Seven Gothic Tales

by Isak Dinesen

  Boris had recorded to the old lady the happenings at Hopballehus, and she had listened with great content and a deep interest in the fate of her old neighbor and friend. She could hardly refrain from letting her imagination flutter amongst the glories of the boy’s future, but it was done so gracefully that the old Count and Athena might have been present.

  “I feel, my dear,” she said, “that now Athena ought to travel and see a little of the world. When I was her age, Papa took me to Rome and Paris, and I met many celebrities. What a pleasure to a man of talent to accompany that highly gifted child to those places, and show her life.”

  “Yes,” said Boris, pouring himself out some more coffee, “she told me yesterday that she wanted to see Paris.”

  “Naturally,” said the Prioress. “The dear child has never owned a Paris bonnet in her life. At Lariki,” she went on, her thoughts running pleasantly to and fro, “there is splendid bear-hunting, and wild boars. I can well imagine your divinity, spear in hand. At Lipnika the cellar is stored with Tokay, presented to one old lord by the Empress Maria Theresa. Athena will pour it out with the generous hand of her family. At Patnov Grabovo are found the famous row of jets d’eaux, which were constructed by the great Danish astronomer Ole Roemer, the same who made the grandes eaux of Versailles.”

  While they were thus playing about with the happy possibilities of life, old Johann had brought in two letters, which had arrived at the same time, although the one for the Prioress had come by post, and Boris’s letter had been brought by a groom from Hopballehus. Boris, on looking up after having read a few lines, noticed the hard and fine little smile on the face of the old lady, absorbed in her reading. She will not smile for long, he thought.

  The old Count’s letter ran as follows:

  I am writing to you, my dear Boris, because Athena refuses to do so. I am taking hold of my pen in deep distress and repentance; indeed I have come to know that desire to cover my head with ashes, of which the old writers talk.

  I have to tell you that my daughter has rejected your suit, which last night seemed to me to crown the benefactions of destiny toward my house. She surely feels no reluctance toward this alliance in particular, but she tells me that she will never marry, and that it is even impossible for her to consider the question at all.

  In a way it is right that it should be I who write you this letter. For in this misfortune the guilt is mine, the responsibility rests with me.

  I, who have had this young life in my hand, have made her strong youth my torch bearer on my descent to the sepulchral chamber. Step by step, as I have gone downwards, her shoulder has been my support, and she has never failed me. Now she will not—she cannot—look up.

  The peasants of our province have the saying that no child born in wedlock can look straight at the sun; only bastards arc capable of it. Alas, how much is my poor Athena my legitimate child, the legitimate child of my race and its fate! She is so far from being able to look straight at the sun, that she fears no darkness whatever, but her eyes are hurt by light. I have made, of my young dove, a bird of the night.

  She has been to me both son and daughter, and I have in my mind seen her wearing the old coats of armor of Hopballehus. Too late I now realize that she is wearing it, not as the young St. George fighting the dragons, but as Azrael, the angel of death, of our house. Indeed, she has shut herself up therein, and for all the coming years of her life, she will refuse to lay it aside.

  I have never sinned against the past, but I see now that I have been sinning against the future; rightly it will have none of me. Upon Athena’s maiden grave I shall be laying down flowers for those unborn generations in whose faces I had for a moment, my dear child, thought to see your features. In asking your forgiveness I shall be asking the forgiveness of much doomed energy, talent and beauty, of lost laurels and myrtles. The ashes which I strew on my head is theirs! …

  Boris handed the letter to the Prioress without words, and leaned his chin in his hand to watch her face while she read it. He nearly got more than he asked for. She became so deadly white that he feared that she was going to faint or die, while red flames sprang out on her face as if somebody had struck her across it with a whip. King Solomon, it is known, shut up the most prominent demons of Jewry in bottles, sealed them, and had them sunk to the bottom of the sea. What goings on, down there, of impotent fury! Alike, Boris thought, to the dumb struggles within the narrow and wooden chests of old women, sealed up by the Solomonic wax of their education. Probably her sight failed her, and the red damask parlor grew black before her eyes, for she laid down the letter before she could have had time to finish it.

  “What! what!” she said in a hoarse and hardly audible voice, “what does the Poet write to you?” She gasped for air, raised her right hand, and shook her trembling forefinger in the air. “She will not marry you!” she exclaimed.

  “She will not marry at all, Aunt,” said Boris to console her.

  “No? Not at all?” sneered the old lady. “A Diana, is she that? But would you not have made a nice little Actæon, my poor Boris? And all that you have offered her—the position, the influence, the future—that means nothing to her? What is it she wants to be?” She looked into the letter, but in her agony she was holding it, bewildered, upside down. “A stone figure upon a sarcophagus—in the dark, in silence, forever? Here we have a fanatical virgin, en plein dixneuvième siècle? Vraiment tu n’as pas de la chance! There is no horror vaccui here.”

  “The law of the horror vaccui,” Boris, who was really frightened, said to distract her, “does not hold good more than thirty two feet up.”

  “More than what?” asked the Prioress.

  “Thirty-two feet,” he said. The Prioress shrugged her shoulders.

  She turned her glinting eyes on him, pulling the letter, which she had received by the post, half up from her silk pocket, and putting it back again. “She will have nothing,” she said slowly, “and you will give nothing. It seems to me, in all modesty, that you are well paired. I myself, giving you my blessing, have got nothing to say. That was already in the rules of my forefathers: ‘Where nothing is, le Seigneur a perdu son droit! You, Boris, you will have to go back to Court, and to the old Dowager Queen and her Chaplain, by the way you came. For,” she added, still more slowly, “where we have entered in, there also we withdraw.” These words impressed the old woman herself more than they did her nephew, who had heard them before. She became very silent.

  Boris began to feel really uncomfortable, and desired to put an end to the conversation. He could understand quite well that she wanted him to suffer. While she had been happy she had liked to have happy people around her. Now, tortured, she had to surround herself with the sort of substance which was within herself, or, as in the vacuum of which she had been talking, she would be crushed. But in his particular case she had such strong allies in the very circumstances. It was true that he had not yet realized what Athena’s refusal would mean to him. If the old woman would go on beating him like this with all her might, all the misery of the last weeks would be returned upon his head again. Suddenly the Prioress turned from him and went up to the window, as if she meant to throw herself out.

  In the midst of his own individual distress Boris could not hold his thoughts from the other two persons within this trinity of theirs. Perhaps Athena was walking the pine forests of Hopballehus, her face as wildly set as that of the old woman in her parlor. In his mind he saw himself, in his white uniform, as a marionette, pulled alternately by the deadly determined old lady and the deadly determined young lady. How was it that things meant so much to them? What forces did these impassionate people have within them to make them prefer death to surrender? Very likely he had himself as strong tastes in the matter of this marriage as anybody, but still he did not clench his hands or lose his power of speech.

  The Prioress turned from the window and came up to him. She was all changed, and carried no implements of the rack with her. On the contrary she seemed to bring a
garland to crown his head. She looked so much lighter, that it was really as if she had been throwing a weight away, out of the window, and was now gracefully floating an inch above the ground.

  “Dear Boris,” she said, “Athena still has a heart. She owes it to the old playfellow of her childhood to see him, to give him a chance of speaking to her, and to answer him by word of mouth. I will tell her all this, and send the letter back at once. The daughter of Hopballehus has a sense of duty. She will come.”

  “Where?” asked Boris.

  “Here,” said the Prioress.

  “When?” asked Boris, looking around.

  “This evening, for supper,” said his aunt. She was smiling, a gentle, even waggish little smile, and still her mouth seemed to get smaller and smaller, like a very dainty little rosebud. “Athena,” she said, “must not leave Closter Seven tomorrow without being—” She paused a little, looked to the right and left, and then at him. “Ours!” she said, smiling, in a little whisper. Boris looked at her. Her face was fresh as that of a young girl.

  “My child, my dear child,” she exclaimed, in a sudden outburst of deep, gentle passion, “nothing, nothing must stand in the way of your happiness!”

  VII

  This great supper of seduction, which was to remain a landmark in the existence of the banqueters, was served in the Prioress’s dining-room, and groups of oriental statesmen and dancers watched it from the walls. The table was prettily decorated with camellias from the orangery, and upon the snow-white tablecloth, amongst the clear crystal glasses, the old green wineglasses threw delicate little shadows, like the spirit of a pine forest in summer. The Prioress had on a gray taffeta frock with very rare lace, a white lace cap with streamers, and her large old diamond eardrops and brooches. The heroic strength of soul of old women, Boris thought, who with great taste and trouble make themselves beautiful—more beautiful, perhaps, than they have ever been as young women—and who still can hold no hope of awakening any desire in the hearts of men, is like that of a righteous man working at his good deeds even after he has abandoned his faith in a heavenly reward.

  The food was very good, and they had one of the famous carp of Closter Seven, cooked in a way which was kept a secret of the convent. Old Johann poured out the wine very freely, and before they had come to the marzipan and crystallized fruit, the convives of this quiet and dignified meal of an old and a young maid and a rejected lover, were all three of them more than a little drunk.

  Athena was slightly drunk in the everyday sense of the word. She had drunk very little wine in her life, and had never tasted champagne, and with the amounts which the hostess of the supper party poured into her, she ought rightly not to have been able to stand on her legs. But she had behind her a long row of ancestors who had in their time lain under all the heavy old oak tables of the province, and who now came to the assistance of the daughter of their race. Still the wine went to her head. It gave her a rose on each cheek, and very bright eyes, and let loose new forces of her nature. She came to swell over a little in her feeling of invincibility, like a young captain advancing into fire, with a high courage, overbearingly.

  Boris, who could drink more than most people, and who till the end remained the most sober of the party, was drunk in a more spiritual way. The deepest and truest thing in the nature of the young man was his great love for the stage and all its ways. His mother, as a maiden, had had the same grand passion, and had fought a mighty combat with her parents in Russia to go onto the stage, and lost it. Her son had no need to fight anybody. He was not dogmatic enough to believe that you must have boards and footlights to be within the theater; he carried the stage with him in his heart As a very young boy he had played many ladies’ rôles in amateur theatricals, and the famous old stage manager Paccazina had burst into tears on seeing him as Antigone, so much did he remind him of Mars. To him the theater was real life. As long as he could not act, he was puzzled by the world and uncertain what to do with it; but as an actor he was his true self, and as soon as he could see a situation in the light of the theater, he would feel at home in it. He did not shirk tragedy, and would perform with good grace in a pastoral, if it were asked of him.

  There was something in this way of thinking that he had which exasperated his mother, in spite of her old sympathies for the art, for she suspected him of having in his heart very little preference for the rôle of a promising and popular young officer. He was, she thought, prepared to give it up at any moment should a rôle that would appeal more strongly to him present itself, be it that of an outcast or martyr, or, possibly, the tragic part of a youth ascending the scaffold. She had sometimes wanted to cry to him, contrarily to the Old Cordelier: Oh, my child, you fear too little unpopularity, exile and death! Still she could not herself help admiring him in his favorite rôles, nor, even, at times taking up a rôle herself in an ensemble with him, and these performances of theirs might embrace a very wide scale.

  Tonight Paccazina would have delighted in him; he had never played better. Out of gratitude to his godmother, he had resolved to do his best. He had laid his mask with great care in front of his mirror, and had exchanged his uniform for that black color which he considered more appropriate to his part. In itself he always preferred the rôle of the unhappy, to that of the successful, lover. The wine helped him on, as did the faces of his fellow-players, including old Johann, who wore on his closed countenance a discreet shine of happiness. But he was himself in his own heart carried away by the situation, by the action of the play and by his own talents. He was on the boards, the curtain was up, every moment was precious, and he needed no souffleur.

  As he looked at Athena on his left hand, he was pleased with his jeune premiere of the night. Now that they were upon the stage together he read her like a book.

  He quite understood the deep impression which his proposal had made upon the mind of the girl. It had not flattered her; it had probably at the moment made her very angry. And the fact that any live person could in this way break in upon the proud isolation of her life had given her a shock. He agreed with her about it. Having lived all his life with people who were never alone, he had become sensitive to her atmosphere of solitude. It had happened to himself, at times, to be entirely alone on a night, dreaming, not of familiar persons or things, but of scenes and people wholly his own creation, and the recollection of such nights he would cherish in his mind. What was now at the moment bewildering the girl was the fact that the enemy approached her in such an extremely gentle manner, and that the offender was asking for consolation. As Boris grew conscious of these feelings of hers, he accentuated the sweetness and sadness of his behavior.

  It was probably such a new thing to Athena to feel fear that it had a strange attraction for her. It was doubtful, he thought, whether anything but the scent of some sort of danger could have brought her to Closter Seven on this night. Of what is she afraid? he thought. Of being made happy by my aunt and me? This is this tragic maiden’s prayer: From being a success at court, a happy, congratulated bride, a mother of a promising family, good Lord, deliver me. As a tragic actor of a high standard himself, he applauded her.

  The presence of some unknown danger, he felt, was impressed upon the girl by the Prioress’s manner toward her. The old woman had been her friend before, but a severe friend. Most of what the girl had said and done had till now been wrong here at the convent, and she had always known that in a benevolent way the old lady had wanted to put her in a cage. Tonight the old eyes dwelt upon her with sweet content, what she said was received with little smiles as gentle as caresses. The cage had been put out of sight. This special sort of incense, offered to her individually, was as unknown to Athena as the champagne itself, and as it was now being burnt at her from her right and her left, she might have felt a difficulty in breathing within the comfortable dining-room of Closter Seven, had she not felt so sure that the door behind her would open, whenever she wanted it, to the woods of Hopballehus.

  Boris, who knew more
about that door, lifted his eyelashes, soft as mimosa leaves, upon her flaming face. Had her father called her a bird of the night, the eyes of which are hurt by the light? He himself was now walking, slowly, backwards in front of her, carrying some sort of chandelier which twinkled at her. She blinked a little at the light, but she came on.

  The Prioress was drunk with some secret joy which remained a mystery to the other convives of her supper party and which glinted in the dark. From time to time she dabbed her eyes or her mouth with her little, delicately perfumed, lace handkerchief.

  VIII

  “My great-grandmother,” said the Prioress in the course of the conversation, “was, in her second marriage, ambassadress to Paris, and lived there for twenty years. This was under the Regency. She has written down in her memoirs, how, during the Christmas of 1727, the Holy Family came to Paris and were known to stay there for twelve hours. The entire building of the stable of Bethlehem had mysteriously been moved, even with the crib and the pots in which St. Joseph had been cooking the spiced beer for the Virgin, to a garden of a small convent, called du Saint Esprit. The ox and the ass were themselves transported, together with the straw upon the floor. When the nuns reported the miracle at the Court of Versailles, it was kept from the public, for they feared that it might presage a judgment upon the lewdness of the rulers of France. But the Regent went in great state, with all his jewels on, together with his daughter, the Duchess of Berri, the Cardinal Dubois, and a few selected ladies and gentlemen of the Court, to do homage to the Mother of God and her husband. My great-grandmother was allowed, because of the high esteem in which she was held at Court, to come with them as the only foreigner, and she preserved to the end of her days the furred robe of brocade, with a long train, which she wore on the occasion.