Hey, Nietzsche! Leave them kids alone
Page 34
6. The Smiths, ‘How Soon is Now’, Meat is Murder, Rough Trade LP, 1985.
7. Ibid.
8. Simon Reynolds, Blissed Out, Serpents Tail, London, 1990.
9. Ibid.
Why Bother?
1. Andy Greenwald, Nothing Feels Good: Punk Rock, Teenagers, and Emo, St Martins Press, New York, 2003.
2. Get Up Kids, Something to Write Home About, Zomba CD, 1999.
3. Trevor Kelley and Leslie Simon, Everybody Hurts: An essential guide to emo culture, HarperCollins, New York, 2007.
4. Greenwald, op. cit.
5. Ibid.
6. The Smiths, ‘How Soon Is Now’, Meat is Murder, Roughtrade LP, 1985.
The Crystal Palace
1. Walter Benjamin, ‘Goethe’ in Michael Jennings (ed.), Walter Bengamin: Selected Writings Volume 2, Part 1, Harvard University Press, Cambridge, Mass., 2005.
2. ‘World’s Fairs’ exhibition, National Gallery of Victoria, December 2007.
3. Fyodor Dostoyevsky, Notes from Underground, London: Penguin, London, 1972.
4. Ibid.
5. Ibid.
6. Ibid.
7. Ibid.
8. The Smiths, ‘Shoplifters of the World Unite’, World Won’t Listen, Rough Trade LP, 1986.
The Broken, the Beaten and the Damned
1. The Smith, ‘Unloveable’, World Won’t Listen, Rough Trade LP, 1986.
2. Gerard Way, ‘Future of Music’ Q&A, Rolling Stone, November 2007.
3. Gerard Way, Wikiquote, wikipedia.com
Teenagers
1. My Chemical Romance, ‘Teenagers’, The Black Parade, Warner/Reprise CD, 2006
2. Antoine Nicolas de Condorcet, ‘Sketch’ in John Carey (ed.), The Faber Book of Utopias, Faber and Faber, London, 1999.
3. Anthony Burgess, A Clockwork Orange, Penguin, London, 2002.
4. William Blake, Poems of William Blake, gutenberg.org
5. George Gordon Byron, Life of Lord Byron with his Letters and Journals, Thomas Moore (ed.), gutenberg.com
6. Pink Floyd, ‘Pigs on the Wing’, Animals, CBS LP, 1977.
7. Sylvie Simmons, ‘Goodbye Blue Sky’ in Mojo Special Edition: Pink Floyd, 2004.
8. Pink Floyd, ‘Another Brick in the Wall: Part 2’, The Wall, CBS LP, 1979.
9. My Chemical Romance, ‘Teenagers’, op. cit.
10. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.
I’ve Gotto Get Out of the Basement
1. George Koroneos, ‘My Chemical Romance Interview’, February
2006, lifeinabungal.com
2. Gerard Way, ‘Future of Music’ Q&A, Rolling Stone, November 2007.
3. Andy Greenwald, Spin magazine, May 2005.
4. Jenny Eliscu, ‘Teen Titans’, Rolling Stone, July 2005.
5. Weezer, ‘In the Garage’, The Blue Album, Geffen CD, 1994.
6. Eliscu, op. cit.
Myths of the Near Future
1. Karen Armstrong, A History of God, Vintage, London, 2000.
2. Isiah Berlin, Against the Current, Hogarth Press, London, 1979.
3. Alex De Jonge, Dostoyevsky and the Age of Intensity, Secker and Warburg, London, 1975.
4. Eric Hobsbawm, The Age of Revolution: Europe 1789–1848, Weidenfeld and Nicolson, London, 1962.
5. Ibid.
6. Carl E. Schorske, Fin-Du-Siecle Vienna, Vintage Books, New York, 1981.
7. Ibid.
8. Ibid.
Gustav Klint
1. Carl E. Schorske, Fin-Du-Siecle Vienna, Vintage Books, New York, 1981.
2. Ibid.
Nietzsche
1. Colin Wilson, The Outsider, Pan, London, 1970.
2. Rudiger Safranski, Nietzsche: A Philosophical Biography, Granta, London, 2002.
3. Wilson, op. cit.
4. Ibid.
5. Ibid.
6. Robert Gutman, Richard Wagner: The Man, His Mind and His Music, Penguin, London, 1971.
7. Friedrich Nietzsche, ‘Attempt at a Self-Criticism’ in Friedrich Nietzsche, The Birth of Tragedy, Penguin, London, 2003.
8. Wilson, op. cit.
A Night at the Opera
1. My Chemical Romance, ‘The End’, The Black Parade, Warner/Reprise CD, 2006.
2. Martin Aston, ‘In the Lap of the Gods’ in Mojo Special Edition: Queen, 2005.
3. Mark Cunningham, Good Vibrations: A History of Record Production, Castle, London, 1996
4. Ibid.
5. Mojo Special Edition: Queen, op. cit.
6. Queen, ‘Bohemian Rhapsody’, Greatest Hits, Elektra LP, 1981.
7. Gerhart Hoffmeister, ‘Reception in Germany and Abroad’ in Lesley Sharpe, The Cambridge Companion to Goethe, Cambridge University Press, Cambridge, 2002.
8. Queen, ‘Bohemian Rhapsody’, op. cit.
9. Friedrich Nietzsche, The Birth of Tragedy, Penguin, London, 2003.
10. Ibid.
11. My Chemical Romance, ‘The End’, The Black Parade, Warner/Reprise CD, 2006.
The Wisdom of the Woods
1. Colin Wilson, The Outsider, Pan, London, 1970.
2. Friedrich Nietzsche, The Birth of Tragedy, Penguin, London, 2003.
3. The Chemical Brothers, ‘Salmon Dance’, We Are The Night, Virgin CD, 2007.
4. Nietzsche, op. cit.
5. Ibid.
6. Ibid.
7. Ibid.
8. Wilson, op. cit.
9. Ibid.
Personal Jesus
1. Friedrich Nietzsche, The Gay Science, Penguin, London, 2003.
2. Friedrich Nietzsche, Thus Spoke Zarathustra Penguin, London, 2003.
3. Ibid.
4. Ibid.
5. Phil Sutcliffe, ‘Never Let Me Down Again’, Mojo Special Edition: Depeche Mode + The Story of Electro-Pop, 2005.
6. Depeche Mode, ‘Strangelove’, Music For the Masses, Mute LP, 1987.
7. Sutcliffe, op. cit.
8. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.
9. Nietzsche,, Thus Spoke Zarathustra, op. cit.
10. Depeche Mode, ‘Walking in My Shoes’, Songs of Faith and Devotion, Mute CD, 1993.
11. Marilyn Manson, ‘Beautiful People’, Interscope CD, 1996.
12. Tom Bryant, ‘Twilight of the Gods’ in Kerrang!, December 2004.
13. Colin Wilson, The Outsider, Pan, London, 1970.
14. Nietzsche, Thus Spoke Zarathustra, op. cit.
15. Depeche Mode, ‘Condemnation’, Songs of Faith and Devotion, Mute CD, 1993.
Stronger
1. Friedrich Nietzsche in R J Hollingdale (ed.), A Nietzsche Reader, Penguin, London, 2003
2. Kanye West, ‘Stronger’, Def Jam CD, 2007.
3. Hollingdale, op. cit.
4. West, op. cit..
5. Ibid.
6. Ibid.
7. Ibid.
8. ‘Kanye West Throws Diva-Like Tantrum in Europe’, Rolling Stone, March 2006.
9. Ibid.
10. Hollingdale, op. cit.
11. Mario Praz, The Romantic Agony, Oxford University Press, London, 1978.
12. Rudiger Safranski, Nietzsche: A Philosophical Biography, Granta, London, 2002.
13. Ibid.
Also Sprach Zarathustra
1. Peter Guralnick, Careless Love, Abacus, London, 2001.
2. Michael Kennedy, Richard Strauss, J M Dent and Sons, London, 1988.
3. E C Snow, Sleevenotes for Richard Strauss, Also Sprach Zarathustra, Decca LP.
4. Friedrich Nietzsche, Thus Spoke Zarathustra, Penguin, London, 2003.
5. Ibid.
6. Guralnick, op. cit.
7. Nietzche, op. cit.
8. Guralnick, op. cit.
9. ‘Man or Superman?’, Mojo, January 2007.
10. Greil Marcus, Dead Elvis: A Chronicle of a Cultural Obsession, Penguin, London, 1991.
11. Douglas Brinkley, ‘All Shook Up’, Los Angeles Times, September 2000, latimes.com
Homo Superior
1. Chris Charleswor
th, David Bowie: The Archive, Omnibus Press, London, 1987.
2. David Bowie, ‘Oh You Pretty Things’, Hunky Dory, RCA LP, 1971.
3. Paul Du Noyer, ‘Contact’, Mojo, July 2002.
4. Ibid.
5. Mick Watts, ‘Oh You Pretty Thing’ in Hanif Kureshi and Jon Savage (eds) The Faber Book of Pop, Faber and Faber, London, 1995.
6. Ibid.
7. Friedrich Nietzsche in R J Hollingdale (ed.), A Nietzsche Reader, Penguin, London, 2003
8. Herbert Read, To Hell With Culture, Routledge, London, 2002.
9. David Bowie, ‘Star’, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA LP, 1972.
10. Colin Wilson, The Outsider, Pan, London, 1970.
11. Friedrich Nietzsche, Thus Spoke Zarathustra, Penguin, London, 2003.
12. David Bowie, Moonage Daydream, Hardie Grant Books, Melbourne, 2002.
13. Ben Fisher, ‘But Boy Could He Play Guitar’, Mojo, October 1997.
14. Bowie, op. cit.
Destroyer
1. Gordon Gebert and Bob McAdams, Kiss and Tell, Pitbull Publishing, New York, 1997.
2. Gerard Jones, Men of Tomorrow, Basic Books, New York, 2004.
3. Jenny Eliscu, ‘Teen Times’, Rolling Stone, July 2005.
Such a Special Guy
1. Weezer, ‘Pork and Beans’, The Red Album, Geffen CD, 2008.
2. Andy Greenwald, Nothing Feels Good: Punk Rock, Teenagers, and Emo, St Martins Press, New York, 2003.
3. Friedrich Nietzsche, On the Genealogy of Morals, Great Literature Online 1997–2008, www.classicauthors.net
4. Weezer, ‘Troublemaker’, The Red Album, Geffen CD, 2008.
5. Ibid.
6. Rainer Maria Rilke, Letters to a Young Poet, W W Norton and Co., New York, 1962.
7. Ibid.
8. Ibid.
9. Weezer, ‘Troublemaker’, op. cit.
10. Weezer, ‘The Greatest Man that Ever Lived’, The Red Album, Geffen CD, 2008
Expressionism
1. Oskar Kokoschka, My Life, Thames and Hudson, London, 1974.
2. Ibid.
3. Wolf-Dieter Dube, Expressionism, Praeger, New York, 1973.
4. Carl E. Schorske, Fin-Du-Siècle Vienna, Vintage Books, New York, 1981.
5. Ibid.
6. Mark Salisbury, Burton on Burton, Faber and Faber, London, 1997.
7. Siegfried Kracauer, ‘Caligari by Siegfried Kracauer’ in R V Adkinson (ed.), The Cabinet of Dr Caligari, Lorrimer, London, 1972.
8. Ibid.
9. Dube, op. cit.
10. Ibid.
11. Kracauer, op. cit.
12. Ibid.
The Pain Threshold
1. A Alvarez, The New Poetry, Penguin, London, 1963.
2. Carl E. Schorske, Fin-Du-Siècle Vienna, Vintage Books, New York, 1981.
3. Notes from permanent exhibition at Arnold Schoenberg Center, 6 Schwartzen-bergplatz, Vienna, May 2007.
4. Ibid.
5. Allen Shawn, Arnold Schoenberg’s Journey, Farrar, Strauss and Giroux, New York, 2002.
6. Arnold Schoenberg, ‘Pierrot Lunaire’, Chandos CD.
7. Liza Minnelli, ‘My Chemical Romance’, Interview, April 2007.
8. Dan Stapleton, My Chemical Romance, Rolling Stone, February 2007.
Sprechstimme
1. Allen Shawn, Arnold Schoenberg’s Journey, Farrar, Strauss and Giroux, New York, 2002.
2. Richard Kingsmill, The J-Files Compendium, ABC Books, Sydney, 2002.
3. Saves The Day, ‘Jukebox Breakdown’,Stay What You Are, Vagrant CD, 2001.
4. My Chemical Romance, ‘Blood’, The Black Parade, Warner/Reprise CD, 2006.
Everything Collapses
1. Christopher Isherwood, Goodbye to Berlin in The Berlin Novels, Minerva, London, 1997.
2. Ibid.
3. Ibid.
4. David Bowie, ‘Time’, Aladdin Sane, RCA LP, 1973.
5. George Grosz, George Grosz: An Autobiography, University of California Press, Berkely, 1998.
6. Barney Hoskyns, ‘When the Kids Had Killed the Man: David Bowie and the Death of Ziggy Stardust’, posted in Rock’s Backpages, rocksbackpages.com, June 2008.
7. Iggy Pop, ‘Nightclubbing’, The Idiot, RCA LP, 1977.
8. The Sex Pistols, ‘God Save the Queen’, Never Mind the Bollocks, Virgin LP, 1977.
9. Richard Kingsmill, The J-Files Compendium, ABC Books, Sydney, 2002.
10. Siouxsie Sioux, Foreword by Siouxsie Sioux, Mojo Special Edition: Bowie, 2003.
11. Jon Savage, England’s Dreaming, Faber and Faber, London, 1991.
12. Norman Lebrecht, The Complete Companion to Twentieth Century Music, Simon and Schuster, London 2000.
13. Savage, op. cit.
14. Susan D’arcy, Liza Minnelli, LSP Books, Surrey, 1982.
Life Is a Cabaret
1. Liza Minnelli, ‘Life is a Cabaret’, Cabaret, MRA DVD, 2002.
2. Ibid.
3. Ibid.
4. Ibid.
5. Peter Conrad, Modern Times Modern Place: Life & Art in the Twentieth Century, Thames and Hudson, London, 1998.
6. Henry Edwards and Tony Zanetta, Stardust: The David Bowie Story, Bantam, London, 1987.
7. Jon Savage, England’s Dreaming, Faber and Faber, London, 1991.
Mother War
1. Liza Minnelli, ‘My Chemical Romance’, Interview, April 2007.
2. Ibid.
3. Ibid.
4. Ibid.
5. My Chemical Romance, ‘Mama’, The Black Parade, Warner/Reprise CD, 2006.
6. Ibid.
7. Andy Greenwald, Spin magazine, May 2005
Artists are Cleaners
1. George Grosz, George Grosz: An Autobiography, University of California Press, Berkely, 1998.
2. Ibid.
3. Ibid.
4. Hannah Hoch, ‘Aller Anfang ist Dada!’ Exhibition, Berlinische Galerie, Alte Jakobstrasse, Berlin, May 2007.
5. Dawn Ades, ‘Dada and Surrealism’ in Nikos Stangos (ed.), Concepts of Modern Art, Thames and Hudson, London, 1990.
6. Mel Gordon, Dada Performance, PAJ Publications, New York,1993.
7. Ibid.
8. Jason Gaiger, ‘Expressionism and the Crisis of Subjectivity’ in Steve Edwards and Paul Wood (eds), Art of the Avant-Gardes, Yale University Press, London, 2004.
Distress Cries Aloud
1. Andy Greenwald, ‘Emo: We Feel Your Pain’, in Sia, Michael (ed.) Spin: 20 Years of Alternative Music, Three Rivers Press, New York.
2. Saves the Day, In Reverie, Dreamworks CD 2003.
3. Everett True, ‘Salutation Begins at Home’, JMag no. 20, August 2008.
4. AFI, The Art of Drowning, Nitro CD, 2003.
5. Wolf-Dieter Dube, Expressionism, Praeger, New York, 1973.
6. Hugh Frederick Garten, Modern German Drama, Methuen, London, 1959.
7. Ibid.
8. Ibid.
9. Jason Gaiger, ‘Expressionism and the Crisis of Subjectivity’ in Steve Edwards and Paul Wood (eds), Art of the Avant-Gardes, Yale University Press, London, 2004.
10. Ibid.
11. Ibid.
12. Ibid.
Rock Stars Are Fascists, Too
1. Adolf Hitler, Mein Kampf, Pimlico, London, 1992.
2. Ibid.
3. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.
4. Martin Gaughn, ‘Narrating the Dada Game Plan’ in Steve Edwards and Paul Wood (eds), Art of the Avant-Gardes, Yale University Press, London, 2004.
5. Joachim Fest, The Face of the Third Reich, Weidenfeld and Nicholson, London, 1970.
6. Nick Kent ‘Into the Abyss’, Mojo Special Edition: Bowie, 2003.
7. Caspar David Friedrich in Elizabeth Gilmore Holt, From the Classicists to the Impressionists: Volume III of A Documentary History of Art, Doubleday Anchor, New York, 1966.
8. Kent, op. cit.
9. AFI, ‘Miss Murder’, (video) YouTube.com.
The Black Parade Is Dead
2. Jim Sharples, ‘In Memoriam’, Big Cheese magazine, April 2008.
3. Fred Vermorel and Judy Vermorel, ‘Julie: “He’s got a lot to answer for”’ in Hanif Kureshi and Jon Savage (eds), The Faber Book of Pop, Faber and Faber, London, 1995.
4. David Bowie, ‘Rock and Roll Suicide’ (Live version), Ziggy Stardust: The Motion Picture, RCA LP, 1982.
5. My Chemical Romance, The Black Parade Is Dead, Warner/Reprise DVD, 2008.
Insulation and Disaffection
1. Herbert Read, To Hell With Culture, Routledge, London, 2002.
2. Ibid.
3. Ibid.
4. Ibid.
5. Jenny Eliscu, ‘Rivers Cuomo Encyclopaedia of Pop’, Rolling Stone, June 2002.
Leave Them Kids Alone
1. Mark Hagen, ‘The Midnight Cowboy’, Mojo, January 1999.
2. Liza Minnelli, ‘My Chemical Romance’, Interview, April 2007.
3. Timothy Gunatilaka, ‘My Chemical Romance Saves Lives’, Spin, January 2007.
4. Guardian.co.uk, May 2008.
5. Herbert Read, To Hell With Culture, Routledge, London, 2002.
Searchable Terms
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Adorno, Theodor, 153
AFI, 81, 82–5, 104–5, 300, 306, 313
emo, 82
horror and, 130
Age of Reason, 209
Alexander, Gregg, 17
Alien Sex Fiend, 122
Alkaline Trio, The, 306
Almond, Marc, 122
Alvarez A, 281
Andi, 123
Armstrong, Karen, 161–3, 165, 172
Arnold, Matthew, 6, 32, 173–4
Artaud, 3
Astbury, Ian, 123
Atwood, Colleen, 54, 316
Baargeld, Johannes, 305
Bahr, Hermann, 308
Bailey, Bill, 21
Baker, Roy Thomas, 242
Barnard, Richard, 23
Barnard, Robert, 46
Bauhaus, 121, 158
Beatles, The, 53
Beck, 3
Beckford, William, 129
Beethoven, Ludwig van, 10, 39–42, 47, 58–9, 155, 179, 224, 317
Choral Symphony, 46
Beetlejuice, 142–3
Bellafila, Amena, 85–6
Benjamin, Walter, 3, 77
Berlin, Isiah, 46, 232
Berryman, Guy, 56
Bienstock, Freddy, 260
Birthday Party, The, 122, 154
Blake, Peter, 54
Blake, William, 52, 59, 133, 225
Blauer Reiter group, 308