  Being a dumbass has its rewards though. She laughs.

  She means that in Bushwick,

  there are some things you just don’t wanna know.

  That way you sound believable if the cops ever ask you

  something where the answer could get you locked up or killed.

  But I know asking questions

  is sometimes the smartest thing I could do.

  It gives me permission to not know everything.

  Besides, answers are just questions

  that haven’t been discovered yet.

  I ASK QUESTIONS ABOUT PUERTO RICO

  When I ask Mami to tell me about Puerto Rico

  she says it’s none of my business

  and that I should focus on school.

  How is where I am from none of my business?

  I decide to talk back today.

  You are not from Puerto Rico.

  You are Nuyorican,

  Mami says.

  A Puerto Rican born in New York.

  Does that make me less Puerto Rican? I wanna know.

  Sí. No. ¡Qué sé yo!

  Mami is annoyed

  & tells me to stop asking questions & pack my clothes.

  We are moving.

  Again.

  LEAVING GATES AVENUE

  Mami never has money for the bus or cabs

  so we walk our belongings to the new spot

  on Knickerbocker Avenue.

  We gotta stop at the Check Cashing

  to get a money order for the week’s rent.

  I’ma miss writing Gates Avenue on the money order.

  It always felt super appropriate considerin
g that

  everything in Bushwick looks like it could hurt you

  if you crossed it.

  All the buildings are built like weapons.

  Even our schools are gated &

  the welfare office is spiked

  as if to let you know

  that you are entering a war zone.

  We order Chinese food through glass

  that might stop a bullet

  but can’t stop a kid with a blade

  and a dope tag.

  Windows are secured with metal bars &

  roofs are fenced in with barbed wire.

  In this way even the sun becomes a criminal

  if it sneaks into an armored building.

  At the Check Cashing spot the pen is chained

  to the counter & today I stole it

  just to say I set something free.

  HOW WE GOT OUR NAMES

  HOOKERBOCKER AVE

  is what everybody calls Knickerbocker Avenue.

  & since names have a way of making things true

  Mami has a warning for Estrella & me

  as we leave the new room

  we’re staying in to go buy pizza for dinner.

  She tells us to come straight home

  & not to stand on the ave. for too long.

  Si te coge la jara no hay dinero pá sacarte.

  Which is to say you can’t even trust the cops

  to tell the difference.

  Which is to say Puerto Rican girls

  always look like they’re for sale.

  & for a brief second I wonder what I’m worth.

  What it would cost to keep me for a night.

  What it would cost to set me free.

  TODAY IN BIBLE STUDY

  TRINITY

  We learn:

  God the father.

  God the son.

  God the Holy Spirit.

  Are all the same.

  Are all different.

  I’m not even gonna front like I get how that shit works.

  But if I had to share my identities with two other people

  I’ma pick the underdog. The one who flies mad under the radar but does some powerful ass shit.

  That’s the Holy Spirit in this case.

  I mean, sure, Jesus turned water into wine

  and did the whole I’m dead. . .SIKE! I’m not dead bit

  but have you ever seen the way the Holy Spirit

  possesses a body and makes it dance across the room

  without hitting any of the furniture?

  That’s talent.

  I guess what I’m saying is that I think I’m talented

  enough to make it out of here

  while avoiding everything

  that tries to get in my way.

  SARAI’S GOT TALENT

  Actually, I don’t really know if talent is the way

  out of the hood.

  There are mad talented people in Bushwick

  who are still here.

  Like the ladies who make the toilet paper doll covers

  made of yarn

  & the hood musicians who record

  then hustle their mixtape on CDs on the ave.

  & the street chefs who make the most bangin’ empanadas

  and tamales that you’ll never find

  in any restaurant

  & the acrobats who swing their bodies

  on an L train pole in the name of showtime.

  & the writers who tag up the walls with their names

  so colorfully that you couldn’t ignore them

  if you wanted to.

  Mami says my talent is being nosy.

  I say my talent is paying attention.

  ROSTER

  I know the moment right before

  the homeroom teacher

  is about to call my name off the roster.

  A brief silence stings the air

  while all the kids with heavy names

  sink their bodies into the chair.

  My best friend’s name is Lauricia,

  which people always wrongly pronounce

  Larissa or Laurish-a.

  So she just tells people to call her Lala

  to avoid the exhaustion that comes

  with correcting people.

  Lala & I can tell who has a “good” name

  by the way they chew their Bubble Yum

  mindlessly or scratch the date on the wooden table.

  Our mouths do not get the luxury of rest.

  Our mouths must always be war-ready,

  which means, sometimes we rip our names

  from the teacher’s mouth

  before she has a chance to kill it,

  but other times we wait.

  After all,

  the teacher is human, like us,

  but more real.

  Maybe we wait to see if this time, she will get it right

  or maybe we are waiting to see if our name

  can be held in a mouth that is not our mother’s.

  THE COOL PUERTO RICAN ENGLISH TEACHER

  Ms. Rivera looks & talks wild familiar.

  Like she could be my cousin or something.

  How funny it would be if

  Ms. Rivera was really just a cousin I didn’t know.

  Ms. Rivera could even be me. Yo. Maybe she is me.

  The me that finishes school & gets a college degree.

  The me that learns how to talk proper and shit.

  The me that owns a car and lives in a good neighborhood.

  The me that makes mad money, or at least enough

  to make sure we always got food in the fridge.

  The me Mami couldn’t be.

  The me Estrella doesn’t want to be.

  The me that makes it

  for everybody that couldn’t.

  HOW WE GOT OUR NAMES

  MAMI’S JOB

  When Ms. Rivera asks me what Mami does for a living

  I don’t know how to make her sound important

  enough to mention.

  You know the kids who have parents with good jobs

  by the way their hands shoot up

  and shake until they’re chosen.

  Let’s hear from someone

  we haven’t heard from yet.

  Ms. Rivera scans the room for those of us hiding

  our hands, our eyes, our lives.

  Mami sews people’s clothes, I say.

  A seamstress.

  Ms. Rivera gives Mami’s job a name

  that sounds valuable. Names can do that, you know.

  I shrug. All I know is that she works

  in a factory making clothes

  & she’ll never know the people who wear them

  and they’ll never know the lady who made them.

  OFF THE BOOKS

  Mami gets paid off the books.

  Off the books is another way to

  say that you’re sneak paying someone

  to do work for you that you’d probably

  have to pay them more for

  if they were on the books.

  This may seem unfair.

  But being paid off the books means

  Mami can get extra help

  from the government.

  At the welfare office

  the caseworkers try to convince Mami

  to tell them the truth by acting

  like they care about her.

  They tell her that working off the books

  means she’s being taken advantage of.

  But Mami tells us that if she were on the books

  she wouldn’t get paid much m
ore than she is now

  but it would be just enough

  to make her not qualify for food stamps.

  & that makes me wonder about

  who is taking advantage of who?

  HOW WE GOT OUR NAMES

  HOMEGIRLS

  Even though Mami warns me against having friends

  I love my homegirl Lala.

  Lala is an only child. She lives with her mom

  and her dad & they got a house

  with a basement and a back yard

  and Lala even has her own room.

  Lala’s mom is a nurse

  and Lala’s father works at a bank.

  Good jobs.

  But Lala’s parents want her to do better than them.

  At lunch she tells me stories about hosting sleepovers

  for her cousins and for the friends whose parents

  allow them to stay in casa ajena.

  They order Tony’s Pizza & dance like the Spice Girls.

  I always crack the same corny joke

  and say we would be the

  Adobo Spice Girls.

  I guess they call them homegirls

  because friendships have a way of making you feel safe

  & most people feel safest at home.

  Sometimes when I see Lala in the hallway

  at school she leans in close enough

  for me to smell what her mom made for breakfast

  and I give her the hungriest hug.

  THE NEIGHBORHOOD IS CHANGING

  Someone is always fighting in Bushwick.

  I don’t remember the last time I walked down the street

  and someone wasn’t angry at something.

  El Señor who sells the gallon jugs of maví leans over

  and inspects the wheels of his cart

  while muttering curse words directly at the spokes.

  It may seem silly to be so angry at the wheels, but I get it.

  It’s necessary for everything to work smoothly

  when you’re walking down a Bushwick sidewalk.

  These streets are not for standing still.

  That’s why Mami yells at us to hurry up

  as we roll our own cart filled with compra

 

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