Anatomy Lessons From the Great Masters
Page 12
Plate 6: VERTEBRAL COLUMN
POSTERIOR ASPECT LATERAL ASPECT ANTERIOR ASPECT
Plate 7: THE PELVIS
ANTERIOR ASPECT
POSTERIOR ASPECT
LATERAL ASPECT
Plate 8: BONES OF THE UPPER LIMB
ANTERIOR ASPECT
Plate 9: BONES OF THE UPPER LIMB
POSTERIOR ASPECT
Plate 10: BONES OF THE LOWER LIMB
ANTERIOR ASPECT
Plate 11: BONES OF THE LOWER LIMB
POSTERIOR ASPECT
Plate 12: BONES OF THE LOWER LIMB
LATERAL ASPECT
Plate 13: BONES OF THE FOOT
MEDIAL ASPECT
INTERIOR ASPECT
SUPERIOR ASPECT
Plate 14: MUSCLES OF THE HEAD
Plate 15: MUSCLES OF THE HEAD
DEEP LAYER
SUPERFICIAL LAYER
Plate 16: MUSCLES OF THE NECK
Plate 17: MUSCLES OF THE TRUNK AND NECK, POSTERIOR REGION
SERRATUS POSTERIOR SUPERIOR AND INFERIOR
Plate 18: MUSCLES OF THE TRUNK AND NECK, POSTERIOR REGION
LATISSIMUS DORSI
Plate 19: MUSCLES OF THE TRUNK AND HEAD
ANTERIOR ASPECT
Plate 20: MUSCLES OF THE TRUNK AND HEAD
POSTERIOR ASPECT
Plate 21: MUSCLES OF THE TRUNK AND HEAD
LATERAL ASPECT
Plate 22: MUSCLES OF THE UPPER LIMB
ANTERIOR ASPECT
Plate 23: MUSCLES OF THE UPPER LIMB
POSTERIOR ASPECT
Plate 24: MUSCLES OF THE UPPER LIMB
LATERAL ASPECT
Plate 25: MUSCLES OF THE UPPER LIMB
MEDIAL ASPECT
Plate 26: MUSCLES OF THE LOWER LIMB
ANTERIOR ASPECT
Plate 27: MUSCLES OF THE LOWER LIMB
POSTERIOR ASPECT
Plate 28: MUSCLES OF THE LOWER LIMB
EXTERNAL ASPECT
Plate 29: MUSCLES OF THE LOWER LIMB
INTERNAL ASPECT
Plate 30: MUSCLES OF THE FOOT
DORSAL REGION
PLANTAR REGION, DEEP LAYER
PLANTAR REGION MIDDLE LAYER
PLANTAR REGION, SUPERFICIAL LAYER
SUGGESTED READING
Richer, Dr. Paul, Artistic Anatomy. Translated and edited by Robert Beverly Hale. New York: Watson-Guptill, 1971.
Hale, Robert Beverly/Coyle, Terence, Master Class in Figure Drawing. New York: Watson-Guptill, 1991.
——, Albinus on Anatomy. New York: Watson-Guptill, 1979.
Hatton, Richard G., Figure Drawing. New York: Dover, 1951. (paperback)
Thompson, Arthur, A Handbook of Anatomy for Art Students. 4th ed. New York: Dover, 1964. (paperback)
Bridgman, George B., Constructive Anatomy. New York: Dover, 1973. (paperback)
Peck, Stephen R., Atlas of Human Anatomy for the Artist. New York: Oxford University Press, 1951.
Schider, Fritz, An Atlas of Anatomy for Artists. 3rd ed. Translated by Bernard Wolf. New York: Dover, 1929.
Rimmer, William, Art Anatomy. New York: Dover, 1962. (paperback)
Barásay, Jeno, Anatomy for the Artist. Budapest: University Press, 1968.
Further Reading
Gray, Henry, F.R.S., Gray’s Anatomy: The Illustrated Running Press Edition of the American Classic 1901 Edition. Philadelphia: Running Press, 1973. (paperback)
Basmajian, John V., M.D., Grant’s Method of Anatomy. 9th ed. Baltimore: Williams & Wilkens, 1975.
——, Primary Anatomy. 7th ed. Baltimore: Williams & Wilkens, 1976.
——, Muscles Alive: Their Functions Revealed by Electromyography. 3rd ed. Baltimore: Williams & Wilkens, 1974.
Hollinshead, W. Henry, Functional Anatomy of the Limbs and Back. 4th ed. Philadelphia: Saunders, 1976.
Wells, Luttgens, Kinesiology: A Scientific Study of Human Motion. Philadelphia: Saunders, 1976.
Groves, Richard/Camaione, David N., Concepts in Kinesiology. Philadelphia: Saunders, 1974. (paperback)
Hale, Robert Beverly, Drawing Lessons from the Great Masters. New York: Watson-Guptill, 1964.
Blake, Vernon, The Art and Craft of Drawing. New York: Dover, 1951. [Reproduction of 1927 ed. New York: Hacker, 1971.
Lanteri, Edouard, Modeling and Sculpture: A Guide for Artists and Students. Vol. 1. New York, Dover, 1965. (paperback)
Thompson, D’Arcy W., On Growth and Form. New York: Cambridge University Press, 1966.
Darwin, Charles, The Expression of the Emotions in Man and Animals. Chicago: University of Chicago Press, 1965. (paperback)
Bell, Sir Charles, The Anatomy and Philosophy of Expression. 6th ed. London: H. Bohn, 1872.
Audovisual Material by Robert Beverly Hale
Video Lectures on Artistic Anatomy and Figure Drawing. New York: Jo-An Pictures, P.O. Box 6020, New York, NY 10150.
Robert Beverly Hale became a legend as the world’s most famous teacher of artistic anatomy and drawing. For forty years he presented his great lecture series to capacity audiences at the Art Students League of New York. His famous lectures on drawing, illustrated with life-size drawings created by him on the spot, have had an international audience. Hale was also Curator of American Paintings and Sculpture at the Metropolitan Museum of Art and founder of the Twentieth Century Gallery. In addition, he was Adjunct Professor of Drawing at Columbia University, Professor of Art at Cooper Union, and lecturer on anatomy at the Pennsylvania Academy of Fine Arts. Hale is author of the award-winning Drawing Lessons from the Great Masters. His teaching methods and order of presentation of his famous lectures have been preserved in Anatomy Lessons from the Great Masters, co-authored with Terence Coyle, and in Master Class in Figure Drawing, compiled and edited by Coyle, both published by Watson-Guptill Publications.
Terence Coyle carries on the Hale lectures and teaches painting and drawing at the Art Student’s League of New York. For 19 years, Coyle also gave the Hale Lectures at the National Academy of Design, School of Fine Arts in New York. Coyle’s paintings have been highly acclaimed and are in important collections throughout the country. They are included in the Museum of the City of New York, the New York State Museum in Albany, the Museum of Performing Arts, the Billy Rose Theatre Collection; Fordham University, and in the collection of the former “First Lady of the American Theater,” the late Ms. Helen Hayes, among others. Coyle co-authored Albinus on Anatomy with Robert Beverly Hale, and compiled and edited Master Class ill Figure Drawing.
INDEX
Abduction, 4.1, 7.1, 7.2, 7.3
Abductor
Abductor digiti minimi, 4.1, 4.2, 4.3, 7.1
Abductor hallucinis, 4.1, 4.2, 4.3, 9.1
Abductor pollicis longus, 7.1, 7.2, 9.1, 9.2, 9.3
Academic Study of a Male Figure (Piazzetta)
Acetabulum
Achilles tendon, 3.1, 4.1
Acromioclavicular joint, 5.1, 5.2
articulation, 5.1, 5.2
Acromion process, 1.1, 1.2, 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7, 6.1, 8.1, 8.2, 9.1, 9.2, 9.3
Adam and Eve (Rembrandt)
Adam’s apple, 8.1, 8.2
Adduction, 4.1, 7.1, 7.2
Adductor digiti minimi
Adductor hallucis
Adductor longus
Adductor magnus, 9.1, 9.2
Adductor pollicis
Adductors, 2.1, 2.2, 2.3, 2.4, 2.5, 5.1, 9.1
After the Bath (Degas)
Alae, 8.1, 8.2
Alar cartilage
Alveolar border
Alveolar process
Anconeus, 6.1, 6.2, 6.3, 6.4
Aneas and Anchises (Raphael)
Ankle, 3.1, 3.2, 3.3, 4.1, 4.2
Annular ligament
Anterior annular ligament
Anterior furrow
Anterior superior iliac spine, 9.1, 9.2
Antihelix
Antitragus
Aponeurosis, 5.1, 5.2, 6.1, 9.1, 9.2, 9.3
Arcuate line
>
Arm of Eve, The (Dürer)
Armpit
Arm, 5.1, 5.2, 6.1
bones of
muscles of
Astragalus, 4.1, 4.2
Atlas, 8.1, 8.2
Auditory canal
Auditory hiatus, 9.1, 9.2
Auricularis
Auricular muscles
Auricle
Axilla, 5.1, 5.2, 6.1, 6.2
Axillary fold
Back muscles
Back View of Female Figure (Delacroix)
Baldung, Hans
Ball and socket joint
Barocci, Federico
Basilar part
Beccafumi, Domenico
Bellini, Giovanni
Bertora, Jacopo
Biceps, 2.1, 3.1, 3.2, 3.3, 3.4, 5.1, 5.2, 9.1, 9.2, 9.3, 9.4
Biceps brachii, 6.1, 6.2, 6.3, 6.4, 6.5, 6.6, 6.7, 6.8, 9.1, 9.2, 9.3, 9.4
Bony landmarks
Boucher, François, 6.1, 8.1
Brachialis, 6.1, 6.2, 6.3, 6.4, 7.1, 9.1, 9.2
Brachioradialis, 6.1, 9.1, 9.2, 9.3, 9.4
Breast bone
Breasts
Bronzino, Agnolo
Brow
Buccal muscles
Buccinator, 8.1, 9.1, 9.2
Buttocks, 2.1, 2.2, 2.3
Cain and Abel (Cambiaso)
Calcaneus, 3.1, 3.2, 4.1, 4.2, 4.3, 9.1
Calf, 3.1, 3.2, 3.3, 3.4, 3.5, 4.1, 4.2
Cambiaso, Luca
Canine teeth
Caninus, 8.1, 9.1, 9.2
Capitate, 9.1, 9.2
Capitulum
Carotid triangles
Carpal arch
Carracci, Annibale
Cellini, Benvenuto
Cervical column, 9.1, 9.2, 9.3
Cervical region
Cervical vertebra, 5.1, 8.1, 8.2, 8.3, 9.1
Chin, 8.1, 8.2
Circular orbicularis palpebrarum
Clavicle, 1.1, 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7, 5.8, 6.1, 8.1, 8.2, 8.3, 9.1, 9.2, 9.3
Coccyx, 2.1, 9.1, 9.2, 9.3, 9.4
Collar bone. See Clavicle
Compressor nasi
Concha
Condyles, 3.1, 3.2, 3.3, 3.4, 6.1, 6.2, 6.3, 6.4, 9.1, 9.2, 9.3, 9.4, 9.5, 9.6
Constructed Head of a Man in Profile (Dürer)
Copy after Bandinelli’s “Cleopatra” (Bronzino)
Coracobrachialis, 5.1, 6.1, 9.1
Coracoid
Coronal suture
Coronoid process, 9.1, 9.2
Corrugators, 8.1, 8.2, 8.3, 8.4, 9.1
Cricoid cartilage
Crow’s feet, 8.1, 8.2
Crura
Crureus
Cuboid, 4.1, 9.1
Cuneiforms, 4.1, 4.2, 9.1, 9.2
Cupid’s bow
Damned Soul, A Fury (Michelangelo)
DaVinci, Leonardo, 2.1, 2.2, 3.1, 8.1, 8.2
Degas, Edgar
Delacroix, Eugène
Del Piombo, Sebastiano
Delpectoral line
Del Sarto, Andrea, 6.1, 7.1
Deltoid, 1.1, 1.2, 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7, 5.8, 5.9, 5.10, 5.11, 6.1, 6.2, 6.3, 6.4, 6.5, 6.6, 7.1, 9.1, 9.2, 9.3, 9.4, 9.5
Deltoid furrow
Demipronation
Dental arch
Depressor angulis oris, 8.1, 8.2, 9.1, 9.2
Depressor labii inferioris, 8.1, 9.1, 9.2
Depressor septi
Di Credi, Lorenzo
Digastric muscle, 8.1, 9.1, 9.2
Digastric triangle, 8.1, 8.2
Digits
Dilator naris, 8.1, 9.1
Distal crease
Distal transverse arch
Domenichino, 4.1, 4.2
Dorsal interosseus, 7.1, 7.2, 7.3, 9.1, 9.2
Dorsal region
Dorsiflexion, 6.1, 7.1, 7.2
Dorsiflexors
Double Study of Kneeling Woman (Raphael)
Draped Youth (Ghirlandaio)
Drapery of Horace (Sanzio)
Drawing of a Satyr for the Portal of Fontainebleau (Cellini)
Dürer, Albrecht, 1.1, 4.1, 6.1, 6.2, 7.1, 7.2, 8.1, 8.2, 8.3
Ear
Emotions, expression of
attention
contempt
defiance
disgust
grief
high spirits
horror
laughter
rage
reflection
Ensiform cartilage
Epicondyles, 9.1, 9.2, 9.3, 9.4, 9.5
Epicranial aponeurosis
Epigastric depression
Erector spinae
Extension, 4.1, 6.1, 7.1
Extensor carpi radialis brevis, 6.1, 9.1, 9.2
Extensor carpi radialis longus, 6.1, 9.1, 9.2
Extensor carpi ulnaris, 6.1, 9.1, 9.2, 9.3
Extensor digiti minimi
Extensor digitorum brevis, 4.1, 4.2, 4.3, 9.1, 9.2, 9.3, 9.4
Extensor digitorum longus, 3.1, 3.2, 3.3, 4.1, 4.2, 4.3, 6.1, 6.2, 6.3, 6.4, 9.1, 9.2, 9.3
Extensor hallucis longus, 4.1, 9.1, 9.2, 9.3
Extensor indicis
Extensor muscles, 6.1, 7.1, 7.2, 7.3, 8.1. See also specific extensors; Quadriceps
Extensor pollicis brevis, 7.1, 9.1, 9.2
Extensor pollicis longus, 7.1, 9.1, 9.2
Extensor retinaculum
Extensor tendons, 7.1, 9.1, 9.2, 9.3
External angular process
External oblique, 1.1, 1.2, 2.1. See also Oblique Externus
External orbital apophysis
Eye
Eyeball, 8.1
Eyebrows, 8.1, 8.2
Eyelids
Faccini, Pietro
Facial muscles, 8.1, 8.2
Fasciae latae, 2.1, 2.2, 9.1, 9.2, 9.3
Female Nude Sitting on a Stool (Rembrandt)
Femur 36, 2.1, 2.2, 2.3, 2.4, 2.5, 2.6, 3.1, 3.2, 3.3, 3.4, 3.5, 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 9.8
Fibula, 2.1, 2.2, 3.1, 3.2, 3.1, 4.1, 4.2, 9.1
Figure Study for the “Battle of Cascina” (Michelangelo)
Fingers, 7.1, 7.2, 7.3, 9.1
Flexion, 4.1, 6.1, 6.2, 7.1, 7.2, 7.3
Flexor carpi radialis, 7.1, Flexi carpi ulnaris, 6.1, 6.2, 7.2, 7.3, 9.1, 9.2, 9.3, 9.4
Flexor digiti minimi brevis
Flexor digitorum brevis
Flexor digitorum longus, 3.1, 9.1, 9.2, 9.3, 9.4
Flexor digitorum superficialis, 9.1, 9.2
Flexor hallucis brevis
Flexor hallucis longus, 9.1, 9.2, 9.3
Flexor mass, 6.1, 6.2
Flexor pollicis longus
Flexor tendons, 4.1, 9.1, 9.2
Flexors, 6.1, 6.2, 7.1, 8.1
Foot
muscles of
Foramen magnum
Forehead
Fouquet, Jean
Frontal eminences, 8.1, 8.2, 8.3, 9.1
Frontalis, 8.1, 8.2, 9.1, 9.2
Frontal process, 9.1, 9.2
Frown line
Fuseli, Henry
Gastrocnemius, 3.1, 3.2, 3.3, 3.4, 3.5, 3.6, 3.7, 9.1, 9.2, 9.3, 9.4
Géricault, Théodore
Ghirlandaio, Davide
Glabella, 8.1, 8.2
Glenoid cavity, 5.1, 6.1, 9.1
Gluteus maximus, 2.1, 2.2, 2.3, 2.4, 2.5, 9.1, 9.2, 9.3, 9.4
Gluteus minimus
Goose foot, 2.1, 9.1
Gracilis, 2.1, 2.2, 2.3, 3.1, 3.2, 3.3, 3.4, 9.1, 9.2, 9.3
Greuze, Jean-Baptitste
Group of Five Grotesque Heads (DaVinci), 8.1
Hair, 8.1, 8.2
Hairline
Hallucis longus
Hamate, 9.1, 9.2
Hamstring, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.4
Hand
Head. See also Skull
mucles of, 9.1, 9.2
Head of an Old Man (Bellini)
Head of Saturn (Baldung)
Head of a Young Man (Di Credi)
Heel,
3.1, 3.2, 4.1, 4.2, 4.3, 4.4, 4.5
Helix
Hercules and Antaeus (Signorelli)
Hip bone, 9.1, 9.2, 9.3
Humerus, 1.1, 1.2, 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7, 5.8, 5.9, 5.10, 6.1, 6.2, 6.3, 6.4, 6.5, 6.6, 6.7, 6.8, 6.9, 9.1, 9.2, 9.3, 9.4, 9.5
Hyoid bone, 8.1, 8.2
Hyperextension, 6.1, 7.1, 7.2
Hypothenar eminence, 7.1, 7.2, 9.1, 9.2, 9.3
Iliac bone, 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7
Iliac crest, 1.1, 1.2, 1.3, 2.1, 2.2, 2.3, 2.4, 2.5, 2.6, 2.7
Iliac spine
Iliacus, 9.1, 9.2
Iliocostalis, 1.1, 9.1, 9.2
Iliopsoas
Iliotibial band, 2.1, 2.2, 2.3, 2.4, 3.1, 3.2
Ilium
Incisors
Inferior maxillary
Infraclavicular fosset, 5.1, 5.2
Inframammary furrow
Infraorbital muscles, 8.1, 8.2
Infrapalpebraral furrow
Infraspinatus, 5.1, 5.2, 5.3, 5.4, 5.5, 6.1, 9.1