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The Changing Light at Sandover

Page 21

by James Merrill


  SPECIES IS A (M) FOR US AS THE MYTHIC CENTAUR IS

  FOR ATLANTIS WAS THE NO ACCIDENT CLAUSE EVEN THEN

  IN OPERATION? DID GOD SEE THE CENTAURS’ USELESSNESS

  & GIVE THEM THE IDEA OF US?

        ACCIDENT 9: OR:

  GOD B, HOLDING THE CHARTER TO CREATE HIS OWN SYSTEM,

  KNOWING THAT HE MUST POPULATE IT WITH MANAGEABLE

  CREATURES ONLY, CLONED THE CENTAURS WITH THEIR OWN DESTRUCTION

  & CALLD US IN AS DECENT SHROUDMAKERS TO COVER THEM?

  And here the lines of argument converge.

  NO THEY END IN THE VAST O THE PANTHEON PLANND AS WELL

  INTO DIVIDED SAFENESSES?

  Viking I, its every instrument

  Agog, returns from Mars—no accident?

       DRAMATIC LESSONS MAY

  AWAIT MAN EVEN ON HIS PLANETS IS EARTH THE SINGLE

  EXPERIMENT OR ONE OF SEVERAL HYBRID SEEDLINGS?

  PERHAPS THE MOSES MYTH IS AN ANSWER: FOUND IN A STREAM

  Of flowing suns and stars—

  THE PRINCE AS FOUNDLING & EARTH? FOR AFTER BARREN EONS

  THE ? IS, DOES THE ROYAL BLOOD STILL FLOW IN EARTH’S VEINS?

        HIS TAIL OUTSPREAD

  MY DEARS BLUE GREEN & HIS EYES FLASHING RED

  THAT U MAY ASK THE 12 P/C I CAN SAY ONLY THIS:

  THE CENTAURS RAN A CONSTANT RACE ON THE SAME OVAL TRACK

  BUT MORTALITY ALLOWS FOR THE DIVINE TRANSLATION

  SO PLATO’S POWERS ARE FOREVER OUT AMONG THE 5

  & OTHERS (AS U KNOW) BUT THERE IS A FOLDER LABELD

  PLATO & ONE LABELD AKHNATON & THERE ARE GOLDEN

  CONTAINERS LABELD CLIO ERATO CALLIOPE

  & OF THESE 9 WE KNOW ONLY THE RUSHING OF THEIR WINGS

  Maria? ENFANTS? We thought you’d gone away.

  But no. Her discreet, black-clad presence, eyes

  Lowered while the menfolk theorize,

  Brings itself (skeptical? unmoved?) to say:

  HOW SATISFYING IT MUST BE, ALL THIS

  LINKAGE WITH THE WORK OF EONS LIKE

  FINDING ONESELF AMONG THE BULLRUSHES

  This frog here in my throat agrees. ONE KISS

  5.9

  GOD B THOUGHT TO DESTROY THE CENTAURS WITH FORESTS THIS PLAN

  THEY CIRCUMVENTED BY INVENTING US NOW MAN HAS MADE

  FORESTS OF HIS OWN KIND & FOR THIS ROUND BIOLOGY

  IS LETTING HIM (READ: OUR CLONING OF HIM) SOLVE THE PROBLEMS

  Short of disaster, are they solvable?

  INDEED

  Increase of population, of pollution—

  3 DECADES HENCE WE GLIMPSE FAIR GREEN ATLANTAN FIELDS

  That grim race our first teachers told us of

  Between Chaos and Mind—is the heat off?

  NECK & NECK BUT IF CHAOS WINS THE RACE WAS FIXD

  By?       GOD B

  So in a mere thirty years the trend

  Will be reversed? Green fields? Ah, my poor friend,

  Be realistic. Can you hope to wean

  Our time, in that short span, from its obscene

  Smokestack nipple? How are sea and air

  To purify themselves while man is there?

  DJ: I won’t be there. Just twenty-nine

  Years left…You know, he could have spared me that.

  ENFANT WORK OUT THE TOTAL IT BEATS MATT

  MY GRASP OF TIME IS IMPERFECT THE LAB IS SURE ONLY

  OF THE VOLUMES OF FORMULAS TO BE DEALT WITH THEIR BULK

  DIMINISHES IN THOSE AREAS WE INTERPRET AS

  3 DECADES AWAY THIS LESSENING IN COMPLEXITY

  SUGGESTED MY (M) GREEN GLIMPSES WE SEE NO MAJOR FOOD

  OR AIR PROBLEMS POP MAY INCREASE BY 2/3 BILLION BUT

  BEYOND THAT THE FORMULAS WD NEED TO BE REVISED &

  THEY ARE NOT. PERHAPS NATURE’S LITTLE LUSTFUL TRICKS WILL STOP

  BEING SO AMPLY REWARDED BY THE CHUCKLES OF BABES

  All thought by now receding, of what saves

  The day, or whose the footstep on our graves,

  DJ: Well, this No Accident clause, I can’t…

  JM: Of course you can’t. They’ve cloned you not to.

  OUR PLAGUE OF SUICIDES CAME FROM THE GERM OF ACCEPTANCE

  MAN IS NOT CLONED WITH AN ACCEPTING DENSITY THEREIN

  HIS POWER: HE RESISTS IS DJ NOT OUR STEADY HAND

  ON THE PLOW? WE NEED A HUSBANDMAN TO RESIST EARTH’S WEIGHT

  THE WASH OF WATER THE HILARITIES OF AIR & THE

  BURNING OF OUR FIRE

  DJ: Maria has accepted being used.

  I can’t, not yet.

       RESIST AWAY IT IS CHARMING

     JM: Your fear, my doubt

  Seem to amuse him, he who fleshed them out.

  STIFF UPPER LIP MY BOY PLAY’S GOING INTO

  NEW REHEARSALS USHERS AT THE DOOR

  WITH RAINCHECKS

    DJ CHER ENFANT COURAGE

  6

  She stood (wrote Jules Renard of the divine

  Sarah) in one place, letting the stair unwind

  Her profiles, eerily descending wand

  Of the still center, or its weathervane.

  Gone, she endured. Globes lit the banister’s

  Counterspiraling ascents of bronze

  As in remembrance Lalique’s cabochons

  Waxed and waned upon that brow of hers

  Like this pale purple atom (phosphorus)

  Periodic among satellites,

  Messengers, sugar chains and residues

  —Her memories of past performance? Cues?—

  Whereby the curtain on a triple thud

  Has risen. It’s the theatre in our blood.

  22.vii. Boston Museum of Science.

  Studying a model (2.5

  Cm. per angstrom) of the DNA

  Molecule—a single turn blown up

  Tall as a child. My ignorance reduced

  To jotting down—red, blue, black, yellow, white—

  Colors of the bit-player beads, the carbons

  And nitrogens all interlinked, on pins

  But letter-perfect, purines, pyrimidines,

  Minute intelligences that indwell

  The chromosome and educate the cell…

  Even grossly simplified, as here,

  It’s too much. Who by reference to this

  3-D Metro map’s infernal skeins

  And lattices could hope to find his way?

  Yet, strange to say, that’s just what everyone

  On Earth is promptly known for having done.

  Noon. In the hospital across the river

  David is wheeled up from surgery,

  Helped into bed—still numb from the waist down.

  Gaps in his sorry gown don’t quite conceal

  Streaks of dim, white-bandaged red. His gaze

  Lights on a face within mine. When he speaks

  Out comes the whisper of a little boy

  Woken and wrapped in quilts, carried outdoors

  Through branching dark, the milk of dream unwiped,

  To see a calf born or a comet’s passage.

  “I did dream,” he says now, after describing

  What he remembers of the operation

  (Done, not to strain his smoker’s heart,

  With local anesthetic). “There was this kind of

  Slow green climbing, and all round me lights

  Higher and higher…” Part of my last night’s

 
Dream, an empty “court” or dim “dance floor”,

  Comes back: four squares, each one a tone of gray

  Lit from beneath and seen as from a plane,

  Composed a fifth that pulsed in the pitch-black terrain

  —Meaning what? Another day will tell.

  I press D’s hand. He babbles on. All’s well.

  6.1

  So well, in fact, that in eight days he’s home

  And vigorous enough to want to hear

  Sweet nothings from our peacock. O I FEAR

  YR DISAPPOINTMENT U ARE EARLY BIRDS

  MES CHERS WILL I SUFFICE? YR TAME CANARY?

  Disappointment, Ephraim? (Though he’s right

  We must not say so.) Never! AH THEN A STORY:

  ONE DAY WE SAT AT CAPRI ALL THE COURT

  ON A SOUTH TERRACE WHEN SUDDENLY THE PAVEMENT

  SHOOK & THE CYNICAL AMONG US THOUGHT

  HO HUM ANOTHER EARTHQUAKE BUT TIBERIUS

  EVER SUPERSTITIOUS CALLED FOR FOWL

  SACRIFICE & THE PRIESTS WERE CHANTING AWAY

  WHEN FROM FAUSTINA CAME A PIERCING CRY:

  RISEN ABOVE SICILIA IN THE SKY

  A GREAT BLACK CLOUD WAS SPREADING RIGHT & LEFT

  LONG RAGGED WINGS & IN THE CENTER 2

  RED SPOTS LIKE EYES APPEARED IT WAS A BAT.

  CHRIST HAD BEEN CRUCIFIED Now why, I wonder,

  Are you telling us this little story?

  I BELIEVE MES CHERS IN PEACOCKS FROM THAT DAY

  TIBERIUS DECLINED NOR DID YR E

  MORE THAN A WEEK SURVIVE HIS LUNACY

  It was then he had you killed? MURDER ALONE

  CALMED HIM IN HIS FITS THE SAYING WAS

  HE HAD BAT FEVER But you died A.D.

  36, while Christ— ANOTHER CALENDAR

  Well, our bats don’t cause fever, not so far.

  THEY ARE I KNOW THERE4 OF THE MESSENGER STRAIN

  How much you do know. Over and over again,

  Wine-sweetened lips, and eyes half shut beneath

  Conviviality’s unfading wreath,

  Ephraim, you’ve understood what’s going on

  Better than we. A SLAVE NEEDS ALL HIS WIT

  LIFE HERE BELOW THE STAIRS DEPENDS ON IT

  Now Wystan. He’s been thinking, as have I,

  About THE UNCLONED LIVES THAT TOUCH OUR OWN

  YR STRATO & MY LAST FRIEND BOTH SUCH DEARS

  (DJ interrupts: Has Chester been reborn?

  NOT YET STILL BOUND UP WITH HIS MINIWOP)

  FORSTER HAD THIS TOUCHING THEORY

  THAT GOD WANTS EDUCATED HIGHCLASS QUEERS

  TO MAKE A DIFFERENCE & TO HAVE ONE MADE

  To kindle sparks within the dumb physique

  Of terracotta & BE WARMED WHY ARE

  WE (TO EXTEND THAT) IN THIS SEMINAR?

  3 OF US IN MM’S EUPHEMISM

  COMME CA & SHE (THOUGH FEMALE) NOT IN LIFE

  MUCH DRAWN TO ROLES OF MOTHER MISTRESS WIFE,

  WHY ARE WE 4 TOGETHER LISTENING?

  A) 3 WRITERS & MM RATHER A MUSE

  B) EXCEPT AS MESSENGERS WE HAVE NO

  COMMITMENT TO A YOUNGER GENERATION

  C) A SURPRISE: MM’S 1ST LOVE WAS MUSIC!

  FAILING HER ENTRANCE TO THE ODEON

  SHE GAVE IT UP Good heavens, we all thought

  She couldn’t tell Fats Waller from Fauré.

  As for us, while I, on a good day,

  Limp through my Satie or a Bach gavotte,

  DJ (at twelve in Hollywood) attacked

  That thing by Grieg; took Composition with

  Big-timers like Schoenberg and Hindemith

  While still in college. MUSIC MORE ABSTRACT

  THAN METAPHOR MUST BE THE BOND THAT LINKS US

  Maman, why so secretive? I PREFERRED

  EFFECTS UNSTUDIED INDEED SCARCELY HEARD

  AS ONCE WHEN 3 COINCIDENTAL SOUNDS

  A WIND BELL IN THE GARDEN A DOOR CHIME

  & THE HIGH CRY OF A SEAGULL MADE ONE FLEETING

  TONIC CHORD IS MUSIC NOT LIKE TIME

  RETOLD? LIKE THE NO ACCIDENT MOTIF

  A WAY OF TELLING THAT INSPIRES BELIEF?

  WD AN UNMUSICAL MIND TAKE IN THE PEACOCK?

  THE MESSENGER THE MESSAGE THESE RING BELLS

  I ANSWER TO ASK NEXT TIME ABOUT CELLS

  Why? I DONT KNOW IT CAME TO ME TO SAY

  DJ (tired out): Tomorrow afternoon

  We’ll have our peacock back. MES CHERS Yes, Ephraim?

  NOTHING I KEEP PINNING FEATHERS ON

  BUT NOBODY NOTICES CALL YR OLD FRIENDS SOON

  ONE IN PARTICULAR BLONDEST OF THE SCRIBES

  Hans! YES THRILLED AS WE ALL ARE BY YR VIBES

  6.2

  THINK DJ

  The white, blue-flowered ginger-pot. Sunshine

  Filling with tracery its inward oval,

  He sees a…ladder—wait, now more comes back—

  THE LADDER OF YR SPINE

  DJ: My hips went dead. A second needle

  Numbed me to the toes. I’d been screened off

  With pale green, and I felt this weightlessness

  And followed it. There was a ladder whose

  Lower rungs, as I climbed, just kept dissolving,

  And at the top was light, were colored lights—

  What did you say to me about the lights?

       WE SHOWD U JM’S

  VISION OF THE ATOM’S HEART

  JM: The four lit squares that made a fifth

  Almost musical— DJ DWELT IN EACH, RID OF

  HIS PAIN, STILLD IN HIS LUSTS & FEARS: THE RED OF PURE POWER

  THE PALE BLUE OF ITS REASONABLE USE THE YELLOW LIGHT

  OF GENERATION & THE GREEN THAT WILL BE PARADISE

  JM SAW THIS AS A PRINTOUT IN BLACK & WHITE DJ

  WE PLACED WITHIN IT U WERE BOTH SENT TO THE HEART OF LIFE

    DJ: My task

  Was to bring home the colors to us all.

  FOR US MES ENFANTS IT WAS LIKE A BALL

  COSTUMES & DANCING

      OR MY DEARS A MASQUE

  INDEED WE PROMISED U ENTERTAINMENT & U GOT IT

  AS ON A STAGE VIEWD FROM A MOUNTAINTOP WE FROLICKD IN

  THE 4 COLORS OR LIKE CELLS UPON A MICROSCOPE FLOOR

  TO SILENT MUSIC & UNSPOKEN WORDS OUR MASQUE CALMD U:

  WE ARE THE DRUG & THE AWAKENING

  JM: Why not the cure as well—a wand of

  Healing fire to save D from the knife?

           MM’S LESSON

  & IT IS PERHAPS THE MAIN LESSON OF THIS SEMINAR:

  NO UNNECESSARY DOSES OF OUR STRONG MEDICINE

  The tone has darkened suddenly. I strain

  To think. What lesson? What strong medicine?

  RADIUM COBALT U DID NOT REALIZE YESTERDAY

  WHY SHE IS WITH US?

  Because of music, Wystan said.

    NO: SHE IS ONE OF US

           The water,

  Yes, in our elemental union, and—?

                 ONE OF US

  DJ. What is he saying? I can’t quite…

  MES ENF

   —as light breaks. Horrifying light

  Whose rays our union absorbs. We’re back

  At Square One. Presence of no color. Black.

  DJ: Ah I could kill them! JM: It’s

  Not their fault. DJ: So they
say—those shits!

  JM: Her months spent back and forth from bed

  To godforsaken box of buzzing lead…

  That’s why the plant world’s taking her. She hasn’t

  Any soul left—she’s no longer human!

  ENFANTS DJ: She said she’d see us through

  These talks. She had no choice. She knew. She knew.

  WILL U FORGIVE MY SMALL CHARADE? PART TRUE

  PART THE DESIGN I SHALL HOWEVER BE

  ALLOWED (NO LITTLE THING) THE ANGEL VOICES

  THANK GOD FOR GARDENS INCIDENTALLY:

  MY GREEN SHIELD SAVED ENOUGH OF ME FOR U

  My face begins to quiver. Oh Maman—

  POSO AKOMA (her last words, “How much more?”)

  I CROAKED NOT TO POOR LOUROS BUT THE RAYS:

  HOW MUCH MORE WD THEY TAKE FROM ME B4…

  (This is the point, I later tell DJ,

  When Dante would have fainted dead away.

  But, cloned with minerals, heartsick, eyes red,

  I see no way out but to forge ahead.)

  AH TEARS DEAR DEAR ENFANT THEY COMFORT U

  & MAKE MY OLD BLACK DRESS QUITE CLINGING & SEXY

  DJ: She used to have a “wet look” raincoat.

  DO ADMIT THE ELEMENT OF CHIC

  But now, you look like Them? MAIS QUELLE HORREUR

  DJ DO U WANT ME TO FLOUNCE OUT OF HERE

  JM: You said four stars were in your hair—

  Are they still? SHALL WE BE SERIOUS

  I am serious! WELL THESE LESSONS THEY

  SEEM TO BE IMPOR O J J J

  THINK: NONE BUT THE FOOL IS PITIABLE

  THIS LIKE DJ’S NEEDLE IS THE BLESSED

  RELIEF AT LAST TO LEAVE THE WORLD OF BLIND

  IF CHARMING FOOLS WE LOVED (& WERE) BEHIND

  MY DEAR JM CONFRERE SHE IS RIGHT U KNOW?

  NOW U MUST ASK HER QUESTION ABOUT CELLS

  CALL BACK OUR PEACOCK AS B4 HE FLEES

  AT THE ONSET OF FEELING WE WD SEEM

  TO INTRODUCE OUR ELEMENT OF TIME

  WHICH CHOKES HIM IS TIME THEN THE SOIL OF FEELING?

  SO ODD Stop talking, Wystan, can’t you, please?

  FIRST MAY I SAY? THAT DANCING IN THE MASQUE

  IT DAWNED (ON ME AT LEAST) THAT WE WERE BEING

  EACH IN TURN STRIPPED REDUCED TO ESSENCES

  JOINED TO INFINITY THAT’S ALL NOW ASK

 

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