Delphi Complete Works of Pausanias

by Pausanias

  [15.3] At the end of the painting are those who fought at Marathon; the Boeotians of Plataea and the Attic contingent are coming to blows with the foreigners. In this place neither side has the better, but the center of the fighting shows the foreigners in flight and pushing one another into the morass, while at the end of the painting are the Phoenician ships, and the Greeks killing the foreigners who are scrambling into them. Here is also a portrait of the hero Marathon, after whom the plain is named, of Theseus represented as coming up from the under-world, of Athena and of Heracles. The Marathonians, according to their own account, were the first to regard Heracles as a god. Of the fighters the most conspicuous figures in the painting are Callimachus, who had been elected commander-in-chief by the Athenians, Miltiades, one of the generals, and a hero called Echetlus, of whom I shall make mention later.

  [4] ἐνταῦθα ἀσπίδες κεῖνται χαλκαῖ, καὶ ταῖς μέν ἐστιν ἐπίγραμμα ἀπὸ Σκιωναίων καὶ τῶν ἐπικούρων εἶναι, τὰς δὲ ἐπαληλιμμένας πίσσῃ, μὴ σφᾶς ὅ τε χρόνος λυμήνηται καὶ ὁ ἰός, Λακεδαιμονίων εἶναι λέγεται τῶν ἁλόντων ἐν τῇ Σφακτηρίᾳ νήσῳ.

  [15.4] Here are dedicated brazen shields, and some have an inscription that they are taken from the Scioneans and their allies, while others, smeared with pitch lest they should be worn by age and rust, are said to be those of the Lacedaemonians who were taken prisoners in the island of Sphacteria.

  16. ἀνδριάντες δὲ χαλκοῖ κεῖνται πρὸ μὲν τῆς στοᾶς Σόλων ὁ τοὺς νόμους Ἀθηναίοις γράψας, ὀλίγον δὲ ἀπωτέρω Σέλευκος, ᾧ καὶ πρότερον ἐγένετο ἐς τὴν εὐδαιμονίαν τὴν μέλλουσαν σημεῖα οὐκ ἀφανῆ. Σελεύκῳ γάρ, ὡς ὡρμᾶτο ἐκ Μακεδονίας σὺν Ἀλεξάνδρῳ, θύοντι ἐν Πέλλῃ τῷ Διὶ τὰ ξύλα τὰ ἐπὶ τοῦ βωμοῦ κείμενα προύβη τε αὐτόματα πρὸς τὸ ἄγαλμα καὶ ἄνευ πυρὸς ἥφθη. τελευτήσαντος δὲ Ἀλεξάνδρου Σέλευκος Ἀντίγονον ἐς Βαβυλῶνα ἀφικόμενον δείσας καὶ παρὰ Πτολεμαῖον φυγὼν τὸν Λάγου κατῆλθεν αὖθις ἐς Βαβυλῶνα, κατελθὼν δὲ ἐκράτησε μὲν τῆς Ἀντιγόνου στρατιᾶς καὶ αὐτὸν ἀπέκτεινεν Ἀντίγονον, εἷλε δὲ ἐπιστρατεύσαντα ὕστερον Δημήτριον τὸν Ἀντιγόνου.

  [16.1] XVI. Here are placed bronze statues, one, in front of the portico, of Solon, who composed the laws for the Athenians, and, a little farther away, one of Seleucus, whose future prosperity was foreshadowed by unmistakable signs. When he was about to set forth from Macedonia with Alexander, and was sacrificing at Pella to Zeus, the wood that lay on the altar advanced of its own accord to the image and caught fire without the application of a light.

  SELEUCUS OF ANTIOCH, HISTORY

  On the death of Alexander, Seleucus, in fear of Antigonus, who had arrived at Babylon, fled to Ptolemy, son of Lagus, and then returned again to Babylon. On his return he overcame the army of Antigonus and killed Antigonus himself, afterwards capturing Demetrius, son of Antigonus, who had advanced with an army.

  [2] ὡς δέ οἱ ταῦτα προκεχωρήκει καὶ μετ᾽ ὀλίγον τὰ Λυσιμάχου κατείργαστο, τὴν μὲν ἐν τῇ Ἀσίᾳ πᾶσαν ἀρχὴν παρέδωκεν Ἀντιόχῳ τῷ παιδί, αὐτὸς δὲ ἐς Μακεδονίαν ἠπείγετο. στρατιὰ μὲν καὶ Ἑλλήνων καὶ βαρβάρων ἦν παρὰ Σελεύκῳ: Πτολεμαῖος δὲ ἀδελφὸς μὲν Λυσάνδρας καὶ παρὰ Λυσιμάχου παρ᾽ αὐτὸν πεφευγώς, ἄλλως δὲ τολμῆσαι πρόχειρος καὶ δι᾽ αὐτὸ Κεραυνὸς καλούμενος, οὗτος ὁ Πτολεμαῖος, ὡς προσιὼν ὁ Σελεύκου στρατὸς ἐγένετο κατὰ Λυσιμάχειαν, λαθὼν Σέλευκον κτείνει, διαρπάσαι δὲ ἐπιτρέψας τὰ χρήματα τοῖς βασιλεῦσιν ἐβασίλευσε Μακεδονίας, ἐς ὃ Γαλάταις πρῶτος ὧν ἴσμεν βασιλέων ἀντιτάξασθαι τολμήσας ἀναιρεῖται ὑπὸ τῶν βαρβάρων: τὴν δὲ ἀρχὴν Ἀντίγονος ἀνεσώσατο ὁ Δημητρίου.

  [16.2] After these successes, which were shortly followed by the fall of Lysimachus, he entrusted to his son Antiochus all his empire in Asia, and himself proceeded rapidly towards Macedonia, having with him an army both of Greeks and of foreigners. But Ptolemy, brother of Lysandra, had taken refuge with him from Lysimachus; this man, an adventurous character named for this reason the Thunderbolt, when the army of Seleucus had advanced as far as Lysimachea, assassinated Seleucus, allowed the kings to seize his wealth, and ruled over Macedonia until, being the first of the kings to my knowledge to dare to meet the Gauls in battle, he was killed by the foreigners. The empire was recovered by Antigonus, son of Demetrius.

  [3] Σέλευκον δὲ βασιλέων ἐν τοῖς μάλιστα πείθομαι καὶ ἄλλως γενέσθαι δίκαιον καὶ πρὸς τὸ θεῖον εὐσεβῆ. τοῦτο μὲν γὰρ Σέλευκός ἐστιν ὁ Μιλησίοις τὸν χαλκοῦν καταπέμψας Ἀπόλλωνα ἐς Βραγχίδας, ἀνακομισθέντα ἐς Ἐκβάτανα τὰ Μηδικὰ ὑπὸ Ξέρξου: τοῦτο δὲ Σελεύκειαν οἰκίσας ἐπὶ Τίγρητι ποταμῷ καὶ Βαβυλωνίους οὗτος ἐπαγόμενος ἐς αὐτὴν συνοίκους ὑπελείπετο μὲν τὸ τεῖχος Βαβυλῶνος, ὑπελείπετο δὲ. τοῦ Βὴλ τὸ ἱερὸν καὶ περὶ αὐτὸ τοὺς Χαλδαίους οἰκεῖν.

  [16.3] I am persuaded that Seleucus was the most righteous, and in particular the most religious of the kings. Firstly, it was Seleucus who sent back to Branchidae for the Milesians the bronze Apollo that had been carried by Xerxes to Ecbatana in Persia. Secondly, when he founded Seleucea on the river Tigris and brought to it Babylonian colonists he spared the wall of Babylon as well as the sanctuary of Bel, near which he permitted the Chaldeans to live.

  ATHENS

  17. Ἀθηναίοις δὲ ἐν τῇ ἀγορᾷ καὶ ἄλλα ἐστὶν οὐκ ἐς ἅπαντας ἐπίσημα καὶ Ἐλέου βωμός, ᾧ μάλιστα θεῶν ἐς ἀνθρώπινον βίον καὶ μεταβολὰς πραγμάτων ὄντι ὠφελίμῳ μόνοι τιμὰς Ἑλλήνων νέμουσιν Ἀθηναῖοι. τούτοις δὲ οὐ τὰ ἐς φιλανθρωπίαν μόνον καθέστηκεν, ἀλλὰ καὶ θεοὺς εὐσεβοῦσιν ἄλλων πλέον, καὶ γὰρ Αἰδοῦς σφισι βωμός ἐστι καὶ Φήμης καὶ Ὁρμῆς: δῆλά τε ἐναργῶς, ὅσοις πλέον τι ἑτέρων εὐσεβείας μέτεστιν, ἴσον σφίσι παρὸν τύχης χρηστῆς.

  [17.1] XVII. In the Athenian market-place among the objects not generally known is an altar to Mercy, of all divinities the most useful in the life of mortals and in the vicissitudes of fortune, but honored by the Athenians alone among the Greeks. And they are conspicuous not only for their humanity but also for their devotion to religion. They have an altar to Shamefastness, one to Rumour and one to Effort. It is quite obvious that those who excel in piety are correspondingly rewarded by good fortune.

  [2] ἐν δὲ τῷ γυμνασίῳ τῆς ἀγορᾶς ἀπέχοντι οὐ πολύ, Πτολεμαίου δὲ ἀπὸ τοῦ κατασκευασαμένου καλουμένῳ, λίθοι τέ εἰσιν Ἑρμαῖ θέας ἄξιοι καὶ εἰκὼν Πτολεμαίου
χαλκῆ: καὶ ὅ τε Λίβυς Ἰόβας ἐνταῦθα κεῖται καὶ ὁ Χρύσιππος ὁ Σολεύς.

  πρὸς δὲ τῷ γυμνασίῳ Θησέως ἐστὶν ἱερόν: γραφαὶ δέ εἰσι πρὸς Ἀμαζόνας Ἀθηναῖοι μαχόμενοι. πεποίηται δέ σφισιν ὁ πόλεμος οὗτος καὶ τῇ Ἀθηνᾷ ἐπὶ τῇ ἀσπίδι καὶ τοῦ Ὀλυμπίου Διὸς ἐπὶ τῷ βάθρῳ. γέγραπται δὲ ἐν τῷ τοῦ Θησέως ἱερῷ καὶ ἡ Κενταύρων καὶ ἡ Λαπιθῶν μάχη: Θησεὺς μὲν οὖν ἀπεκτονώς ἐστιν ἤδη Κένταυρον, τοῖς δὲ ἄλλοις ἐξ ἴσου καθέστηκεν ἔτι ἡ μάχη.

  [17.2] In the gymnasium not far from the market-place, called Ptolemy’s from the founder, are stone Hermae well worth seeing and a likeness in bronze of Ptolemy. Here also is Juba the Libyan and Chrysippus of Soli. Hard by the gymnasium is a sanctuary of Theseus, where are pictures of Athenians fighting Amazons. This war they have also represented on the shield of their Athena and upon the pedestal of the Olympian Zeus. In the sanctuary of Theseus is also a painting of the battle between the Centaurs and the Lapithae. Theseus has already killed a Centaur, but elsewhere the fighting is still undecided.

  [3] τοῦ δὲ τρίτου τῶν τοίχων ἡ γραφὴ μὴ πυθομένοις ἃ λέγουσιν οὐ σαφής ἐστι, τὰ μέν που διὰ τὸν χρόνον, τὰ δὲ Μίκων οὐ τὸν πάντα ἔγραψε λόγον. Μίνως ἡνίκα Θησέα καὶ τὸν ἄλλον στόλον τῶν παίδων ἦγεν ἐς Κρήτην, ἐρασθεὶς Περιβοίας, ὥς οἱ Θησεὺς μάλιστα ἠναντιοῦτο, καὶ ἄλλα ὑπὸ ὀργῆς ἀπέρριψεν ἐς αὐτὸν καὶ παῖδα οὐκ ἔφη Ποσειδῶνος εἶναι, ἐπεὶ οὐ δύνασθαι τὴν σφραγῖδα, ἣν αὐτὸς φέρων ἔτυχεν, ἀφέντι ἐς θάλασσαν ἀνασῶσαί οἱ. Μίνως μὲν λέγεται ταῦτα εἰπὼν ἀφεῖναι τὴν σφραγῖδα: Θησέα δὲ σφραγῖδά τε ἐκείνην ἔχοντα καὶ στέφανον χρυσοῦν, Ἀμφιτρίτης δῶρον, ἀνελθεῖν λέγουσιν ἐκ τῆς θαλάσσης.

  [17.3] The painting on the third wall is not intelligible to those unfamiliar with the traditions, partly through age and partly because Micon has not represented in the picture the whole of the legend. When Minos was taking Theseus and the rest of the company of young folk to Crete he fell in love with Periboea, and on meeting with determined opposition from Theseus, hurled insults at him and denied that he was a son of Poseidon, since he could not recover for him the signet-ring, which he happened to be wearing, if he threw it into the sea. With these words Minos is said to have thrown the ring, but they say that Theseus came up from the sea with that ring and also with a gold crown that Amphitrite gave him.

  [4] ἐς δὲ τὴν τελευτὴν τὴν Θησέως πολλὰ ἤδη καὶ οὐχ ὁμολογοῦντα εἴρηται: δεδέσθαι τε γὰρ αὐτὸν λέγουσιν ἐς τόδε ἕως ὑφ᾽ Ἡρακλέους ἀναχθείη, πιθανώτατα δὲ ὧν ἤκουσα: Θησεὺς ἐς Θεσπρωτοὺς ἐμβαλών, τοῦ βασιλέως τῶν Θεσπρωτῶν γυναῖκα ἁρπάσων, τὸ πολὺ τῆς στρατιᾶς οὕτως ἀπόλλυσι, καὶ αὐτός τε καὶ Πειρίθους — Πειρίθους γὰρ καὶ τὸν γάμον σπεύδων ἐστράτευεν — ἥλωσαν, καὶ σφᾶς ὁ Θεσπρωτὸς δήσας εἶχεν ἐν Κιχύρῳ.

  [17.4] The accounts of the end of Theseus are many and inconsistent. They say he was kept a prisoner until Heracles restored him to the light of day, but the most plausible account I have heard is this. Theseus invaded Thesprotia to carry off the wife of the Thesprotian king, and in this way lost the greater part of his army, and both he and Peirithous (he too was taking part in the expedition, being eager for the marriage) were taken captive. The Thesprotian king kept them prisoners at Cichyrus.

  [5] γῆς δὲ τῆς Θεσπρωτίδος ἔστι μέν που καὶ ἄλλα θέας ἄξια, ἱερόν τε Διὸς ἐν Δωδώνῃ καὶ ἱερὰ τοῦ θεοῦ φηγός: πρὸς δὲ τῇ Κιχύρῳ λίμνη τέ ἐστιν Ἀχερουσία καλουμένη καὶ ποταμὸς Ἀχέρων, ῥεῖ δὲ καὶ Κωκυτὸς ὕδωρ ἀτερπέστατον. Ὅμηρός τέ μοι δοκεῖ ταῦτα ἑωρακὼς ἔς τε τὴν ἄλλην ποίησιν ἀποτολμῆσαι τῶν ἐν Ἅιδου καὶ δὴ καὶ τὰ ὀνόματα τοῖς ποταμοῖς ἀπὸ τῶν ἐν Θεσπρωτίδι θέσθαι. τότε δὲ ἐχομένου Θησέως στρατεύουσιν ἐς Ἄφιδναν οἱ Τυνδάρεω παῖδες καὶ τήν τε Ἄφιδναν αἱροῦσι καὶ Μενεσθέα ἐπὶ βασιλείᾳ κατήγαγον:

  [17.5] Among the sights of Thesprotia are a sanctuary of Zeus at Dodona and an oak sacred to the god. Near Cichyrus is a lake called Acherusia, and a river called Acheron. There is also Cocytus, a most unlovely stream. I believe it was because Homer had seen these places that he made bold to describe in his poems the regions of Hades, and gave to the rivers there the names of those in Thesprotia. While Theseus was thus kept in bonds, the sons of Tyndareus marched against Aphidna, captured it and restored Menestheus to the kingdom.

  [6] Μενεσθεὺς δὲ τῶν μὲν παίδων τῶν Θησέως παρ᾽

  Ἐλεφήνορα ὑπεξελθόντων ἐς Εὔβοιαν εἶχεν οὐδένα λόγον, Θησέα δέ, εἴ ποτε παρὰ Θεσπρωτῶν ἀνακομισθήσεται, δυσανταγώνιστον ἡγούμενος διὰ θεραπείας τὰ τοῦ δήμου καθίστατο, ὡς Θησέα ἀνασωθέντα ὕστερον ἀπωσθῆναι. στέλλεται δὴ Θησεὺς παρὰ Δευκαλίωνα ἐς Κρήτην, ἐξενεχθέντα δὲ αὐτὸν ὑπὸ πνευμάτων ἐς Σκῦρον τὴν νῆσον λαμπρῶς περιεῖπον οἱ Σκύριοι κατὰ γένους δόξαν καὶ ἀξίωμα ὧν ἦν αὐτὸς εἰργασμένος: καί οἱ θάνατον Λυκομήδης διὰ ταῦτα ἐβούλευσεν.

  ὁ μὲν δὴ Θησέως σηκὸς Ἀθηναίοις ἐγένετο ὕστερον ἢ Μῆδοι Μαραθῶνι ἔσχον, Κίμωνος τοῦ Μιλτιάδου Σκυρίους ποιήσαντος ἀναστάτους — δίκην δὴ τοῦ Θησέως θανάτου — καὶ τὰ ὀστᾶ κομίσαντος ἐς Ἀθήνας:

  [17.6] Now Menestheus took no account of the children of Theseus, who had secretly withdrawn to Elephenor in Euboea, but he was aware that Theseus, if ever he returned from Thesprotia, would be a doughty antagonist, and so curried favour with his subjects that Theseus on re covering afterwards his liberty was expelled. So Theseus set out to Deucalion in Crete. Being carried out of his course by winds to the island of Scyros he was treated with marked honor by the inhabitants, both for the fame of his family and for the reputation of his own achievements. Accordingly Lycomedes contrived his death. His close was built at Athens after the Persians landed at Marathon, when Cimon, son of Miltiades, ravaged Scyros, thus avenging Theseus’ death, and carried his bones to Athens.

  18. τὸ δὲ ἱερὸν τῶν Διοσκούρων ἐστὶν ἀρχαῖον, αὐτοί τε ἑστῶτες καὶ οἱ παῖδες καθήμενοί σφισιν ἐφ᾽ ἵππων. ἐνταῦθα Πολύγνωτος μὲν ἔχοντα ἐς αὐτοὺς ἔγραψε γάμον τῶν θυγατέρων τῶν Λευκίππου, Μίκων δὲ τοὺς μετὰ Ἰάσονος ἐς Κόλχους πλεύσαντας: καί οἱ τῆς γραφῆς ἡ σπουδὴ μάλιστα ἐς Ἄκαστον καὶ �
�οὺς ἵππους ἔχει τοὺς Ἀκάστου.

  [18.1] XVIII. The sanctuary of the Dioscuri is ancient. They them selves are represented as standing, while their sons are seated on horses. Here Polygnotus has painted the marriage of the daughters of Leucippus, was a part of the gods’ history, but Micon those who sailed with Jason to the Colchians, and he has concentrated his attention upon Acastus and his horses.

  [2] ὑπὲρ δὲ τῶν Διοσκούρων τὸ ἱερὸν Ἀγλαύρου τέμενός ἐστιν. Ἀγλαύρῳ δὲ καὶ ταῖς ἀδελφαῖς Ἕρσῃ καὶ Πανδρόσῳ δοῦναί φασιν Ἀθηνᾶν Ἐριχθόνιον καταθεῖσαν ἐς κιβωτόν, ἀπειποῦσαν ἐς τὴν παρακαταθήκην μὴ πολυπραγμονεῖν: Πάνδροσον μὲν δὴ λέγουσι πείθεσθαι, τὰς δὲ δύο — ἀνοῖξαι γὰρ σφᾶς τὴν κιβωτόν — μαίνεσθαί τε, ὡς εἶδον τὸν Ἐριχθόνιον, καὶ κατὰ τῆς ἀκροπόλεως, ἔνθα ἦν μάλιστα ἀπότομον, αὑτὰς ῥῖψαι. κατὰ τοῦτο ἐπαναβάντες Μῆδοι κατεφόνευσαν Ἀθηναίων τοὺς πλέον τι ἐς τὸν χρησμὸν ἢ Θεμιστοκλῆς εἰδέναι νομίζοντας καὶ τὴν ἀκρόπολιν ξύλοις καὶ σταυροῖς ἀποτειχίσαντας.

  [18.2] Above the sanctuary of the Dioscuri is a sacred enclosure of Aglaurus. It was to Aglaurus and her sisters, Herse and Pandrosus, that they say Athena gave Erichthonius, whom she had hidden in a chest, forbidding them to pry curiously into what was entrusted to their charge. Pandrosus, they say, obeyed, but the other two (for they opened the chest) went mad when they saw Erichthonius, and threw themselves down the steepest part of the Acropolis. Here it was that the Persians climbed and killed the Athenians who thought that they understood the oracle better than did Themistocles, and fortified the Acropolis with logs and stakes.