Delphi Complete Works of Pausanias

by Pausanias

  [3] πλησίον δὲ πρυτανεῖόν ἐστιν, ἐν ᾧ νόμοι τε οἱ Σόλωνός εἰσι γεγραμμένοι καὶ θεῶν Εἰρήνης ἀγάλματα κεῖται καὶ Ἑστίας, ἀνδριάντες δὲ ἄλλοι τε καὶ Αὐτόλυκος ὁ παγκρατιαστής: τὰς γὰρ Μιλτιάδου καὶ Θεμιστοκλέους εἰκόνας ἐς Ῥωμαῖόν τε ἄνδρα καὶ Θρᾷκα μετέγραψαν.

  [18.3] Hard by is the Prytaneum (Town-hall), in which the laws of Solon are inscribed, and figures are placed of the goddesses Peace and Hestia (Hearth), while among the statues is Autolycus the pancratiast. For the likenesses of Miltiades and Themistocles have had their titles changed to a Roman and a Thracian.

  [4] ἐντεῦθεν ἰοῦσιν ἐς τὰ κάτω τῆς πόλεως Σαράπιδός ἐστιν ἱερόν, ὃν Ἀθηναῖοι παρὰ Πτολεμαίου θεὸν ἐσηγάγοντο. Αἰγυπτίοις δὲ ἱερὰ Σαράπιδος ἐπιφανέστατον μέν ἐστιν Ἀλεξανδρεῦσιν, ἀρχαιότατον δὲ ἐν Μέμφει: ἐς τοῦτο ἐσελθεῖν οὔτε ξένοις ἔστιν οὔτε τοῖς ἱερεῦσι, πρὶν ἂν τὸν Ἆπιν θάπτωσι. τοῦ δὲ ἱεροῦ τοῦ Σαράπιδος οὐ πόρρω χωρίον ἐστίν, ἔνθα Πειρίθουν καὶ Θησέα συνθεμένους ἐς Λακεδαίμονα καὶ ὕστερον ἐς Θεσπρωτοὺς σταλῆναι λέγουσι.

  [18.4] As you descend from here to the lower part of the city, is a sanctuary of Serapis, whose worship the Athenians introduced from Ptolemy. Of the Egyptian sanctuaries of Serapis the most famous is at Alexandria, the oldest at Memphis. Into this neither stranger nor priest may enter, until they bury Apis. Not far from the sanctuary of Serapis is the place where they say that Peirithous and Theseus made their pact before setting forth to Lacedaemon and afterwards to Thesprotia.

  [5] πλησίον δὲ ᾠκοδόμητο ναὸς Εἰλειθυίας, ἣν ἐλθοῦσαν ἐξ Ὑπερβορέων ἐς Δῆλον γενέσθαι βοηθὸν ταῖς Λητοῦς ὠδῖσι, τοὺς δὲ ἄλλους παρ᾽ αὐτῶν φασι τῆς Εἰλειθυίας μαθεῖν τὸ ὄνομα: καὶ θύουσί τε Εἰλειθυίᾳ Δήλιοι καὶ ὕμνον ᾁδουσιν Ὠλῆνος. Κρῆτες δὲ χώρας τῆς Κνωσσίας ἐν Ἀμνισῷ γενέσθαι νομίζουσιν Εἰλείθυιαν καὶ παῖδα Ἥρας εἶναι: μόνοις δὲ Ἀθηναίοις τῆς Εἰλειθυίας κεκάλυπται τὰ ξόανα ἐς ἄκρους τοὺς πόδας. τὰ μὲν δὴ δύο εἶναι Κρητικὰ καὶ Φαίδρας ἀναθήματα ἔλεγον αἱ γυναῖκες, τὸ δὲ ἀρχαιότατον Ἐρυσίχθονα ἐκ Δήλου κομίσαι.

  [18.5] Hard by is built a temple of Eileithyia, who they say came from the Hyperboreans to Delos and helped Leto in her labour; and from Delos the name spread to other peoples. The Delians sacrifice to Eileithyia and sing a hymn of Olen. But the Cretans suppose that Eileithyia was born at Auunisus in the Cnossian territory, and that Hera was her mother. Only among the Athenians are the wooden figures of Eileithyia draped to the feet. The women told me that two are Cretan, being offerings of Phaedra, and that the third, which is the oldest, Erysichthon brought from Delos.

  [6] πρὶν δὲ ἐς τὸ ἱερὸν ἰέναι τοῦ Διὸς τοῦ Ὀλυμπίου — Ἀδριανὸς ὁ Ῥωμαίων βασιλεὺς τόν τε ναὸν ἀνέθηκε καὶ τὸ ἄγαλμα θέας ἄξιον, οὗ μεγέθει μέν, ὅτι μὴ Ῥοδίοις καὶ Ῥωμαίοις εἰσὶν οἱ κολοσσοί, τὰ λοιπὰ ἀγάλματα ὁμοίως ἀπολείπεται, πεποίηται δὲ ἔκ τε ἐλέφαντος καὶ χρυσοῦ καὶ ἔχει τέχνης εὖ πρὸς τὸ μέγεθος ὁρῶσιν — , ἐνταῦθα εἰκόνες Ἀδριανοῦ δύο μέν εἰσι Θασίου λίθου, δύο δὲ Αἰγυπτίου: χαλκαῖ δὲ ἑστᾶσι πρὸ τῶν κιόνων ἃς Ἀθηναῖοι καλοῦσιν ἀποίκους πόλεις. ὁ μὲν δὴ πᾶς περίβολος σταδίων μάλιστα τεσσάρων ἐστίν, ἀνδριάντων δὲ πλήρης: ἀπὸ γὰρ πόλεως ἑκάστης εἰκὼν Ἀδριανοῦ βασιλέως ἀνάκειται, καὶ σφᾶς ὑπερεβάλοντο Ἀθηναῖοι τὸν κολοσσὸν ἀναθέντες ὄπισθε τοῦ ναοῦ θέας ἄξιον.

  [18.6] Before the entrance to the sanctuary of Olympian Zeus – Hadrian the Roman emperor dedicated the temple and the statue, one worth seeing, which in size exceeds all other statues save the colossi at Rhodes and Rome, and is made of ivory and gold with an artistic skill which is remarkable when the size is taken into account – before the entrance, I say, stand statues of Hadrian, two of Thasian stone, two of Egyptian. Before the pillars stand bronze statues which the Athenians call “colonies.” The whole circumference of the precincts is about four stades, and they are full of statues; for every city has dedicated a likeness of the emperor Hadrian, and the Athenians have surpassed them in dedicating, behind the temple, the remarkable colossus.

  [7] ἔστι δὲ ἀρχαῖα ἐν τῷ περιβόλῳ Ζεὺς χαλκοῦς καὶ ναὸς Κρόνου καὶ Ῥέας καὶ τέμενος Γῆς τὴν ἐπίκλησιν Ὀλυμπίας. ἐνταῦθα ὅσον ἐς πῆχυν τὸ ἔδαφος διέστηκε, καὶ λέγουσι μετὰ τὴν ἐπομβρίαν τὴν ἐπὶ Δευκαλίωνος συμβᾶσαν ὑπορρυῆναι ταύτῃ τὸ ὕδωρ, ἐσβάλλουσί τε ἐς αὐτὸ ἀνὰ πᾶν ἔτος ἄλφιτα πυρῶν μέλιτι μίξαντες.

  [18.7] Within the precincts are antiquities: a bronze Zeus, a temple of Cronus and Rhea and an enclosure of Earth surnamed Olympian. Here the floor opens to the width of a cubit, and they say that along this bed flowed off the water after the deluge that occurred in the time of Deucalion, and into it they cast every year wheat meal mixed with honey.

  [8] κεῖται δὲ ἐπὶ κίονος Ἰσοκράτους ἀνδριάς, ὃς ἐς μνήμην τρία ὑπελίπετο, ἐπιπονώτατον μὲν ὅτι οἱ βιώσαντι ἔτη δυοῖν δέοντα ἑκατὸν οὔποτε κατελύθη μαθητὰς ἔχειν, σωφρονέστατον δὲ ὅτι πολιτείας ἀπεχόμενος διέμεινε καὶ τὰ κοινὰ οὐ πολυπραγμονῶν, ἐλευθερώτατον δὲ ὅτι πρὸς τὴν ἀγγελίαν τῆς ἐν Χαιρωνείᾳ μάχης ἀλγήσας ἐτελεύτησεν ἐθελοντής. κεῖνται δὲ καὶ λίθου Φρυγίου Πέρσαι χαλκοῦν τρίποδα ἀνέχοντες, θέας ἄξιοι καὶ αὐτοὶ καὶ ὁ τρίπους. τοῦ δὲ Ὀλυμπίου Διὸς Δευκαλίωνα οἰκοδομῆσαι λέγουσι τὸ ἀρχαῖον ἱερόν, σημεῖον ἀποφαίνοντες ὡς Δευκαλίων Ἀθήνῃσιν ᾤκησε τάφον τοῦ ναοῦ τοῦ νῦν οὐ πολὺ ἀφεστηκότα.

  [18.8] On a pillar is a statue of Isocrates, whose memory is remarkable for three things: his diligence in continuing to teach to the end of his ninety-eight years, his self-restraint in keeping aloof from politics and from interfering with public affairs, and his love of liberty in dying a voluntary death, distressed at the news of the battle at Chaeronea. There are also statues in Phrygian marble of Persians supporting a bronze tripod; both the figures and the tripod are worth seeing. The ancient sanctuary of Olympian Zeus the Athenians say was built by Deucalion, and they cite as evidence that Deucalion lived at Athens a grave which is not far from the present temple.

  [9] Ἀδριανὸς δὲ κατεσκευάσατο μὲν καὶ ἄλλα Ἀθηναίοις, ναὸν Ἥρας καὶ Διὸς
Πανελληνίου καὶ θεοῖς τοῖς πᾶσιν ἱερὸν κοινόν, τὰ δὲ ἐπιφανέστατα ἑκατόν εἰσι κίονες Φρυγίου λίθου: πεποίηνται δὲ καὶ ταῖς στοαῖς κατὰ τὰ αὐτὰ οἱ τοῖχοι. καὶ οἰκήματα ἐνταῦθά ἐστιν ὀρόφῳ τε ἐπιχρύσῳ καὶ ἀλαβάστρῳ λίθῳ, πρὸς δὲ ἀγάλμασι κεκοσμημένα καὶ γραφαῖς: κατάκειται δὲ ἐς αὐτὰ βιβλία. καὶ γυμνάσιόν ἐστιν ἐπώνυμον Ἀδριανοῦ: κίονες δὲ καὶ ἐνταῦθα ἑκατὸν λιθοτομίας τῆς Λιβύων.

  [18.9] Hadrian constructed other buildings also for the Athenians: a temple of Hera and Zeus Panellenios (Common to all Greeks), a sanctuary common to all the gods, and, most famous of all, a hundred pillars of Phrygian marble. The walls too are constructed of the same material as the cloisters. And there are rooms there adorned with a gilded roof and with alabaster stone, as well as with statues and paintings. In them are kept books. There is also a gymnasium named after Hadrian; of this too the pillars are a hundred in number from the Libyan quarries.

  19. μετὰ δὲ τὸν ναὸν τοῦ Διὸς τοῦ Ὀλυμπίου πλησίον ἄγαλμά ἐστιν Ἀπόλλωνος Πυθίου: ἔστι δὲ καὶ ἄλλο ἱερὸν Ἀπόλλωνος ἐπίκλησιν Δελφινίου. λέγουσι δὲ ὡς ἐξειργασμένου τοῦ ναοῦ πλὴν τῆς ὀροφῆς ἀγνὼς ἔτι τοῖς πᾶσιν ἀφίκοιτο Θησεὺς ἐς τὴν πόλιν: οἷα δὲ χιτῶνα ἔχοντος αὐτοῦ ποδήρη καὶ πεπλεγμένης ἐς εὐπρεπές οἱ τῆς κόμης, ὡς ἐγίνετο κατὰ τὸν τοῦ Δελφινίου ναόν, οἱ τὴν στέγην οἰκοδομοῦντες ἤροντο σὺν χλευασίᾳ, ὅ τι δὴ παρθένος ἐν ὥρᾳ γάμου πλανᾶται μόνη: Θησεὺς δὲ ἄλλο μὲν αὐτοῖς ἐδήλωσεν οὐδέν, ἀπολύσας δὲ ὡς λέγεται τῆς ἁμάξης τοὺς βοῦς, ἥ σφισι παρῆν, τὸν ὄροφον ἀνέρριψεν ἐς ὑψηλότερον ἢ τῷ ναῷ τὴν στέγην ἐποιοῦντο.

  [19.1] XIX. Close to the temple of Olympian Zeus is a statue of the Pythian Apollo. There is further a sanctuary of Apollo surnamed Delphinius. The story has it that when the temple was finished with the exception of the roof Theseus arrived in the city, a stranger as yet to everybody. When he came to the temple of the Delphinian, wearing a tunic that reached to his feet and with his hair neatly plaited, those who were building the roof mockingly inquired what a marriageable virgin was doing wandering about by herself. The only answer that Theseus made was to loose, it is said, the oxen from the cart hard by, and to throw them higher than the roof of the temple they were building.

  [2] — ἐς δὲ τὸ χωρίον, ὃ Κήπους ὀνομάζουσι, καὶ τῆς Ἀφροδίτης τὸν ναὸν οὐδεὶς λεγόμενός σφισίν ἐστι λόγος: οὐ μὴν οὐδὲ ἐς τὴν Ἀφροδίτην, ἣ τοῦ ναοῦ πλησίον ἕστηκε. ταύτης γὰρ σχῆμα μὲν τετράγωνον κατὰ ταὐτὰ καὶ τοῖς Ἑρμαῖς, τὸ δὲ ἐπίγραμμα σημαίνει τὴν Οὐρανίαν Ἀφροδίτην τῶν καλουμένων Μοιρῶν εἶναι πρεσβυτάτην. τὸ δὲ ἄγαλμα τῆς Ἀφροδίτης τῆς ἐν τοῖς Κήποις ἔργον ἐστὶν Ἀλκαμένους καὶ τῶν Ἀθήνῃσιν ἐν ὀλίγοις θέας ἄξιον.

  [19.2] Concerning the district called The Gardens, and the temple of Aphrodite, there is no story that is told by them, nor yet about the Aphrodite which stands near the temple. Now the shape of it is square, like that of the Hermae, and the inscription declares that the Heavenly Aphrodite is the oldest of those called Fates. But the statue of Aphrodite in the Gardens is the work of Alcamenes, and one of the most note worthy things in Athens.

  [3] ἔστι δὲ Ἡρακλέους ἱερὸν καλούμενον Κυνόσαργες: καὶ τὰ μὲν ἐς τὴν κύνα εἰδέναι τὴν λευκὴν ἐπιλεξαμένοις ἔστι τὸν χρησμόν, βωμοὶ δέ εἰσιν Ἡρακλέους τε καὶ Ἥβης, ἣν Διὸς παῖδα οὖσαν συνοικεῖν Ἡρακλεῖ νομίζουσιν: Ἀλκμήνης τε βωμὸς καὶ Ἰολάου πεποίηται, ὃς τὰ πολλὰ Ἡρακλεῖ συνεπόνησε τῶν ἔργων. Λύκειον δὲ ἀπὸ μὲν Λύκου τοῦ Πανδίονος ἔχει τὸ ὄνομα, Ἀπόλλωνος δὲ ἱερὸν ἐξ ἀρχῆς τε εὐθὺς καὶ καθ᾽ ἡμᾶς ἐνομίζετο, Λύκειός τε ὁ θεὸς ἐνταῦθα ὠνομάσθη πρῶτον: λέγεται δὲ ὅτι καὶ Τερμίλαις, ἐς οὓς ἦλθεν ὁ Λύκος φεύγων Αἰγέα, καὶ τούτοις αἴτιός ἐστι Λυκίους ἀπ᾽ αὐτοῦ καλεῖσθαι.

  [19.3] There is also the place called Cynosarges, sacred to Heracles; the story of the white dog may be known by reading the oracle. There are altars of Heracles and Hebe, who they think is the daughter of Zeus and wife to Heracles. An altar has been built to Alcmena and to Iolaus, who shared with Heracles most of his labours. The Lyceum has its name from Lycus, the son of Pandion, but it was considered sacred to Apollo from the be ginning down to my time, and here was the god first named Lyceus. There is a legend that the Termilae also, to whom Lycus came when he fled from Aegeus, were called Lycii after him.

  [4] ἔστι δὲ ὄπισθεν τοῦ Λυκείου Νίσου μνῆμα, ὃν ἀποθανόντα ὑπὸ Μίνω βασιλεύοντα Μεγάρων κομίσαντες Ἀθηναῖοι ταύτῃ θάπτουσιν. ἐς τοῦτον τὸν Νῖσον ἔχει λόγος τρίχας ἐν τῇ κεφαλῇ οἱ πορφυρᾶς εἶναι, χρῆναι δὲ αὐτὸν τελευτᾶν ἐπὶ ταύταις ἀποκαρείσαις: ὡς δὲ οἱ Κρῆτες ἦλθον ἐς τὴν γῆν, τὰς μὲν ἄλλας ἐξ ἐπιδρομῆς ᾕρουν τὰς ἐν τῇ Μεγαρίδι πόλεις, ἐς δὲ τὴν Νίσαιαν καταφεύγοντα τὸν Νῖσον ἐπολιόρκουν: ἐνταῦθα τοῦ Νίσου λέγεται θυγατέρα ἐρασθῆναι Μίνω καὶ ὡς ἀπέκειρε τὰς τρίχας τοῦ πατρός.

  [19.4] Behind the Lyceum is a monument of Nisus, who was killed while king of Megara by Minos, and the Athenians carried him here and buried him. About this Nisus there is a legend. His hair, they say, was red, and it was fated that he should die on its being cut off. When the Cretans attacked the country, they captured the other cities of the Megarid by assault, but Nisaea, in which Nisus had taken refuge, they beleaguered. The story says how the daughter of Nisus, falling in love here with Minos, cut off her father’s hair.

  [5] ταῦτα μὲν οὕτω γενέσθαι λέγουσι: ποταμοὶ δὲ

  Ἀθηναίοις ῥέουσιν Ἰλισός τε καὶ Ἠριδανῷ τῷ Κελτικῷ κατὰ τὰ αὐτὰ ὄνομα ἔχων, ἐκδιδοὺς ἐς τὸν Ἰλισόν. ὁ δὲ Ἰλισός ἐστιν οὗτος, ἔνθα παίζουσαν Ὠρείθυιαν ὑπὸ ἀνέμου Βορέου φασὶν ἁρπασθῆναι: καὶ συνοικεῖν Ὠρειθυίᾳ Βορέαν καί σφισι διὰ τὸ κῆδος ἀμύναντα τῶν τριήρων τῶν βαρβαρικῶν ἀπολέσαι τὰς πολλάς. ἐθέλουσι δὲ Ἀθηναῖοι καὶ ἄλλων θεῶν ἱερὸν εἶναι τὸν Ἰλισόν, καὶ Μουσῶν βωμὸς ἐπ᾽ αὐτῷ ἐστιν Ἰλισιάδων: δείκνυται δὲ καὶ ἔνθα Πελοποννήσιοι Κόδρον τὸν Μελάνθου βασιλεύοντα Ἀθηναίων κτείνουσι.

  [19.5] Such is the legend
. The rivers that flow through Athenian territory are the Ilisus and its tributary the Eridanus, whose name is the same as that of the Celtic river. This Ilisus is the river by which Oreithyia was playing when, according to the story, she was carried off by the North Wind. With Oreithyia he lived in wedlock, and be cause of the tie between him and the Athenians he helped them by destroying most of the foreigners’ warships. The Athenians hold that the Ilisus is sacred to other deities as well, and on its bank is an altar of the Ilisian Muses. The place too is pointed out where the Peloponnesians killed Codrus, son of Melanthus and king of Athens.

  [6] διαβᾶσι δὲ τὸν Ἰλισὸν χωρίον Ἄγραι καλούμενον καὶ ναὸς Ἀγροτέρας ἐστὶν Ἀρτέμιδος: ἐνταῦθα Ἄρτεμιν πρῶτον θηρεῦσαι λέγουσιν ἐλθοῦσαν ἐκ Δήλου, καὶ τὸ ἄγαλμα διὰ τοῦτο ἔχει τόξον. τὸ δὲ ἀκούσασι μὲν οὐχ ὁμοίως ἐπαγωγόν, θαῦμα δ᾽ ἰδοῦσι, στάδιόν ἐστι λευκοῦ λίθου. μέγεθος δὲ αὐτοῦ τῇδε ἄν τις μάλιστα τεκμαίροιτο: ἄνωθεν ὄρος ὑπὲρ τὸν Ἰλισὸν ἀρχόμενον ἐκ μηνοειδοῦς καθήκει τοῦ ποταμοῦ πρὸς τὴν ὄχθην εὐθύ τε καὶ διπλοῦν. τοῦτο ἀνὴρ Ἀθηναῖος Ἡρώδης ᾠκοδόμησε, καί οἱ τὸ πολὺ τῆς λιθοτομίας τῆς Πεντελῆσιν ἐς τὴν οἰκοδομὴν ἀνηλώθη.